After the world was created and the gods had fought their wars, the land that lay below Mount Olympus remained unpopulated, even though Gaia, the first goddess, had long yearned to make creatures to inhabit the earth. Finally, Zeus decided it was time.It was a good time to be created. No monsters roamed the earth, and the world was at peace. Zeus began to make creatures to populate this beautiful world. However, just as he was beginning, he was called away to settle a matter dividing his fellow Olympians. He decided to appoint Prometheus and Epimetheus, sons of Titans who had fought with the Olympians, to continue the project of creating earth’s first inhabitants.Although the brothers were Titans by birth, they had sided with the Olympians in the war against Cronus and the other Titans because, blessed with the gift of being able to see the future, Prometheus had foreseen the Olympian victory. Prometheus was the more sensible of the two brothers, and he always planned ahead. Epimetheus, on the other hand, always meant well, but he never planned ahead. Epimetheus never thought about the consequences of his actions until after he had completed them.
Zeus had chosen these brothers for the project of creating the first people and animals on earth because
Prometheus was an excellent potter and sculptor.Prometheus could make just about anything, and he had a
good imagination. Epimetheus was invited to work on the project because he was always eager to help his brother.Because Zeus had only just started to make the various earth creatures, the brothers had a lot of work ahead of them. After using clay to sculpt the new creatures into their basic shapes, Prometheus went to Athena, the goddess of wisdom, for advice on how to complete the work.Epimetheus stayed behind to give the unfinished creations their final distinguishing features.Athena’s advice was simple. She told Prometheus that since the creatures were already composed of earth and water, having been fashioned from clay, the only element lacking for life was air. So, Athena advised Prometheus to hold each of the newly shaped creatures up to the sky. When the wind blew into them, she promised, they would breathe and be truly alive. Meanwhile, Epimetheus continued to work. He enjoyed showing off his creative powers and granted a wide variety of interesting physical attributes to all the different creatures. Epimetheus gave some of them fur and
hair, which would protect them from the elements. He gave others teeth and claws so that they could easily
collect and eat food. In addition, he gave some of the creatures strength and speed.
When Prometheus returned from his talk with Athena, he found that once again, his brother had acted before
thinking. Epimetheus had been so excited about designing the new animals and so generous with his creative powers that he had completely forgotten to save any special gifts for the human beings. By the time the sculptor had gotten around to the humans, he had run out of ideas. They were left weak and defenseless,and they would have remained so forever if Prometheus had not stepped in.Once he realized that his brother had created a species unable to stand on its own in the new world, Prometheus set forth to fix the mistake and make human beings strong and capable of surviving among earth’s other inhabitants.First, Prometheus decided to help the humans stand upright like the gods. He turned their heads upward to the sky. This adjustment gave them the power to reason. Then he raced to the heavens where he lit a torch, using the fire of the sun. He used this fire to light up the new creatures’ powers of thought and speech. These special powers helped set the humans apart from the other animals.At first, the gods approved of Prometheus’s work. They were glad to see that there was a species on earth that had the ability to think and speak. But Prometheus was still not atisfied. He saw that Epimetheus’s poor planning had left the new humans physically weak compared to the other inhabitants of the earth. They were hungry, sad, and scared. Finally, to help the humans, Prometheus left Mount Olympus and went to live on earth with the people, in order to teach them the skills they would need to survive in the new world.
First, Prometheus showed the humans how to build houses so they would not have to live in caves. Then he
taught them how to read, and how to write numbers and letters. He helped the people learn how to tame animals and how to sail on the seas. He showed them how to heal themselves when they were sick. After he had shown the people how to foretell the future and recognize omens by looking at the way birds flew, some of the other gods became impressed by the new people. They decided to help, too. Demeter, the Olympian earth goddess, taught the new race of creatures about edible plants. With this help,the humans had better access to food, and they began to prosper and live happily for the first time.Although some of the gods were excited about the development of the humans, other gods were beginning to worry that the humans were becoming too powerful.However, despite the growing concerns of his fellow gods,Prometheus was so pleased with his creations that he decided to help the humans even more. Until this time,humans were only allowed to slaughter other animals if they were performing a sacrifice to the gods. They ate only the plants that Demeter instructed them to eat.Prometheus could see that the humans would probably need to eat the meat of other animals to survive.So Prometheus came up with a plan. First, he cut up an ox, as if for a sacrifice. Then, he divided the sections into two piles. In one pile, Prometheus wrapped up the bones of the ox and hid them under shiny morsels of fat. This pile looked like the more attractive offering in a sacrifice.For the other pile, Prometheus took the lean meat and other edible parts of the ox and wrapped them in hide, topping the pile with entrails to make the offering look disgusting. Once this was done, Prometheus asked Zeus to choose one of the two piles and keep it as the sacrificial offering; the humans would take whichever pile Zeus rejected. Not knowing that the good meat was actually hidden beneath the hide and entrails, Zeus chose the pile shimmering with fat. Once Zeus had made his choice, he had to stick with it, even after he discovered that he had chosen a pile with no edible meat in it.From then on, people offered the fat and bones of animals to the gods, and they kept the savory parts of the animals for themselves. Zeus was outraged that Prometheus had tricked him, but he decided to save his revenge for later.
This was not the only trick Prometheus played on the Olympian gods for the sake of the humans.Since the new race of creatures had no fur, they were often cold, and even though they were now allowed to eat meat, they had no way to cook it. Human beings did not know about fire or how to control it because, until this point, fire belonged only to the gods. Prometheus decided to change things.He went up to heaven and secretly stole fire from the gods.Hiding the fire inside the stalk of a fennel plant,Prometheus brought it back to the people on earth.Then he taught the people how to cook grains and meat, and how to keep fire burning so that it would always be available. Prometheus also showed the humans how they could use fire to forge metal, just as Hephaestus, the god of fire and the forge, was doing on Mount Olympus.Prometheus did all these things to help the humans because he wanted them to survive in the world now populated by other, more physically powerful creatures.Unfortunately, Prometheus’s efforts angered some of the other gods.The new people were getting too powerful and too smart. Zeus thought they needed to be stopped before they believed their own powers were supreme and they no longer heeded the authority of the gods. Furthermore, Zeus was furious with Prometheus for all his tricks.To punish Prometheus for tricking the king of the gods and for making humans so powerful, Zeus had him captured and chained to a rock on the crest of one of the
Caucasus Mountains.Every day, an enormous eagle came to the spot where Prometheus was tied. The eagle was fierce and relentless, and each day it swooped down and pecked away at Prometheus’s liver, devouring the greater part of it. Because Prometheus was immortal, his liver grew back every night, and he never died. Despite this intense torture, he endured the punishment for thirty years until Hercules came and freed him.
Unfortunately, punishing only Prometheus did not satisfy Zeus’s desire for revenge. The king of the gods had
other plans that would affect the entire human race, and it was a punishment that would last forever.
Σάββατο 31 Μαρτίου 2012
Παρασκευή 30 Μαρτίου 2012
Zeus The Greek Supreme God
The Greek supreme god of all living and all creation came at a great
price. Cronus and Rhea was his parents, Cronus was a titian and Rhea was
considered as a Titan too due to her parents which were Gaia and
Ouranos. She was known by most as The Mother Of The Gods. She was also
Cronus sister as well as spouse. Due to that Cronus had over powered his
own father and became king of the Gods he feared that his own children
would do the same thing to him as well as that Gaia and Ouranos had told
him that his children would rise up against him and take the throne for
themselves. So as Rhea had his children he would swallow them. They
would not die but just be trapped within his body they would grow inside
of him just as they would have in the world. He done this every time
just as soon as the children were born. Rhea soon grew tiered of this
and her and her parents came up with a plan to save one of the baby’s.
This baby was Zeus.
Rhea tricked Cronus into eating a rock that was wrapped up like a baby and he swallowed it while Zeus was taken to Mount Dicte in Crete where he was raised by Cynosura and Adamanthea who was nymphs. He was raised by many gods and other beings, He was suckled by The Goat named Amalthea with milk and honey in later years after Amalthea died Zeus took her skin and turned it into his royal shield known as Aegis to honor her for what she did for him. The small gods known as Kouretes soldiers would dance, clash their swords and shout to keep the cry of the baby from Cronus’s ears. In his later years a shepherd family raised him for while and taught him what they knew. Along with Gaia. In a part of his infancy Cynosura had dangled Zeus on a rope to keep him out of sight from his father due to Cronos being able to see and ruled over the heavens, Earth and the seas. So with Zeus being dangled on a rope he was in between of what Cronos could view.
After protecting Zeus and watching him grow into a nice and strong young man he son became an attendant to Cronus his father. Cronus never expected to be taken down by his servant and never give it another thought.Soon Rhea, Zeus mother and the titan goddess of wisdom Metis made up a potion for Cronus to drink. Soon after he drank it he became very sick to his stomach and soon vomited his children up.After Demeter, Hades, Hera, Hestia, and Poseidon was threw up they were in a complete out rage due to their many years of imprisonment has decided to wage war on the Titans and take over the throne of Cronus. Zeus being so wise he called to his siblings and told them that they would need help from the powerful allies as well as weapons.So they came up with a plan that would change the heavens forever.
The one eyed giants known as The Cyclopes were released from their imprisonment in Tartarus known by many as Hell. They were much grateful for their release and was willing to help them and gave them great gifts that would help in defeating the great Titans.To Zeus they gave him his thunder bolts, the trident was bestowed on Poseidon and last but not least was the helmet that when worn would turn you invisible and that gift was bestowed upon Hades.After they were well armed the battle began against their father. It was not an easy battle for it took over ten years to finish this battle and was very bloody but they soon conquered him as well as the other titans. The three brothers worked together. Hades wearing the helmet slipped up behind Cronus and with the Trident Poseidon immobilized Cronus while Zeus threw a thunderbolt at Cronus knocking him unconscious. Even with the victory of this the reign of the Olympians had just started and it would last forever. All of the Titans were drove defeated into the pits of Tartarus. After many generation of mortal life Cronus and the rest of the Titans were set free. Cronus resided as King of time in the Elysian Islands.
After the battle was over and the titans were placed in imprisonment the three brothers drew lots and divided up the heavens and earth between them. Zeus was made the supreme ruler due to what he draw, Hades was made God of the underworld and the sea and all waters went to Poseidon. But they all agreed to share the ruling of the earth and all of the mortals and creatures that roamed the earth.Zeus having acquiring his new powers and position he soon got above every one and let this go to his head and he had a bad habit of abusing his powers for many a years. He built a palace way above the clouds on Mount Olympus and would punish any one that displeased him or misinformed him by throwing his lighting bolts at them. This happen very often.Soon Zeus grew lonely and wanted a wife so he pursued Metis because she had helped to rescue his siblings. She reclined him and changed her forum and hid from the Great Lord Zeus. He was so desperate to have her that he did not give up til she finally gave in and became his wife.. Metis soon became pregnant and when this happen Gaia became very upset at how Zeus was acting and gave him a prophecy that any son of Zeus and Metis would over throw his father and take control of it. Upon this news he swallowed Metis to keep her from having a son.
Metis was not going to have a son for it was a daughter who would soon become a great goddess as well. The child was born and grew with in the head of Zeus. he soon began to have terrible head aches that would end all head aches. After this went on for so many years the god of the forge Hephaestus created an golden axe for he seen how much misery Zeus was in. After the axe was forged he went to the Lord Zeus and split his head open to relive the pain and when he did this out stepped a beautiful fully grown woman clothed and ready to take her stance on the throne next to her father. She was Apollo goddess of war as well as her father’s most trusted adviser and ally.Zeus still being wild and not ready to settle down after Metis he had his way with many of the goddess and mortals. He would transform himself into many things to seduce them and had many children before he deiced to marry and after he was married to Hera.
He decided that Hera would be his bride but she was not interested in him due to his childishness ways. He was determined to marry her so he turned himself into a cuckoo then created a thunder storm that drenched him. Hera with the kind heart that she had she picked up the little bird and held it close to her heart trying to get it warm. As she did so Zeus changed into himself and told her that he was just as vulnerable as that bird and for her to take pity on him as she did the cuckoo for he was madly in love with her. After this happen Hera soon realized that she too love him and consented to his proposal. She became the Queen of the Heavens. Everyone thought that after marring Hera Zeus would calm down and she did manage to calm him down a bit. All was so jealous of Hera because she was so loved by the Lord God Zeus. Some says that their marriage went great with a 300 year honeymoon but soon died and he started roaming again with other lovers.
Zeus had many wives goddesses as well as mortal lovers and all bore his children Metos who was goddess of wisdom was his first wife and she bore Athena.Themis was his second wife and bore to him Dike, Eirene, Eunomia, Horae, and Fates.Titaness was his third wife and bore to him nine children who became the Muses.Leto was his fourth wife whom he seduced forced her to marry him and she bore to him the twins, Appolo and Artemis.Hera was his final and last wife she was his permanent companion and bore him four children who was Hephaestus, Ares, Hebe and Eileithyae. It has been said that Hera born Hephaestus on her own and he had no father at all. But it is still said that Zeus is his father.Zeus had many children including the most well known Hercules.
In one story of how Zeus got Hera was that he turned himself into an injured bird and Hera felt sorry for the little creature and she picked it up holding it close to her breast to give it warmth and Zeus took advantage of this then raped Hera. Hera married him only to cover up her shame of what happen but she did not love him and was cruel-hearted to him. She had at one time tried to make things work between them but Zeus not being a very faithful husband and sleeping with many lovers she lost all that she may have had for him and started planing her revenge against him and all of his lovers and children that were born from his cheating.
Hera so displeased with the things that Zeus did and they way he was ruling was like a child and her and the other gods was very displeased with this so Hera thought up of a way to get rid of Zeus and over throw him. Hera drugged him and the others took him and tied him to a couch in a rope that was on breakable. There was so many ties that there was no way that he could get free on his own. But he had friends in high places that was still loyal to him, Briareus had over heard the quarreling of the others and decided to sneak in to see what was going on. The gods and goddesses were all not paying any attention to Zeus thinking that he was out of the picture that Briareus was able to untie him farley fast. As soon as he had him untied Zeus sprang from the couch and instantly grabbed his thunder bolt. The Gods and goddesses all fell to their knees begging forgiveness.He dealt with each of them but Hera got the worst punishment of them all. she was hung from the stars in gold chains and heavy anvils on her her ankles. For three nights and days she hang there moaning and groaning not letting Zeus get any peace nor sleep so her told her that he would let her go if she made a promise to him that she would never go against him every again or do any trickery to him. She had no choice but to agree to this so she did and he released her. Even though she never went against him ever again she still out witted him many times as well as to butt into his plans and ruin them.
The plot against him seem to get through some what and he began to shape up as the leader he should have been he was merciful and gave the right punishments for the rightful crime committed. Some times he would not even punish those who wronged him but warned them some times. All went back to normal Zeus became the highest ranking God of all of the Mount Olympus.He was not such of an arrogant ruler any more although his lust was never satisfied and his marriage was never happy for Hera was never pleased over his affairs and what woman would be.
Rhea tricked Cronus into eating a rock that was wrapped up like a baby and he swallowed it while Zeus was taken to Mount Dicte in Crete where he was raised by Cynosura and Adamanthea who was nymphs. He was raised by many gods and other beings, He was suckled by The Goat named Amalthea with milk and honey in later years after Amalthea died Zeus took her skin and turned it into his royal shield known as Aegis to honor her for what she did for him. The small gods known as Kouretes soldiers would dance, clash their swords and shout to keep the cry of the baby from Cronus’s ears. In his later years a shepherd family raised him for while and taught him what they knew. Along with Gaia. In a part of his infancy Cynosura had dangled Zeus on a rope to keep him out of sight from his father due to Cronos being able to see and ruled over the heavens, Earth and the seas. So with Zeus being dangled on a rope he was in between of what Cronos could view.
After protecting Zeus and watching him grow into a nice and strong young man he son became an attendant to Cronus his father. Cronus never expected to be taken down by his servant and never give it another thought.Soon Rhea, Zeus mother and the titan goddess of wisdom Metis made up a potion for Cronus to drink. Soon after he drank it he became very sick to his stomach and soon vomited his children up.After Demeter, Hades, Hera, Hestia, and Poseidon was threw up they were in a complete out rage due to their many years of imprisonment has decided to wage war on the Titans and take over the throne of Cronus. Zeus being so wise he called to his siblings and told them that they would need help from the powerful allies as well as weapons.So they came up with a plan that would change the heavens forever.
The one eyed giants known as The Cyclopes were released from their imprisonment in Tartarus known by many as Hell. They were much grateful for their release and was willing to help them and gave them great gifts that would help in defeating the great Titans.To Zeus they gave him his thunder bolts, the trident was bestowed on Poseidon and last but not least was the helmet that when worn would turn you invisible and that gift was bestowed upon Hades.After they were well armed the battle began against their father. It was not an easy battle for it took over ten years to finish this battle and was very bloody but they soon conquered him as well as the other titans. The three brothers worked together. Hades wearing the helmet slipped up behind Cronus and with the Trident Poseidon immobilized Cronus while Zeus threw a thunderbolt at Cronus knocking him unconscious. Even with the victory of this the reign of the Olympians had just started and it would last forever. All of the Titans were drove defeated into the pits of Tartarus. After many generation of mortal life Cronus and the rest of the Titans were set free. Cronus resided as King of time in the Elysian Islands.
After the battle was over and the titans were placed in imprisonment the three brothers drew lots and divided up the heavens and earth between them. Zeus was made the supreme ruler due to what he draw, Hades was made God of the underworld and the sea and all waters went to Poseidon. But they all agreed to share the ruling of the earth and all of the mortals and creatures that roamed the earth.Zeus having acquiring his new powers and position he soon got above every one and let this go to his head and he had a bad habit of abusing his powers for many a years. He built a palace way above the clouds on Mount Olympus and would punish any one that displeased him or misinformed him by throwing his lighting bolts at them. This happen very often.Soon Zeus grew lonely and wanted a wife so he pursued Metis because she had helped to rescue his siblings. She reclined him and changed her forum and hid from the Great Lord Zeus. He was so desperate to have her that he did not give up til she finally gave in and became his wife.. Metis soon became pregnant and when this happen Gaia became very upset at how Zeus was acting and gave him a prophecy that any son of Zeus and Metis would over throw his father and take control of it. Upon this news he swallowed Metis to keep her from having a son.
Metis was not going to have a son for it was a daughter who would soon become a great goddess as well. The child was born and grew with in the head of Zeus. he soon began to have terrible head aches that would end all head aches. After this went on for so many years the god of the forge Hephaestus created an golden axe for he seen how much misery Zeus was in. After the axe was forged he went to the Lord Zeus and split his head open to relive the pain and when he did this out stepped a beautiful fully grown woman clothed and ready to take her stance on the throne next to her father. She was Apollo goddess of war as well as her father’s most trusted adviser and ally.Zeus still being wild and not ready to settle down after Metis he had his way with many of the goddess and mortals. He would transform himself into many things to seduce them and had many children before he deiced to marry and after he was married to Hera.
He decided that Hera would be his bride but she was not interested in him due to his childishness ways. He was determined to marry her so he turned himself into a cuckoo then created a thunder storm that drenched him. Hera with the kind heart that she had she picked up the little bird and held it close to her heart trying to get it warm. As she did so Zeus changed into himself and told her that he was just as vulnerable as that bird and for her to take pity on him as she did the cuckoo for he was madly in love with her. After this happen Hera soon realized that she too love him and consented to his proposal. She became the Queen of the Heavens. Everyone thought that after marring Hera Zeus would calm down and she did manage to calm him down a bit. All was so jealous of Hera because she was so loved by the Lord God Zeus. Some says that their marriage went great with a 300 year honeymoon but soon died and he started roaming again with other lovers.
Zeus had many wives goddesses as well as mortal lovers and all bore his children Metos who was goddess of wisdom was his first wife and she bore Athena.Themis was his second wife and bore to him Dike, Eirene, Eunomia, Horae, and Fates.Titaness was his third wife and bore to him nine children who became the Muses.Leto was his fourth wife whom he seduced forced her to marry him and she bore to him the twins, Appolo and Artemis.Hera was his final and last wife she was his permanent companion and bore him four children who was Hephaestus, Ares, Hebe and Eileithyae. It has been said that Hera born Hephaestus on her own and he had no father at all. But it is still said that Zeus is his father.Zeus had many children including the most well known Hercules.
In one story of how Zeus got Hera was that he turned himself into an injured bird and Hera felt sorry for the little creature and she picked it up holding it close to her breast to give it warmth and Zeus took advantage of this then raped Hera. Hera married him only to cover up her shame of what happen but she did not love him and was cruel-hearted to him. She had at one time tried to make things work between them but Zeus not being a very faithful husband and sleeping with many lovers she lost all that she may have had for him and started planing her revenge against him and all of his lovers and children that were born from his cheating.
Hera so displeased with the things that Zeus did and they way he was ruling was like a child and her and the other gods was very displeased with this so Hera thought up of a way to get rid of Zeus and over throw him. Hera drugged him and the others took him and tied him to a couch in a rope that was on breakable. There was so many ties that there was no way that he could get free on his own. But he had friends in high places that was still loyal to him, Briareus had over heard the quarreling of the others and decided to sneak in to see what was going on. The gods and goddesses were all not paying any attention to Zeus thinking that he was out of the picture that Briareus was able to untie him farley fast. As soon as he had him untied Zeus sprang from the couch and instantly grabbed his thunder bolt. The Gods and goddesses all fell to their knees begging forgiveness.He dealt with each of them but Hera got the worst punishment of them all. she was hung from the stars in gold chains and heavy anvils on her her ankles. For three nights and days she hang there moaning and groaning not letting Zeus get any peace nor sleep so her told her that he would let her go if she made a promise to him that she would never go against him every again or do any trickery to him. She had no choice but to agree to this so she did and he released her. Even though she never went against him ever again she still out witted him many times as well as to butt into his plans and ruin them.
The plot against him seem to get through some what and he began to shape up as the leader he should have been he was merciful and gave the right punishments for the rightful crime committed. Some times he would not even punish those who wronged him but warned them some times. All went back to normal Zeus became the highest ranking God of all of the Mount Olympus.He was not such of an arrogant ruler any more although his lust was never satisfied and his marriage was never happy for Hera was never pleased over his affairs and what woman would be.
Ετικέτες
crete,
cronos,
cronus,
Cyclopes,
Greek gods,
greek polytheism,
hera,
Mount Olympus,
mythology,
Olympians,
rhea,
titans,
Zeus
Πέμπτη 29 Μαρτίου 2012
Hesiod's Theogony the origin of the Gods and the Cosmos
Hesiod's Theogony is an epic poem describing the origins and genealogies of Greek polytheism, composed around 700 BC.The Theogony "the birth of the gods" is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered as a divine primordial condition from which everything else appeared. Theogony is a part of Greek mythology which embodies the desire to articulate reality as a whole.
In many cultures, narratives about the origin of the cosmos and about the gods that shaped it are a way for society to reaffirm its native cultural traditions. Specifically, theogonies tend to affirm kingship as the natural embodiment of society. What makes the Theogony of Hesiod unique is that it affirms no historical royal line. Such a gesture would have sited the Theogony in one time and one place. Rather, the Theogony affirms the kingship of the god Zeus himself over all the other gods and over the whole cosmos.
Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.
Although it is often used as a sourcebook for Greek mythology, the Theogony is both more and less than that. In formal terms it is a hymn invoking Zeus and the Muses: parallel passages between it and the much shorter Homeric Hymn to the Muses make it clear that the Theogony developed out of a tradition of hymnic preludes with which an ancient Greek rhapsode would begin his performance at poetic competitions. It is necessary to see the Theogony not as the definitive source of Greek mythology, but rather as a snapshot of a dynamic tradition that happened to crystallize when Hesiod formulated the myths he knew—and to remember that the traditions have continued evolving since that time.
The written form of the Theogony was established in the sixth century. Even some conservative editors have concluded that the Typhon episode (820–68) is an interpolation.
Hesiod was probably influenced by the Mycenaean tradition.
Creation of the world-mythical cosmogonies
In the Theogony the initial state of the universe, or the origin (arche) is Chaos, a gaping void (abyss) considered as a divine primordial condition, from which appeared everything that exists. Then came Gaia (Earth), Tartarus (the cave-like space under the earth; the later-born Erebus is the darkness in this space), and Eros (Love). Hesiod made an abstraction because his original chaos is something completely indefinite. By contrast, in the Orphic cosmogony the unaging Chronos produced Aether and Chaos and made a silvery egg in divine Aether. From it appeared the bisexual god Phanes, identified by the Orphics as Eros, who becomes the creator of the world.Some similar ideas appear in the Hindu cosmology which is similar to the Vedic. In the beginning there was nothing in the universe but only darkness and the divine essence who removed the darkness and created the primordial waters. His seed produced the universal germ (Hiranyagarbha), from which everything else appeared.In the Babylonian creation story Enuma Elish the universe was in a formless state and is described as a watery chaos. From it emerged two primary gods, the male Apsu and female Tiamat, and a third deity who is the maker Mummu and his power is necessary to get the job of birth. In Genesis the primordial world is described as a watery chaos and the earth "without form and void". The spirit of Elohiym moved upon the dark face of the waters and commanded there to be light.
First generation
After the speaker declares that he has received the blessings of the Muses and thanks them for giving him inspiration, he explains that Chaos arose spontaneously. Then came Gaia (Earth) {the more orderly and safe foundation that would serve as a home for the gods, mortals, and Tartarus - in the depth of the Earth}, and Eros, the fairest among the deathless gods. Eros serves an important role in sexual reproduction, before which children had to be produced by means of parthenogenesis.
From Chaos came Erebus (place of darkness between the earth and the underworld) and Nyx (Night). Erebus and Nyx reproduced to make Aether (the outer atmosphere where the gods breathed) and Hemera (Day). From Gaia came Uranus (Sky), the Ourea (Mountains), and Pontus (Sea).
Uranus mated with Gaia to create twelve Titans: Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys and Cronus; three cyclopes: Brontes, Steropes and Arges; and three Hecatonchires: Kottos, Briareos, and Gyges.
Second generation
Uranus was disgusted with his children, the Hecatonchires, so he hid them away somewhere in Gaia. Angered by this, Gaia asked her children the Titans to punish their father. Only Cronus was willing to do so. Cronus castrated his father with a sickle from Gaia. The blood from Uranus splattered onto the earth producing Erinyes (the Furies), Giants, and Meliai. Cronus threw the severed testicles into the Sea (Thalassa), around which foam developed and transformed into the goddess of Love, Aphrodite (which is why in some myths, Aphrodite was daughter of Uranus and the goddess Thalassa).
Meanwhile, Nyx, though she married Erebos, produced children parthenogenetically: Moros (Doom), Oneiroi (Dreams), Ker and the Keres (Destinies), Eris (Discord), Momos (Blame), Philotes (Love), Geras (Old Age), Thanatos (Death), Moirai (Fates), Nemesis (Retribution), Hesperides (Daughters of Night), Hypnos (Sleep), Oizys (Hardship), and Apate (Deceit).
From Eris, following in her mother's footsteps, came Ponos (Pain), Hysmine (Battles), the Neikea (Quarrels), the Phonoi (Murders), Lethe (Oblivion), Makhai (Fight), Pseudologos (Lies), Amphilogia (Disputes), Limos (Famine), Androktasia (Manslaughters), Ate (Ruin), Dysnomia (Anarchy and Disobedient Lawlessness), the Algea (Illness), Horkos (Oaths), and Logoi (Stories).
After Uranus's castration, Gaia married Pontus and they have a descendent line consisting of sea deities, sea nymphs, and hybrid monsters. One child of Gaia and Pontus is Nereus (Old Man of the Sea), who marries Doris, a daughter of Oceanus and Tethys, and has Nereids, the fifty nymphs of the sea - one of whom is Thetis. Another child of Gaia and Pontus is Thaumas, who marries Electra, a sister of Doris, and has Iris (Rainbow) and two Harpies.
Phorcys and Ceto, two siblings, marry each other and have the Graiae, the Gorgons, Echidna, and Ophion. Medusa, one of the Gorgons, has two children with Poseidon, the winged-horse Pegasus and giant Chrysaor, at the instant of her decapitation by Perseus. Chrysaor marries Callirhoe, another daughter of Oceanus, and has the three-headed Geryon.
Gaia also marries Tartarus and has Typhon, whom Echidna marries and has Orthos, Kerberos, Hydra, and Chimera. From Orthos and either Chimera or Echidna were born the Sphinx and the Nemean Lion.
In the family of the Titans, Oceanus and Tethys marry and have three thousand rivers (including the Nile and Skamandar) and three thousand Okeanid Nymphs (including Electra, Calypso, and Styx). Theia and Hyperion marry and have Helios (Sun), Selene (Moon), and Eos (Dawn). Kreios and Eurybia marry to bear Astraios, Pallas, and Perses. Eos and Astraios will later marry and have Zephyros, Boreas, Notos, Eosphoros, Hesperos, Phosphoros and the Stars (foremost of which are Phaenon, Phaethon, Pyroeis, Stilbon, those of the Zodiac.
From Pallas and Styx (another Okeanid) came Zelus (Zeal), Nike (Victory), Cratos (Strength), and Bia (Force). Koios and Phoibe marry and have Leto, Asteria (who later marries Perses and has Hekate). Iapetos marries Klymene (an Okeanid Nymph) and had Atlas, Menoetius, Prometheus, and Epimetheus.
Third and final generation
Cronus, having taken control of the Cosmos, wanted to ensure that he maintained power. Uranus and Gaia prophesied to him that one of his children would overthrow him, so when he married Rhea, he made sure to swallow each of the children she birthed: Hestia, Demeter, Hera, Hades, Poseidon, Zeus (in that order). However, Rhea asked Gaia and Uranus for help in saving Zeus by sending Rhea to Crete to bear Zeus and giving Cronus a huge stone to swallow thinking that it was another of Rhea's children. Gaia then takes Zeus and hides him deep in a cave beneath the Aegean Mountains.Tricked by Gaia, Cronus vomits up his other five children. Joining with Zeus, they waged a great war on the Titans for control of the Cosmos. The war lasted ten years, with the Olympian gods, Cyclopes, Prometheus and Epimetheus, the children of Klymene, on one side, and the Titans and the Giants on the other (with only Oceanos as a neutral force). Eventually Zeus releases the Hundred-Handed ones to shake the earth, allowing him to gain the upper hand, and casts the fury of his thunderbolts at the Titans, throwing them into Tartarus. Zeus later must battle Typhon, a son of Gaia and Tartarus created because Gaia was angry that the Titans were defeated, and is victorious again.
Because Prometheus helped Zeus, he was not sent to Tartarus like the other Titans. However, Prometheus sought to trick Zeus. Slaughtering a cow, he took the valuable fat and meat, and sewed it inside the cow's stomach. Prometheus then took the bones and hid them with a thin layer of fat. Prometheus asked Zeus' opinion on which offering pile he found more desirable, hoping to trick the god into selecting the less desirable portion. However, Hesiod relates that Zeus saw through the trick and responded in a fury. Zeus declared that the ash tree would never hold fire, in effect denying the benefit of fire to man. In response, Prometheus sneaks into the gods' chambers and steals a glowing ember with a piece of reed.
For this theft, Zeus punishes Prometheus by chaining him to a cliff, where an eagle fed on his ever-regenerating liver every day. Prometheus would not be freed until Heracles, a son of Zeus, comes to free him. Since man had access to fire, Zeus devises woman as a general punishment in trade. Hephaistos and Athena build woman with exquisite detail, and she is considered beautiful by all men and gods (it is generally agreed in academic translations that this woman is Pandora). Despite her beauty, Hesiod writes that woman is a bane for mankind, attributing women with laziness and a waste of resources. Hesiod notes that Zeus' curse, womankind, can only bring man suffering as his wife, and any man who tries to avoid marriage will suffer.
Zeus marries seven wives. The first is the Oceanid Metis, whom he swallowed to avoid getting a son that, as happened with Cronus and Uranus, would overthrow him, as well as to absorb her wisdom so that she can advise him in the future. He would later "give birth" to Athena from his head, which would anger Hera enough for her to produce her own son parthenogenetically, Typhaon, the part snake, part dragon sea monster, or in other versions Hephaistos, god of fire and blacksmiths. The second wife is Themis, who bears the three Horae (Hours) – Eunomia (Order), Dike (Justice), Eirene (Peace) and the three Moirai (Fates) – Clotho (Spinner), Lachesis (Alotter), Atropos (Unturned), as well as Tyche. Zeus then married his third wife Eurynome, who bears the three Charites (Graces): Aglaia, Euphrosyne, and Thalia.
The fourth wife is Demeter, who bears Persephone. Persephone would later marry Hades, and bear Melinoe, Goddess of Ghosts, and Zagreus, God of the Orphic Mysteries, and Macaria, Goddess of the Blessed Afterlife. The fifth wife of Zeus is another aunt, Mnemosyne, from whom came the nine Muses – Clio, Euterpe, Thaleia, Melpomene, Terpsikhore, Erato, Polymnia, Urania, and Calliope. The sixth wife is Leto, who gives birth to Apollo and Artemis. The seventh and final wife is Hera, who gives birth to Hebe, Ares, Enyo, Hephaistos,and Eileithyia. Of course, though Zeus no longer marries, he still has affairs with many other women, such as Semele, mother of Dionysus, Danae, mother of Perseus, Leda, mother of Castor and Polydeuces and Helen, and Alkmene, the mother of Heracles, who marries Hebe.
Poseidon marries Amphitrite and produces Triton. Aphrodite, who married to Hephaistos, nevertheless has an affair with Ares to have Eros (Love), Phobos (Fear), Deimos (Cowardice), and Harmonia (Harmony), who would later marry Cadmus to sire Ino (who with her son, Melicertes would become a sea deity) Semele (Mother of Dionysos), Autonoe (Mother of Actaeon), Polydorus, and Agave (Mother of Pentheus). Helios and Perseis birth Circe. Circe with Poseidon would in turn beget Phaunos, God of the Forest, and with Dionysos mother Comos, God of Revelry and Festivity . After coupling with Odysseus, Circe would later give birth to Agrius, Latinus, and Telegonos. ] Atlas' daughter Calypso would also bear Odysseus two sons, Nausithoos and Nausinous.
Influence on earliest Greek Philosophy
The heritage of Greek mythology already embodied the desire to articulate reality as a whole and this universalizing impulse was fundamental for the first projects of speculative theorizing. It appears that the order of being was first imaginatively visualized before it was abstractly thought. Hesiod impressed by necessity governing the ordering of things discloses a definite pattern in the Genesis and appearance of the Gods. These ideas made something like cosmological speculation possible. The earliest rhetoric of reflection all gravitate about two interrelated things, the experience of wonder as a living involvement with the divine order of things and the absolute conviction that beyond the totality of things, reality forms a beautiful and harmonious Whole.In the Theogony the origin (arche) is Chaos, a divine primordial condition and there are the roots and the ends of the earth, sky, sea and Tartarus. Pherecydes of Syros (6th century BC), believed that there were three pre-existent divine principles and called the water also Chaos. In the language of the archaic period (8th – 6th century BC), arche (or archai), designates the source, origin or root of things that exist. If a thing is to be well established or founded, its arche or static point must be secure, and the most secure foundations are those provided by the gods: the indestructible, immutable and eternal ordering of things.
In ancient Greek philosophy, arche is the element or first principle of all things, a permanent nature or substance which is conserved in the generation of the rest of it. From this all things come to be and into it they are resolved in a final state. (Aristotle, Metaph. A983,b6ff). It is the divine horizon of substance that encompasses and rules all things. Thales (7th – 6th century BC), the first Greek philosopher claimed that the first principle of all things is water. Anaximander (6th century BC) was the first philosopher who used the term arche for that which writers from Aristotle on call the "substratum" (Hippolitus I,6,I DK B2). Anaximander claimed that the beginning or first principle is an endless mass (Apeiron) subject to neither age nor decay, from which all things are being born and then they are destructed there. A fragment from Xenophanes (6th century BC) shows the transition from Chaos to Apeiron: "The upper limit of earth borders on air. The lower limit of earth reaches down to the unlimited (i.e the Apeiron)."
In many cultures, narratives about the origin of the cosmos and about the gods that shaped it are a way for society to reaffirm its native cultural traditions. Specifically, theogonies tend to affirm kingship as the natural embodiment of society. What makes the Theogony of Hesiod unique is that it affirms no historical royal line. Such a gesture would have sited the Theogony in one time and one place. Rather, the Theogony affirms the kingship of the god Zeus himself over all the other gods and over the whole cosmos.
Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.
Although it is often used as a sourcebook for Greek mythology, the Theogony is both more and less than that. In formal terms it is a hymn invoking Zeus and the Muses: parallel passages between it and the much shorter Homeric Hymn to the Muses make it clear that the Theogony developed out of a tradition of hymnic preludes with which an ancient Greek rhapsode would begin his performance at poetic competitions. It is necessary to see the Theogony not as the definitive source of Greek mythology, but rather as a snapshot of a dynamic tradition that happened to crystallize when Hesiod formulated the myths he knew—and to remember that the traditions have continued evolving since that time.
The written form of the Theogony was established in the sixth century. Even some conservative editors have concluded that the Typhon episode (820–68) is an interpolation.
Hesiod was probably influenced by the Mycenaean tradition.
Creation of the world-mythical cosmogonies
In the Theogony the initial state of the universe, or the origin (arche) is Chaos, a gaping void (abyss) considered as a divine primordial condition, from which appeared everything that exists. Then came Gaia (Earth), Tartarus (the cave-like space under the earth; the later-born Erebus is the darkness in this space), and Eros (Love). Hesiod made an abstraction because his original chaos is something completely indefinite. By contrast, in the Orphic cosmogony the unaging Chronos produced Aether and Chaos and made a silvery egg in divine Aether. From it appeared the bisexual god Phanes, identified by the Orphics as Eros, who becomes the creator of the world.Some similar ideas appear in the Hindu cosmology which is similar to the Vedic. In the beginning there was nothing in the universe but only darkness and the divine essence who removed the darkness and created the primordial waters. His seed produced the universal germ (Hiranyagarbha), from which everything else appeared.In the Babylonian creation story Enuma Elish the universe was in a formless state and is described as a watery chaos. From it emerged two primary gods, the male Apsu and female Tiamat, and a third deity who is the maker Mummu and his power is necessary to get the job of birth. In Genesis the primordial world is described as a watery chaos and the earth "without form and void". The spirit of Elohiym moved upon the dark face of the waters and commanded there to be light.
First generation
After the speaker declares that he has received the blessings of the Muses and thanks them for giving him inspiration, he explains that Chaos arose spontaneously. Then came Gaia (Earth) {the more orderly and safe foundation that would serve as a home for the gods, mortals, and Tartarus - in the depth of the Earth}, and Eros, the fairest among the deathless gods. Eros serves an important role in sexual reproduction, before which children had to be produced by means of parthenogenesis.
From Chaos came Erebus (place of darkness between the earth and the underworld) and Nyx (Night). Erebus and Nyx reproduced to make Aether (the outer atmosphere where the gods breathed) and Hemera (Day). From Gaia came Uranus (Sky), the Ourea (Mountains), and Pontus (Sea).
Uranus mated with Gaia to create twelve Titans: Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys and Cronus; three cyclopes: Brontes, Steropes and Arges; and three Hecatonchires: Kottos, Briareos, and Gyges.
Second generation
Uranus was disgusted with his children, the Hecatonchires, so he hid them away somewhere in Gaia. Angered by this, Gaia asked her children the Titans to punish their father. Only Cronus was willing to do so. Cronus castrated his father with a sickle from Gaia. The blood from Uranus splattered onto the earth producing Erinyes (the Furies), Giants, and Meliai. Cronus threw the severed testicles into the Sea (Thalassa), around which foam developed and transformed into the goddess of Love, Aphrodite (which is why in some myths, Aphrodite was daughter of Uranus and the goddess Thalassa).
Meanwhile, Nyx, though she married Erebos, produced children parthenogenetically: Moros (Doom), Oneiroi (Dreams), Ker and the Keres (Destinies), Eris (Discord), Momos (Blame), Philotes (Love), Geras (Old Age), Thanatos (Death), Moirai (Fates), Nemesis (Retribution), Hesperides (Daughters of Night), Hypnos (Sleep), Oizys (Hardship), and Apate (Deceit).
From Eris, following in her mother's footsteps, came Ponos (Pain), Hysmine (Battles), the Neikea (Quarrels), the Phonoi (Murders), Lethe (Oblivion), Makhai (Fight), Pseudologos (Lies), Amphilogia (Disputes), Limos (Famine), Androktasia (Manslaughters), Ate (Ruin), Dysnomia (Anarchy and Disobedient Lawlessness), the Algea (Illness), Horkos (Oaths), and Logoi (Stories).
After Uranus's castration, Gaia married Pontus and they have a descendent line consisting of sea deities, sea nymphs, and hybrid monsters. One child of Gaia and Pontus is Nereus (Old Man of the Sea), who marries Doris, a daughter of Oceanus and Tethys, and has Nereids, the fifty nymphs of the sea - one of whom is Thetis. Another child of Gaia and Pontus is Thaumas, who marries Electra, a sister of Doris, and has Iris (Rainbow) and two Harpies.
Phorcys and Ceto, two siblings, marry each other and have the Graiae, the Gorgons, Echidna, and Ophion. Medusa, one of the Gorgons, has two children with Poseidon, the winged-horse Pegasus and giant Chrysaor, at the instant of her decapitation by Perseus. Chrysaor marries Callirhoe, another daughter of Oceanus, and has the three-headed Geryon.
Gaia also marries Tartarus and has Typhon, whom Echidna marries and has Orthos, Kerberos, Hydra, and Chimera. From Orthos and either Chimera or Echidna were born the Sphinx and the Nemean Lion.
In the family of the Titans, Oceanus and Tethys marry and have three thousand rivers (including the Nile and Skamandar) and three thousand Okeanid Nymphs (including Electra, Calypso, and Styx). Theia and Hyperion marry and have Helios (Sun), Selene (Moon), and Eos (Dawn). Kreios and Eurybia marry to bear Astraios, Pallas, and Perses. Eos and Astraios will later marry and have Zephyros, Boreas, Notos, Eosphoros, Hesperos, Phosphoros and the Stars (foremost of which are Phaenon, Phaethon, Pyroeis, Stilbon, those of the Zodiac.
From Pallas and Styx (another Okeanid) came Zelus (Zeal), Nike (Victory), Cratos (Strength), and Bia (Force). Koios and Phoibe marry and have Leto, Asteria (who later marries Perses and has Hekate). Iapetos marries Klymene (an Okeanid Nymph) and had Atlas, Menoetius, Prometheus, and Epimetheus.
Third and final generation
Cronus, having taken control of the Cosmos, wanted to ensure that he maintained power. Uranus and Gaia prophesied to him that one of his children would overthrow him, so when he married Rhea, he made sure to swallow each of the children she birthed: Hestia, Demeter, Hera, Hades, Poseidon, Zeus (in that order). However, Rhea asked Gaia and Uranus for help in saving Zeus by sending Rhea to Crete to bear Zeus and giving Cronus a huge stone to swallow thinking that it was another of Rhea's children. Gaia then takes Zeus and hides him deep in a cave beneath the Aegean Mountains.Tricked by Gaia, Cronus vomits up his other five children. Joining with Zeus, they waged a great war on the Titans for control of the Cosmos. The war lasted ten years, with the Olympian gods, Cyclopes, Prometheus and Epimetheus, the children of Klymene, on one side, and the Titans and the Giants on the other (with only Oceanos as a neutral force). Eventually Zeus releases the Hundred-Handed ones to shake the earth, allowing him to gain the upper hand, and casts the fury of his thunderbolts at the Titans, throwing them into Tartarus. Zeus later must battle Typhon, a son of Gaia and Tartarus created because Gaia was angry that the Titans were defeated, and is victorious again.
Because Prometheus helped Zeus, he was not sent to Tartarus like the other Titans. However, Prometheus sought to trick Zeus. Slaughtering a cow, he took the valuable fat and meat, and sewed it inside the cow's stomach. Prometheus then took the bones and hid them with a thin layer of fat. Prometheus asked Zeus' opinion on which offering pile he found more desirable, hoping to trick the god into selecting the less desirable portion. However, Hesiod relates that Zeus saw through the trick and responded in a fury. Zeus declared that the ash tree would never hold fire, in effect denying the benefit of fire to man. In response, Prometheus sneaks into the gods' chambers and steals a glowing ember with a piece of reed.
For this theft, Zeus punishes Prometheus by chaining him to a cliff, where an eagle fed on his ever-regenerating liver every day. Prometheus would not be freed until Heracles, a son of Zeus, comes to free him. Since man had access to fire, Zeus devises woman as a general punishment in trade. Hephaistos and Athena build woman with exquisite detail, and she is considered beautiful by all men and gods (it is generally agreed in academic translations that this woman is Pandora). Despite her beauty, Hesiod writes that woman is a bane for mankind, attributing women with laziness and a waste of resources. Hesiod notes that Zeus' curse, womankind, can only bring man suffering as his wife, and any man who tries to avoid marriage will suffer.
Zeus marries seven wives. The first is the Oceanid Metis, whom he swallowed to avoid getting a son that, as happened with Cronus and Uranus, would overthrow him, as well as to absorb her wisdom so that she can advise him in the future. He would later "give birth" to Athena from his head, which would anger Hera enough for her to produce her own son parthenogenetically, Typhaon, the part snake, part dragon sea monster, or in other versions Hephaistos, god of fire and blacksmiths. The second wife is Themis, who bears the three Horae (Hours) – Eunomia (Order), Dike (Justice), Eirene (Peace) and the three Moirai (Fates) – Clotho (Spinner), Lachesis (Alotter), Atropos (Unturned), as well as Tyche. Zeus then married his third wife Eurynome, who bears the three Charites (Graces): Aglaia, Euphrosyne, and Thalia.
The fourth wife is Demeter, who bears Persephone. Persephone would later marry Hades, and bear Melinoe, Goddess of Ghosts, and Zagreus, God of the Orphic Mysteries, and Macaria, Goddess of the Blessed Afterlife. The fifth wife of Zeus is another aunt, Mnemosyne, from whom came the nine Muses – Clio, Euterpe, Thaleia, Melpomene, Terpsikhore, Erato, Polymnia, Urania, and Calliope. The sixth wife is Leto, who gives birth to Apollo and Artemis. The seventh and final wife is Hera, who gives birth to Hebe, Ares, Enyo, Hephaistos,and Eileithyia. Of course, though Zeus no longer marries, he still has affairs with many other women, such as Semele, mother of Dionysus, Danae, mother of Perseus, Leda, mother of Castor and Polydeuces and Helen, and Alkmene, the mother of Heracles, who marries Hebe.
Poseidon marries Amphitrite and produces Triton. Aphrodite, who married to Hephaistos, nevertheless has an affair with Ares to have Eros (Love), Phobos (Fear), Deimos (Cowardice), and Harmonia (Harmony), who would later marry Cadmus to sire Ino (who with her son, Melicertes would become a sea deity) Semele (Mother of Dionysos), Autonoe (Mother of Actaeon), Polydorus, and Agave (Mother of Pentheus). Helios and Perseis birth Circe. Circe with Poseidon would in turn beget Phaunos, God of the Forest, and with Dionysos mother Comos, God of Revelry and Festivity . After coupling with Odysseus, Circe would later give birth to Agrius, Latinus, and Telegonos. ] Atlas' daughter Calypso would also bear Odysseus two sons, Nausithoos and Nausinous.
Influence on earliest Greek Philosophy
The heritage of Greek mythology already embodied the desire to articulate reality as a whole and this universalizing impulse was fundamental for the first projects of speculative theorizing. It appears that the order of being was first imaginatively visualized before it was abstractly thought. Hesiod impressed by necessity governing the ordering of things discloses a definite pattern in the Genesis and appearance of the Gods. These ideas made something like cosmological speculation possible. The earliest rhetoric of reflection all gravitate about two interrelated things, the experience of wonder as a living involvement with the divine order of things and the absolute conviction that beyond the totality of things, reality forms a beautiful and harmonious Whole.In the Theogony the origin (arche) is Chaos, a divine primordial condition and there are the roots and the ends of the earth, sky, sea and Tartarus. Pherecydes of Syros (6th century BC), believed that there were three pre-existent divine principles and called the water also Chaos. In the language of the archaic period (8th – 6th century BC), arche (or archai), designates the source, origin or root of things that exist. If a thing is to be well established or founded, its arche or static point must be secure, and the most secure foundations are those provided by the gods: the indestructible, immutable and eternal ordering of things.
In ancient Greek philosophy, arche is the element or first principle of all things, a permanent nature or substance which is conserved in the generation of the rest of it. From this all things come to be and into it they are resolved in a final state. (Aristotle, Metaph. A983,b6ff). It is the divine horizon of substance that encompasses and rules all things. Thales (7th – 6th century BC), the first Greek philosopher claimed that the first principle of all things is water. Anaximander (6th century BC) was the first philosopher who used the term arche for that which writers from Aristotle on call the "substratum" (Hippolitus I,6,I DK B2). Anaximander claimed that the beginning or first principle is an endless mass (Apeiron) subject to neither age nor decay, from which all things are being born and then they are destructed there. A fragment from Xenophanes (6th century BC) shows the transition from Chaos to Apeiron: "The upper limit of earth borders on air. The lower limit of earth reaches down to the unlimited (i.e the Apeiron)."
Τετάρτη 28 Μαρτίου 2012
Architecture in Ancient Greece
Ancient Greek architects strove for the precision and excellence of
workmanship that are the hallmarks of Greek art in general. The formulas
they invented as early as the sixth century B.C.
have influenced the architecture of the past two millennia. The two
principal orders in Archaic and Classical Greek architecture are the
Doric and the Ionic. In the first, the Doric order, the columns are
fluted and have no base. The capitals are composed of two parts
consisting of a flat slab, the abacus, and a cushion-like slab known as the echinus.
On the capital rests the entablature, which is made up of three parts:
the architrave, the frieze, and the cornice. The architrave is typically
undecorated except for a narrow band to which are attached pegs, known
as guttae. On the frieze are alternating series of triglyphs
(three bars) and metopes, stone slabs frequently decorated with relief
sculpture. The pediment, the triangular space enclosed by the gables at
either end of the building, was often adorned with sculpture, early on
in relief and later in the round. Among the best-preserved examples of
Archaic Doric architecture are the temple of Apollo at Corinth, built in
the second quarter of the sixth century B.C., and the temple of Aphaia at Aegina, built around 500–480 B.C.
To the latter belong at least three different groups of pedimental
sculpture exemplary of stylistic development between the end of the
sixth century and beginning of the fifth century B.C. in Attica.
In general, the Doric order occurs more frequently on the Greek mainland and at sites on the Italian peninsula, where there were many Greek colonies. The Ionic order was more popular among Greeks in Asia Minor and in the Greek islands. A third order of Greek architecture, known as the Corinthian, first developed in the late Classical period, but was more common in the Hellenistic and Roman periods. Corinthian capitals have a bell-shaped echinus decorated with acanthus leaves, spirals, and palmettes. There is also a pair of small volutes at each corner; thus, the capital provides the same view from all sides.
The architectural order governed not only the column, but also the
relationships among all the components of architecture. As a result,
every piece of a Greek building is integral to its overall structure; a
fragment of molding often can be used to reconstruct an entire building.
Although the ancient Greeks erected buildings of many types, the Greek
temple best exemplifies the aims and methods of Greek architecture. The
temple typically incorporated an oblong plan, and one or more rows of
columns surrounding all four sides. The vertical structure of the temple
conformed to an order, a fixed arrangement of forms unified by
principles of symmetry and harmony. There was usually a pronaos (front porch) and an opisthodomos
(back porch). The upper elements of the temple were usually made of
mudbrick and timber, and the platform of the building was of cut
masonry. Columns were carved of local stone, usually limestone or tufa;
in much earlier temples, columns would have been made of wood. Marble
was used in many temples, such as the Parthenon in Athens, which is
decorated with Pentelic marble and marble from the Cycladic island of
Paros. The interior of the Greek temple characteristically consisted of a
cella, the inner shrine in which stood the cult statue, and
sometimes one or two antechambers, in which were stored the treasury
with votive offerings.
The quarrying and transport of marble and limestone were costly and labor-intensive, and often constituted the primary cost of erecting a temple. For example, the wealth Athens accumulated after the Persian Wars enabled Perikles to embark on his extensive building program, which included the Parthenon (447–432 B.C.) and other monuments on the Athenian Akropolis. Typically, a Greek civic or religious body engaged the architect, who participated in every aspect of construction. He usually chose the stone, oversaw its extraction, and supervised the craftsmen who roughly shaped each piece in the quarry. At the building site, expert carvers gave the blocks their final form, and workmen hoisted each one into place. The tight fit of the stones was enough to hold them in place without the use of mortar; metal clamps embedded in the stone reinforced the structure against earthquakes. A variety of skilled labor collaborated in the raising of a temple. Workmen were hired to construct the wooden scaffolding needed for hoisting stone blocks and sculpture, and to make the ceramic tiles for the roofs. Metalworkers were employed to make the metal fittings used for reinforcing the stone blocks and to fashion the necessary bronze accoutrements for sculpted scenes on the frieze, metopes and pediments. Sculptors from the Greek mainland and abroad carved freestanding and relief sculpture for the eaves of the temple building. Painters were engaged to decorate sculptural and architectural elements with painted details.
Every piece of a Greek building is integral to
its overall structure; a fragment of molding often can be used to
reconstruct an entire building.In the Ionic order of architecture, bases support the
columns, which have more vertical flutes than those of the Doric order.
Ionic capitals have two volutes that rest atop a band of palm-leaf
ornaments. The abacus is narrow and the entablature, unlike
that of the Doric order, usually consists of three simple horizontal
bands. The most important feature of the Ionic order is the frieze,
which is usually carved with relief sculpture arranged in a continuous
pattern around the building.
In general, the Doric order occurs more frequently on the Greek mainland and at sites on the Italian peninsula, where there were many Greek colonies. The Ionic order was more popular among Greeks in Asia Minor and in the Greek islands. A third order of Greek architecture, known as the Corinthian, first developed in the late Classical period, but was more common in the Hellenistic and Roman periods. Corinthian capitals have a bell-shaped echinus decorated with acanthus leaves, spirals, and palmettes. There is also a pair of small volutes at each corner; thus, the capital provides the same view from all sides.
The quarrying and transport of marble and limestone were costly and labor-intensive, and often constituted the primary cost of erecting a temple. For example, the wealth Athens accumulated after the Persian Wars enabled Perikles to embark on his extensive building program, which included the Parthenon (447–432 B.C.) and other monuments on the Athenian Akropolis. Typically, a Greek civic or religious body engaged the architect, who participated in every aspect of construction. He usually chose the stone, oversaw its extraction, and supervised the craftsmen who roughly shaped each piece in the quarry. At the building site, expert carvers gave the blocks their final form, and workmen hoisted each one into place. The tight fit of the stones was enough to hold them in place without the use of mortar; metal clamps embedded in the stone reinforced the structure against earthquakes. A variety of skilled labor collaborated in the raising of a temple. Workmen were hired to construct the wooden scaffolding needed for hoisting stone blocks and sculpture, and to make the ceramic tiles for the roofs. Metalworkers were employed to make the metal fittings used for reinforcing the stone blocks and to fashion the necessary bronze accoutrements for sculpted scenes on the frieze, metopes and pediments. Sculptors from the Greek mainland and abroad carved freestanding and relief sculpture for the eaves of the temple building. Painters were engaged to decorate sculptural and architectural elements with painted details.
Doric The Doric style is rather sturdy and its top (the capital), is plain. This style was used in mainland Greece and the colonies in southern Italy and Sicily. |
Ionic The Ionic style is thinner and more elegant. Its capital is decorated with a scroll-like design (a volute). This style was found in eastern Greece and the islands. |
Corinthian The Corinthian style is seldom used in the Greek world, but often seen on Roman temples. Its capital is very elaborate and decorated with acanthus leaves. |
Δευτέρα 26 Μαρτίου 2012
Τα είδη πλοίων στην αρχαία Ελλάδα
Αρχικά, τα πλοία ήσαν μόνο με κουπιά (κόντορους,
κοντάρι ) και με μια σειρά από κάθε πλευρά, οι καλούμενες μονήρεις.
Αργότερα, μετά τα τρωικά, έγιναν πλοία με δυο σειρές, οι καλούμενες διήρεις (τα πλοία αυτά είχαν δυο καταστρώματα) και τέλος με τρεις
σειρές, οι καλούμενες τριήρεις (τα πλοία αυτά είχαν τρία καταστρώματα). Η ναυς με
μια μόνο σειρά κουπιών από κάθε πλευρά είχε είτε δυο μόνο κουπιά, όπως
οι σημερινές μικρές βάρκες, είτε τέσσερα, έξι, οκτώ…. Δημιουργήθηκαν πλοία που είχαν ακόμη και 25 κουπιά από
κάθε πλευρά, σύνολο πενήντα, οι καλούμενες από αυτό και πεντηκόνταροι.
ΤΑ ΙΣΤΙΟΦΟΡΑ ΠΛΟΙΑ
ΤΑ ΙΣΤΙΟΦΟΡΑ ΠΛΟΙΑ
Τα ιστιοφόρα,επινοήθηκαν επί Μίνωα από τον
Αθηναίο μηχανικό Δαίδαλο. Ο Δαίδαλος και ο Ίκαρος, λέει ο Παυσανίας
(«Ελλάδος Περιήγησις, Βοιωτικά», 11), έφυγαν από την Κρήτη με δυο μικρά
πλοία που πρόσθεσαν σ’ αυτά πανιά, για να αναπτύξουν ταχύτητα
προκειμένου να διαφύγουν το πολεμικό ναυτικό του Μίνωα που μέχρι τότε
δεν χρησιμοποιούσε πανιά.Σημειώνεται ότι τα πολεμικά πλοία, ακόμη και όταν είχαν επινοηθεί τα
πανιά, δεν έφεραν ιστία, αφενός για να αποφύγουν το βάρος των κονταριών
όπου στηρίζονται τα πανιά και αφετέρου για να είναι πιο ευέλικτα. Τα
πολεμικά πλοία έβαλαν ιστία μόνο όταν επινοήθηκαν οι διήρεις.Τα πολεμικά πλοία είχαν έμβολο, για εμβολισμό των εχθρικών πλοίων και
μακρόστενο σχήμα, για να διασχίζουν με ευκολία τη θάλασσα. Επίσης ήταν
κωπήλατα και βοηθητικά είχαν τα πανιά, επειδή στις μάχες απαιτούνται
ειδικές κινήσεις (ταχύτητες και ελιγμοί).
Τα εμπορικά πλοία ήταν αρκετά πιο μεγάλα από τα πολεμικά, ώστε να χωρούν πολύ εμπόρευμα και λίγους κωπηλάτες, ώστε να μην απαιτείται μεγάλο κόσμος (διατροφή, μισθοί κ.τ.λ.), όμως με πολύ μεγάλα πανιά, ώστε όταν φυσά αέρας να μη απαιτείται η κουραστική κωπηλασία.Τα κατεξοχήν εμπορικά πλοία, οι στρογγύλαι νήες, είχαν την πλώρη και την πρύμνη ψηλές και στρογγυλεμένες και το αμπάρι ευρύχωρο. Τον 7ο αιώνα π.Χ., τα πλοία αυτά απέκτησαν μεγάλα ιστία και βοηθητικά κουπιά -αυξάνοντας έτσι την ταχύτητά τους- και εφοδιάστηκαν με άγκυρα. Το σκαρί τους παρέμεινε το ίδιο και στις επόμενες εποχές. Τα κατεξοχήν εμπορικά πλοία ονομάζονταν ολκάδες και ο Αριστοτέλης αργότερα τα παρομοίασε με μεγάλα έντομα που είχαν μικροσκοπικά φτερά.Οι ναυμαχίες την αρχαία εποχή ομοίαζαν προς τειχομαχίες στις οποίες συμμετείχαν όλα τα μέλη του πληρώματος με εκηβόλα, αλλά και αγχέμαχα όπλα. Το «ναυμάχον δόρυ» ήταν μακρύτερο του συνηθισμένου δι' ευνόητους λόγους. Οι Έλληνες πεζοί, από τους Μινωικούς τουλάχιστον χρόνους, ήσαν εξοπλισμένοι με μακρά δόρατα, μήκους τουλάχιστον 3,5 μέτρων (=σάρισες). Οι αρχαίοι ένο-πλοι Έλληνες, οι καλούμενοι οπλίτες. ήσαν και απλοί πεζοί στρατιώτες και πεζοναύτες. Μέχρι το 16ο αι. μ.Χ. οι ναυμαχίες γινόταν με τη χρησιμοποίηση κυρίως των εμβόλων των πλοίων και με την εκτέλεση διαφόρων ελιγμών.Μετά την επινόηση των ιστίων για την κίνηση των πλοίων και αργότερα του ατμού και των πυρο-βόλων όπλων είχε ως αποτέλεσμα οι αποστάσεις μεταξύ των εμπολέμων πλοίων να αυξάνονται. Νέες μορφές ναυμαχίας δημιουργήθηκαν με την τελειοποίηση της τορπίλης και την ανάπτυξη των αεροπλανοφόρων σε συνδυασμό με τη χρησιμοποίηση κατευθυνόμενων πυραύλων και πυρηνικών όπλων.
Η ΔΙΗΡΗΣ
Τα εμπορικά πλοία ήταν αρκετά πιο μεγάλα από τα πολεμικά, ώστε να χωρούν πολύ εμπόρευμα και λίγους κωπηλάτες, ώστε να μην απαιτείται μεγάλο κόσμος (διατροφή, μισθοί κ.τ.λ.), όμως με πολύ μεγάλα πανιά, ώστε όταν φυσά αέρας να μη απαιτείται η κουραστική κωπηλασία.Τα κατεξοχήν εμπορικά πλοία, οι στρογγύλαι νήες, είχαν την πλώρη και την πρύμνη ψηλές και στρογγυλεμένες και το αμπάρι ευρύχωρο. Τον 7ο αιώνα π.Χ., τα πλοία αυτά απέκτησαν μεγάλα ιστία και βοηθητικά κουπιά -αυξάνοντας έτσι την ταχύτητά τους- και εφοδιάστηκαν με άγκυρα. Το σκαρί τους παρέμεινε το ίδιο και στις επόμενες εποχές. Τα κατεξοχήν εμπορικά πλοία ονομάζονταν ολκάδες και ο Αριστοτέλης αργότερα τα παρομοίασε με μεγάλα έντομα που είχαν μικροσκοπικά φτερά.Οι ναυμαχίες την αρχαία εποχή ομοίαζαν προς τειχομαχίες στις οποίες συμμετείχαν όλα τα μέλη του πληρώματος με εκηβόλα, αλλά και αγχέμαχα όπλα. Το «ναυμάχον δόρυ» ήταν μακρύτερο του συνηθισμένου δι' ευνόητους λόγους. Οι Έλληνες πεζοί, από τους Μινωικούς τουλάχιστον χρόνους, ήσαν εξοπλισμένοι με μακρά δόρατα, μήκους τουλάχιστον 3,5 μέτρων (=σάρισες). Οι αρχαίοι ένο-πλοι Έλληνες, οι καλούμενοι οπλίτες. ήσαν και απλοί πεζοί στρατιώτες και πεζοναύτες. Μέχρι το 16ο αι. μ.Χ. οι ναυμαχίες γινόταν με τη χρησιμοποίηση κυρίως των εμβόλων των πλοίων και με την εκτέλεση διαφόρων ελιγμών.Μετά την επινόηση των ιστίων για την κίνηση των πλοίων και αργότερα του ατμού και των πυρο-βόλων όπλων είχε ως αποτέλεσμα οι αποστάσεις μεταξύ των εμπολέμων πλοίων να αυξάνονται. Νέες μορφές ναυμαχίας δημιουργήθηκαν με την τελειοποίηση της τορπίλης και την ανάπτυξη των αεροπλανοφόρων σε συνδυασμό με τη χρησιμοποίηση κατευθυνόμενων πυραύλων και πυρηνικών όπλων.
Η ΔΙΗΡΗΣ
Η διήρης ήταν πλοίο με δύο σειρές κουπιών σε κάθε πλευρά αντί μια που
είχε η πεντηκόντορος ή τριών που είχε η τριήρης. Η διήρης αποτελεί τον
ενδιάμεσο κρίκο εξέλιξης από την πεντηκόντορο προς τα μεταγενέστερα
σκάφη. Είχαν κατασκευαστεί διήρεις με τριάντα ή με πενήντα κουπιά και οι
διαστάσεις των πλοίων αυτών κυμαίνονται στα 18 μ. μήκος, 3-3,60 μ.
πλάτος, εκτόπισμα 22 τόνοι και μήκος κουπιών 4-6 μ.
Η ΤΡΙΗΡΗΣ
Η ΤΡΙΗΡΗΣ
Κατά τον 8 – 5ο αι. π.Χ. χρησιμοποιήθηκε ευρύτερα ένα νέο πολεμικό
πλοίο, η καλούμενη τριή-ρης, με τρεις σειρές κουπιών - απ΄όπου και το
όνομά του. Στην επάνω σειρά – κατάστρωμα καθόντουσαν οι θρανίτες, στη
μεσαία οι ζυγίτες και στην κάτω οι θαλαμίτες. Για να είναι γρήγορες και
ευκίνητες οι Τριήρεις, από τη μια εκτός από τους κωπηλάτες
χρησιμοποιούσαν και πανιά, όταν οι άνεμοι ήταν ευνοϊκοί και έτσι
ξεκουράζονταν και το πλήρωμα και από την άλλη δεν είχαν μεγάλους χώρους
αποθήκευσης νερού και τροφίμων και γι αυτό το λόγο τους ακολουθούσαν
εμπορικά σκάφη, γεμάτα με τρόφιμα και εφόδια. Η τριήρης είχε στην της
έμβολο ως επιθετικό όπλο, το οποίο ήταν κατασκευασμένο από ξύλο με
επένδυση χαλκού και το οποίο, με κατάλληλους χειρισμούς, δημιουργούσε
ρήγματα στα αντίπαλα πλοία.Οι τριήρεις είχαν εκτός από τις τρεις σειρές κωπηλατών σε διαφορετικό
επίπεδο και έναν ή δύο ιστούς. Υπολογίζεται ότι η ανώτατη ταχύτητα των
τριήρεων έφτανε στα 8-12 μίλια ανά ώρα, έφεραν πλήρη εξαρτισμό
ιστιοπλοΐας, είχαν συνολικό μήκος περίπου 38 μ. με 5,20 μ. πλάτος,
βύθισμα 1,50 μ. και εκτόπισμα 70 περίπου τόνοι. Η αναλογία του πλάτους
προς μήκος ήταν περίπου 1 προς 10. Υπήρχαν διάφοροι τύποι Τριήρων,
ανάλογα με την πόλη προέλευσής τους και τη χρήση τους. Έτσι έχουμε εκτός
από τις γνωστές Αθηναϊκές, τις Κορινθιακές, Ροδιακές, Μηλιακές κ.α.Οι τριήρεις ξεκινούσαν με την Ανατολή του ήλιου και αγκυροβολούσαν με τη
Δύση, καθώς τα σκάφη αυτά δεν μπορούσαν να φιλοξενήσουν κουκέτες,
μαγειρεία κ.α. (μόνο νερό υπήρχε για τους επιβαίνοντες). Σε μακρινές
πολεμικές εχθροπραξίες οι τριήρεις αγκυροβολούσαν καθημερινά σε απάνεμα
λιμάνια και όρμους, ενώ οι επιβαίνοντες τροφοδοτούνταν από άλλα
συνοδευτικά – εφοδιαστικά πλοία. Την κυβέρνηση της Τριήρους ασκούσε ο
τριήραρχος με τη βοήθεια 5 αξιωματικών και 4 υπαξιωματικών. Στο σκάφος
επέβαιναν και οι επιβάτες (πολεμιστές).
Σύμφωνα με τους ειδικούς, το πλήρωμά της τριήρους περιλάμβανε περίπου 300 άτομα (ναύτες) από τα οποία οι «θρανίτες» (= οι κωπηλάτες» που κάθονταν στο θρόνο) ανέρχονταν στους 62, οι «ζυγίτες» (οι κωπηλάτες που βρισκόταν σε ζυγούς) στους 54 και οι «θαλαμίτες» (οι κωπηλάτες που βρισκόταν στο κατώτερο μέρος του πλοίου, στο ύψος του τριηράρχου) στους 54. Υπήρχαν ακόμη οι πολεμιστές (18 – 30 άτομα), το ναυτικό προσωπικό (20 – 30 άτομα), ο κυβερνήτης, που είχε την ανώτερη εξουσία (τριηράρχης), ο κελευστής και ο πρωράτης που εκτελούσε καθήκοντα ναύκληρου και υπάρχου. Κατ’ άλλους συνολικό πλήρωμα της τριήρους ήταν 210-216 άνδρες, από τους οποίους οι 172 περίπου κωπηλάτες, 86 ανά πλευρά, κατανεμημένοι σε τρεις σειρές (τους «Θαλαμίτες», τους «Ζυγίτες» και τους «Θρανίτες»).Οι Τριήρεις ήταν το αριστούργημα της αρχαίας ελληνικής ναυπηγικής, ένα πρωτοποριακό πλοίο για την εποχή του, που συνέβαλε όχι μόνο στη προστασία της Ελλάδας από τους εχθρούς της, αλλά και στη δημιουργία και διάδοση του Ελληνικού πολιτισμού. Στη ναυμαχία της Σαλαμίνας, το 480 π.X. για παράδειγμα, οι Ελληνικές ευέλικτες και γρήγορες τριήρεις εξουδετέρωσαν τα βαρύτερα και πιο δυσκίνητα Περσικά και Φοινικικά καράβια με συνέπεια αφενός η Ευρώπη να αποφύγει το βαρβαρισμό και αφετέρου η Μεσόγειο και να γίνει "Ελληνική θάλασσα".
Η ΑΘΗΝΑΙΚΗ ΤΡΙΗΡΗΣ
Σύμφωνα με τους ειδικούς, το πλήρωμά της τριήρους περιλάμβανε περίπου 300 άτομα (ναύτες) από τα οποία οι «θρανίτες» (= οι κωπηλάτες» που κάθονταν στο θρόνο) ανέρχονταν στους 62, οι «ζυγίτες» (οι κωπηλάτες που βρισκόταν σε ζυγούς) στους 54 και οι «θαλαμίτες» (οι κωπηλάτες που βρισκόταν στο κατώτερο μέρος του πλοίου, στο ύψος του τριηράρχου) στους 54. Υπήρχαν ακόμη οι πολεμιστές (18 – 30 άτομα), το ναυτικό προσωπικό (20 – 30 άτομα), ο κυβερνήτης, που είχε την ανώτερη εξουσία (τριηράρχης), ο κελευστής και ο πρωράτης που εκτελούσε καθήκοντα ναύκληρου και υπάρχου. Κατ’ άλλους συνολικό πλήρωμα της τριήρους ήταν 210-216 άνδρες, από τους οποίους οι 172 περίπου κωπηλάτες, 86 ανά πλευρά, κατανεμημένοι σε τρεις σειρές (τους «Θαλαμίτες», τους «Ζυγίτες» και τους «Θρανίτες»).Οι Τριήρεις ήταν το αριστούργημα της αρχαίας ελληνικής ναυπηγικής, ένα πρωτοποριακό πλοίο για την εποχή του, που συνέβαλε όχι μόνο στη προστασία της Ελλάδας από τους εχθρούς της, αλλά και στη δημιουργία και διάδοση του Ελληνικού πολιτισμού. Στη ναυμαχία της Σαλαμίνας, το 480 π.X. για παράδειγμα, οι Ελληνικές ευέλικτες και γρήγορες τριήρεις εξουδετέρωσαν τα βαρύτερα και πιο δυσκίνητα Περσικά και Φοινικικά καράβια με συνέπεια αφενός η Ευρώπη να αποφύγει το βαρβαρισμό και αφετέρου η Μεσόγειο και να γίνει "Ελληνική θάλασσα".
Η ΑΘΗΝΑΙΚΗ ΤΡΙΗΡΗΣ
Η Αθηναϊκή Τριήρης, σύμφωνα με την πλειοψηφία των μελετητών, είχε μήκος
36 μ., πλάτος 5μ., ύψος από την ίσαλο 1,80 μ. και βύθισμα 1,20 μ. Το
εκτόπισμά της ήταν 70 έως 80 τόνοι. Είχε 200 άνδρες πλήρωμα, από τους
οποίους 170 κωπηλάτες - ερέτες. Κάθε κωπηλάτης - ερέτης τραβούσε μόνο
ένα κουπί, μήκους 4,40 μ. Το πλήρωμα συμπλήρωναν, ο τριήραρχος που
ασκούσε την ανώτερη εποπτεία του πλοίου, ο κυβερνήτης υπεύθυνος
ναυτιλίας, ο πρωρεύς που ήταν υπεύθυνος στην πλώρη, ο κελευστής
υπεύθυνος του πληρώματος, δύο τριήραρχοι, ο αυλητής που έδινε το ρυθμό
κωπηλασίας με τον αυλό του, 13 ναύτες για άλλες δουλειές, εκτός
κωπηλασίας, και τέλος 10 πολεμιστές με βαρύ οπλισμό. Η ταχύτητα των
Τριηρών έφτανε τους 6-7 κόμβους, ενώ σε περίπτωση ναυμαχίας και για
ορισμένο χρονικό διάστημα άγγιζε τους 10 κόμβους.
Πέμπτη 22 Μαρτίου 2012
The Literature of Classical Greece
The golden age of classical Greece lasted from the early fifth to the late fourth century BC,
and was concentrated in Asia Minor and the Greek Isles. Although this era ended nearly
2,500 years ago, the influence of its civilization can still be felt in today’s world. It is
particularly apparent in the realm of literature, where modern Western literary traditions owe
much to classical and ancient Greek myths and traditions.
Classical Greek literature developed out of an even older tradition of oral storytelling. For
centuries, literacy was rare, and oral storytelling was the only way to transmit information to
large groups of people. To aid the memory, wandering poets would set histories, legends, and
religious stories into verse. Other poets would then memorize these epics, and the
information could be passed on to the next generation. Such poems were generally set to
music and sung, sometimes with the accompaniment of instruments or simple dances. These
performances provided entertainment and education at the same time.
Around the eighth century BC, a poet who lived in Asia Minor began preserving these ballads
and epic tales in writing. Although historical evidence is scanty, it is generally believed that
this literary pioneer was named Homer. The famous heroic epic poems The Iliad and The
Odyssey are both the work of this skilled poet. They are some of the earliest examples of
Greek literature that have survived to this day, and are of interest to scholars not only for their
historical value, but for the beauty of their language and imagery.
In the centuries after Homer, Greek literature continued to develop. Literacy became more
common, but poetry remained the most popular way of spreading information to the people.
The manner in which the poems were presented, however, became more sophisticated. While the early poems of the Homeric age were set to music and performed by the poet, sometimes with the aid of instruments or dance, the poems of the sixth century BC had developed into something more like plays. An actor would take turns reciting the lines of a poem with a
chorus, or group of dancers. Often the actor and the members of the chorus would wear masks, and the chorus would complement the poetry with interpretive dances.
These new plays were generally performed at festivals honoring gods and goddesses, or
celebrations of seasonal events, such as the first grain harvest or the summer rains. Formal
competitions, where poets and playwrights would submit their work and vie for prizes,
became popular. One of the most famous of these was the Great Dionysia, held during a
springtime festival in Athens to honor the god Dionysus.In the early years of the fifth century, Greek literature, theater, and culture began to blossom, and great advances were made in the sciences and the arts. The world of Greek literature was affected greatly, and several distinct varieties of dramatic poetry began to appear. The standard heroic epics of previous centuries were replaced by increasingly sophisticated tragic and comic plays with elaborate plots, character development, and production techniques.Although these two types of plays were staged in very similar ways, they differed greatly in content. Tragic plays, despite the name, were not necessarily sad. They were earnestly dramatic, and dealt with a range of complex and serious topics such as psychology,philosophy, and morality. Comic plays, on the other hand, were filled with bawdy and raucous jokes, and were intended to provoke laughter and to entertain. Despite their light and
humorous presentation, some of the better comic playwrights used these plays to express
genuine and serious political and social commentary.
Both these types of plays benefited greatly from the innovations in technique introduced by
the fifth-century tragic playwright Aeschylus. His contributions to tragic Greek theater were
so great that he is still remembered as the Father of Tragedy. An incredibly popular and
original playwright, he introduced the idea of having multiple actors on the stage at one time,
and pioneered the idea of using costumes and visual effects such as paintings and scenery.
His work changed forever the way Greeks would view poetry and theater.
Aeschylus was only the first of the great classic Greek dramatists. The generation that
followed brought several other talented and powerful tragic playwrights. The most famous of
these were Sophocles and Euripides. Both writers did much to expand the traditionally simple
expectations of characters in plays. Sophocles’ plays feature incredibly strong-willed, modern
characters who struggle with serious moral concerns, and Euripides wrote some of the most
chilling psychological dramas of classical Greece.
Comic theater also had its hero. A generation younger than Sophocles and Euripides, the
comic playwright Aristophanes is today regarded as the best of the classic comic playwrights.
His sometimes absurd, and sometimes elegant plays demonstrate a great skill in mixing
comedy with honest and sincere ideas. Aristophanes’ plays certainly contain many wild and
vulgar jokes, yet they also discuss serious concerns of his time, such as politics, art, and
education. His work provides modern readers with some of the clearest images of the life and
daily affairs of fifth-century Greeks.
This literary revolution in the early part of the fifth century was not limited to the stage. The
world of philosophy also experienced an awakening. Skills such as oration, logic, and
rhetoric were polished, and the study of mathematics and the sciences was encouraged.
Philosophers such as Socrates became famous for wandering about the city of Athens,
engaging students and scholars in lively academic debates about morality and politics.
Socrates’ most famous pupil, Plato, wrote a number of books and dialogs in which he
explains the philosophy and thoughts of his teacher, and goes on to develop the ideas further.
His work—which deals with a wide range of theoretical concerns, such as politics, ethics, and
the importance of friendship—is invaluable for modern scholars who wish to understand the
ancient Greek mindset.
Another very well-known philosopher of the time was Aristotle. Aristotle was, in his turn, a
pupil of Plato’s, and is best known for his numerous texts dealing with the natural sciences.
Interested in almost every conceivable topic, Aristotle left behind texts detailing his thoughts
and questions on physics and astronomy, as well as meteorology, sleep patterns, raising
animals, and numerous other subjects.
The age of classical Greece drew to a close with the end of the fourth century BC. Yet
through its literature, classical Greece still has an enormous effect on modern Western
thought and traditions. Almost all Western literature, from histories to romance novels, from
thrillers to poetry, is rooted in classical Greek traditions. Many of the themes present in those
ancient plays and poems are in fact still popular in modern literature. And even those plays
that deal with uniquely modern themes still owe much in the way of technique and style to
the golden age of Greece.
and was concentrated in Asia Minor and the Greek Isles. Although this era ended nearly
2,500 years ago, the influence of its civilization can still be felt in today’s world. It is
particularly apparent in the realm of literature, where modern Western literary traditions owe
much to classical and ancient Greek myths and traditions.
Classical Greek literature developed out of an even older tradition of oral storytelling. For
centuries, literacy was rare, and oral storytelling was the only way to transmit information to
large groups of people. To aid the memory, wandering poets would set histories, legends, and
religious stories into verse. Other poets would then memorize these epics, and the
information could be passed on to the next generation. Such poems were generally set to
music and sung, sometimes with the accompaniment of instruments or simple dances. These
performances provided entertainment and education at the same time.
Around the eighth century BC, a poet who lived in Asia Minor began preserving these ballads
and epic tales in writing. Although historical evidence is scanty, it is generally believed that
this literary pioneer was named Homer. The famous heroic epic poems The Iliad and The
Odyssey are both the work of this skilled poet. They are some of the earliest examples of
Greek literature that have survived to this day, and are of interest to scholars not only for their
historical value, but for the beauty of their language and imagery.
In the centuries after Homer, Greek literature continued to develop. Literacy became more
common, but poetry remained the most popular way of spreading information to the people.
The manner in which the poems were presented, however, became more sophisticated. While the early poems of the Homeric age were set to music and performed by the poet, sometimes with the aid of instruments or dance, the poems of the sixth century BC had developed into something more like plays. An actor would take turns reciting the lines of a poem with a
chorus, or group of dancers. Often the actor and the members of the chorus would wear masks, and the chorus would complement the poetry with interpretive dances.
These new plays were generally performed at festivals honoring gods and goddesses, or
celebrations of seasonal events, such as the first grain harvest or the summer rains. Formal
competitions, where poets and playwrights would submit their work and vie for prizes,
became popular. One of the most famous of these was the Great Dionysia, held during a
springtime festival in Athens to honor the god Dionysus.In the early years of the fifth century, Greek literature, theater, and culture began to blossom, and great advances were made in the sciences and the arts. The world of Greek literature was affected greatly, and several distinct varieties of dramatic poetry began to appear. The standard heroic epics of previous centuries were replaced by increasingly sophisticated tragic and comic plays with elaborate plots, character development, and production techniques.Although these two types of plays were staged in very similar ways, they differed greatly in content. Tragic plays, despite the name, were not necessarily sad. They were earnestly dramatic, and dealt with a range of complex and serious topics such as psychology,philosophy, and morality. Comic plays, on the other hand, were filled with bawdy and raucous jokes, and were intended to provoke laughter and to entertain. Despite their light and
humorous presentation, some of the better comic playwrights used these plays to express
genuine and serious political and social commentary.
Both these types of plays benefited greatly from the innovations in technique introduced by
the fifth-century tragic playwright Aeschylus. His contributions to tragic Greek theater were
so great that he is still remembered as the Father of Tragedy. An incredibly popular and
original playwright, he introduced the idea of having multiple actors on the stage at one time,
and pioneered the idea of using costumes and visual effects such as paintings and scenery.
His work changed forever the way Greeks would view poetry and theater.
Aeschylus was only the first of the great classic Greek dramatists. The generation that
followed brought several other talented and powerful tragic playwrights. The most famous of
these were Sophocles and Euripides. Both writers did much to expand the traditionally simple
expectations of characters in plays. Sophocles’ plays feature incredibly strong-willed, modern
characters who struggle with serious moral concerns, and Euripides wrote some of the most
chilling psychological dramas of classical Greece.
Comic theater also had its hero. A generation younger than Sophocles and Euripides, the
comic playwright Aristophanes is today regarded as the best of the classic comic playwrights.
His sometimes absurd, and sometimes elegant plays demonstrate a great skill in mixing
comedy with honest and sincere ideas. Aristophanes’ plays certainly contain many wild and
vulgar jokes, yet they also discuss serious concerns of his time, such as politics, art, and
education. His work provides modern readers with some of the clearest images of the life and
daily affairs of fifth-century Greeks.
This literary revolution in the early part of the fifth century was not limited to the stage. The
world of philosophy also experienced an awakening. Skills such as oration, logic, and
rhetoric were polished, and the study of mathematics and the sciences was encouraged.
Philosophers such as Socrates became famous for wandering about the city of Athens,
engaging students and scholars in lively academic debates about morality and politics.
Socrates’ most famous pupil, Plato, wrote a number of books and dialogs in which he
explains the philosophy and thoughts of his teacher, and goes on to develop the ideas further.
His work—which deals with a wide range of theoretical concerns, such as politics, ethics, and
the importance of friendship—is invaluable for modern scholars who wish to understand the
ancient Greek mindset.
Another very well-known philosopher of the time was Aristotle. Aristotle was, in his turn, a
pupil of Plato’s, and is best known for his numerous texts dealing with the natural sciences.
Interested in almost every conceivable topic, Aristotle left behind texts detailing his thoughts
and questions on physics and astronomy, as well as meteorology, sleep patterns, raising
animals, and numerous other subjects.
The age of classical Greece drew to a close with the end of the fourth century BC. Yet
through its literature, classical Greece still has an enormous effect on modern Western
thought and traditions. Almost all Western literature, from histories to romance novels, from
thrillers to poetry, is rooted in classical Greek traditions. Many of the themes present in those
ancient plays and poems are in fact still popular in modern literature. And even those plays
that deal with uniquely modern themes still owe much in the way of technique and style to
the golden age of Greece.
Τρίτη 20 Μαρτίου 2012
Λατρείες του Ήλιου στην αρχαία Ελλάδα
Η ελληνική Θεογονία του Ησιόδου μάς παρουσιάζει τον Ήλιο ως γιό του
Υπερίωνος, που είναι και αυτός μια ηλιακή μορφή, και αδελφό της Σελήνης
και της Ηούς. Δεν συμπεριλαμβάνετο στην ομάδα των Ολυμπίων Θεών, αλλά
ανήκει σε μιά παλαιότερη και λιγώτερο καθορισμένη ομάδα, τιτανική,
στενότερα συνδεδεμένη με τα φυσικά φαινόμενα. Στον Όμηρο, ο Ήλιος
αποκαλύπτει στον Ήφαιστο την απάτη της γυναίκας του Αφροδίτης. Στον μύθο
πάλι της Θεάς Δήμητρος, αναφέρεται πως όταν ο Άδης μετέφερε στον Κάτω
Κόσμο την κόρη της Περσεφόνη, αυτή στάθηκε μπροστά στο άρμα του Ηλίου
(που δεν αναφέρεται από τον Όμηρο αλλά εμφανίζεται στους αποκαλούμενους
Ομηρικούς Ύμνους) και άρχισε να εκλιπαρεί για βοήθεια. Σύμφωνα με τον
Ομηρικό Ύμνο στον Ήλιο "φέγγει στους θνητούς και τους αθάνατους Θεούς,
στους ίππους του καβάλα και άγρια κοιτάζει με τα μάτια του, από το χρυσό
του κράνος και λαμπρές ακτίνες στίλβουν αστραφτερά και στους κροτάφους
του οι παραγναθίδες, λαμπρές με χάρη από ψηλά καλύπτουν το πρόσωπο, το
πρόσωπο το τηλαυγές". Ο ποιητής Μίμνερμος (630 πριν την εποχή μας)
περιγράφει τον Ήλιο να επιπλέει στον υπόγειο ωκεανό, σ' ένα χρυσό
κύπελλο που του έφτιαξε ο Θεός Ήφαιστος. Οι περιγραφές αυτές θέτουν τα
θεμέλια για εκατοντάδες εικονογραφήσεις του Ήλιου στην ελληνική Τέχνη,
με το άρμα του, ένα μοτίβο που συνεχίστηκε έως και την Ρωμαϊκή εποχή.
Ο Ήλιος στην Ελλάδα επικυρώνει τους όρκους και είναι ο Θεός της εκδίκησης. Ο Προμηθέας του Αισχύλου δεμένος στην πέτρα καλεί τον "παντεπόπτη κύκλο του Ήλιου" να έλθει μάρτυρας στους όρκους του. Στον "Οιδίποδα Επί Κολονώ" του Σοφοκλέους, ο Κρέων οδηγεί έξω από το σπίτι τον γαμπρό του ώστε "ο Ήλιος να μή δεί ένα τέτοιο άθλιο πλάσμα". Η Κασσάνδρα στον "Αγαμέμνονα" του Αισχύλου, καλεί τον Ήλιο για εκδίκηση των δολοφόνων της. Η Μήδεια στα έργα του Ευριπίδου, κάνει τον Αιγέα να ορκιστεί στην Γη και τον Ήλιο, πως θα την προστατέψει. Στα "Αργοναυτικά" του Απολλωνίου του Ρόδιου, η Μήδεια ορκίζεται στον Ήλιο και την Εκάτη, ενώ, τέλος, στην "Ιλιάδα" (19.196), ένας κάπρος θυσιάζεται στον Δία και τον Ήλιο, για να επιβεβαιωθεί ο όρκος που δίνεται.
Υπάρχει ωστόσο πολύ περιορισμένη άμεση λατρεία του Ήλιου στην Αρχαία Ελλάδα, αν και υπάρχουν ίχνη αρχαιότερων τελετών. Ο Πλάτων, λέει πως οι πρώτοι Ελληνες υπάκουαν στον ανατέλλοντα και δύοντα Ήλιο. Ο Παυσανίας, στην "Περιήγησή" του, αναφέρει αρκετούς βωμούς αφιερωμένους στον Ήλιο, κυρίως σε απομονωμένες περιοχές. Αλλά το κέντρο της λατρείας του στην ηπειρωτική Ελλάδα, βρισκόταν στην Κόρινθο που ονομαζόταν και Ηλιούπολις. Στην αγορά της Κορίνθου υπήρχαν προπύλαια πάνω στα οποία υψώνονταν δύο άρματα επίχρυσα, με τον Φαέθοντα, τον γιό του Ήλιου πάνω στο ένα και τον ίδιο τον Ήλιο, στο άλλο (Παυσανίας, ΙΙ 3,2).
Το νησί της Ρόδου είχε μία ισχυρή άμεση λατρεία για τον Ήλιο. Σύμφωνα με τον τοπικό μύθο, το νησί βγήκε από την θάλασσα για να αποζημιώσει τον Ήλιο για τον αποκλεισμό του από το Δωδεκάθεο. Και επίσης ήταν στη Ρόδο που ο Ήλιος ερωτεύτηκε την ομώνυμη νύμφη. Εκεί λοιπόν πραγματοποιούντο κάθε 4 χρόνια εντυπωσιακές γιορτές προς τιμήν του Ήλιου στις οποίες συμπεριλαμβάνονταν αρματοδρομίες και αθλητικοί αγώνες. Κάθε χρόνο οι Ρόδιοι έρριχναν στην θάλασσα ένα στολισμένο τέθριππο. Ο περίφημος Κολοσσός της Ρόδου, ένα από τα επτά θαύματα του κόσμου, που δημιουργήθηκε το 284 πριν την εποχή μας, ήταν η εικόνα του Θεού Ήλιου. Ο Πλίνιος αναφέρει πως ήταν 105 πόδια ψηλός και πως ένα από τα δάκτυλά του ήταν μεγαλύτερο. Κατέρρευσε μετά από σεισμό, 66 χρόνια μετά την ανέγερσή του.
Στη νήσο Κρήτη, ο Ήλιος λατρεύτηκε με την μορφή ταύρου. Την ίδια μορφή είχε και ο κρητικός ηλιακός Θεός Τάλως (Ησύχιος: Τάλως ο Ήλιος). Ο μύθος εξάλλου της Πασιφάης, της κόρης του Ήλιου, που ερωτεύεται έναν ταύρο, ανάγεται σε μιά παλιά αντίληψη σύμφωνα με την οποία ο ηλιακός Θεός με την μορφή ταύρου και η Θεά της Σελήνης με τη μορφή αγελάδας ενώθηκαν σε ιερό γάμο.
Ο Ευριπίδης περιγράφει την ανατολή του Ήλιου στην τραγωδία του "Ιων" (82 κ.ε.) "Να το άρμα το λαμπρό που τέσσερα άλογα το σέρνουν. Ο Ήλιος ήδη στέλνει το αστραφτερό του φως στην γη, και τ' άστρα φεύγουν μπροστά σ' αυτήν την φωτιά του αιθέρα, παρέα με την ιερή νύχτα. Κι οι απάτητες κορφές του Παρνασσού, λουσμένες από το φως, τον δίσκο της ημέρας υποδέχονται για χάρη των θνητών..." Με την παραπάνω περιγραφή συγκρίνεται συχνά μία γνωστή παράσταση του Ήλιου πάνω σε αγγείο του Βρετανικού Μουσείου, όπου ο Ήλιος εικονίζεται με περιβεβλημένο το κεφάλι από ακτίνες, πάνω σ' ένα φτερωτό τέθριππο να αναδύεται από την θάλασσα στην οποία κολυμπούν παιδικές μορφές που υποδηλώνουν τα αστέρια.
Η παλαιότερη γνωστή παράσταση του Ηλίου στην ελληνική πλαστική προέρχεται από το ανατολικό αέτωμα του Παρθενώνος όπου εικονίζεται η γέννηση της Θεάς Αθηνάς. Ο Ήλιος και η Σελήνη πλαισιώνουν και τη σύνθεση της γέννησης της Αφροδίτης στον θρόνο του Δία στην Ολυμπία (Παυσανίας V 11,8) και μιά ανάλογη παράσταση προϋποθέτει η αναφερόμενη επίσης από τον Παυσανία "δύσις Ηλίου" στο αέτωμα του ναού των Δελφών (Παυσανίας Χ 19,4).
Τα γνωστά από την φιλολογική παράδοση αγάλματα του Ηλίου, αναφέρονται στην ενότητα της λατρείας του. Τα σωζόμενα μαρμάρινα και χάλκινα αγάλματα, όπως λ.χ. το άγαλμα του Βατικανού που χαρακτηρίζεται από έναν τελαμώνα με τα σύμβολα του ζωδιακού κύκλου, δείχνουν τον Θεό σε νεανική του μορφή, συνήθως με το ακτινωτό στεφάνι.
Βρίσκουμε στους "Νόμους" του Πλάτωνος (10,3), τον Σωκράτη να προσεύχεται στον ανατέλλοντα Ήλιο. Και βρίσκουμε επίσης τον Ήλιο, κατά την Ρωμαϊκή εποχή, να θεωρείται ο τελικός προορισμός των ψυχών που απελευθερώνονται από τον Κύκλο της Ανάγκης.
Ο Ήλιος στην Ελλάδα επικυρώνει τους όρκους και είναι ο Θεός της εκδίκησης. Ο Προμηθέας του Αισχύλου δεμένος στην πέτρα καλεί τον "παντεπόπτη κύκλο του Ήλιου" να έλθει μάρτυρας στους όρκους του. Στον "Οιδίποδα Επί Κολονώ" του Σοφοκλέους, ο Κρέων οδηγεί έξω από το σπίτι τον γαμπρό του ώστε "ο Ήλιος να μή δεί ένα τέτοιο άθλιο πλάσμα". Η Κασσάνδρα στον "Αγαμέμνονα" του Αισχύλου, καλεί τον Ήλιο για εκδίκηση των δολοφόνων της. Η Μήδεια στα έργα του Ευριπίδου, κάνει τον Αιγέα να ορκιστεί στην Γη και τον Ήλιο, πως θα την προστατέψει. Στα "Αργοναυτικά" του Απολλωνίου του Ρόδιου, η Μήδεια ορκίζεται στον Ήλιο και την Εκάτη, ενώ, τέλος, στην "Ιλιάδα" (19.196), ένας κάπρος θυσιάζεται στον Δία και τον Ήλιο, για να επιβεβαιωθεί ο όρκος που δίνεται.
Υπάρχει ωστόσο πολύ περιορισμένη άμεση λατρεία του Ήλιου στην Αρχαία Ελλάδα, αν και υπάρχουν ίχνη αρχαιότερων τελετών. Ο Πλάτων, λέει πως οι πρώτοι Ελληνες υπάκουαν στον ανατέλλοντα και δύοντα Ήλιο. Ο Παυσανίας, στην "Περιήγησή" του, αναφέρει αρκετούς βωμούς αφιερωμένους στον Ήλιο, κυρίως σε απομονωμένες περιοχές. Αλλά το κέντρο της λατρείας του στην ηπειρωτική Ελλάδα, βρισκόταν στην Κόρινθο που ονομαζόταν και Ηλιούπολις. Στην αγορά της Κορίνθου υπήρχαν προπύλαια πάνω στα οποία υψώνονταν δύο άρματα επίχρυσα, με τον Φαέθοντα, τον γιό του Ήλιου πάνω στο ένα και τον ίδιο τον Ήλιο, στο άλλο (Παυσανίας, ΙΙ 3,2).
Το νησί της Ρόδου είχε μία ισχυρή άμεση λατρεία για τον Ήλιο. Σύμφωνα με τον τοπικό μύθο, το νησί βγήκε από την θάλασσα για να αποζημιώσει τον Ήλιο για τον αποκλεισμό του από το Δωδεκάθεο. Και επίσης ήταν στη Ρόδο που ο Ήλιος ερωτεύτηκε την ομώνυμη νύμφη. Εκεί λοιπόν πραγματοποιούντο κάθε 4 χρόνια εντυπωσιακές γιορτές προς τιμήν του Ήλιου στις οποίες συμπεριλαμβάνονταν αρματοδρομίες και αθλητικοί αγώνες. Κάθε χρόνο οι Ρόδιοι έρριχναν στην θάλασσα ένα στολισμένο τέθριππο. Ο περίφημος Κολοσσός της Ρόδου, ένα από τα επτά θαύματα του κόσμου, που δημιουργήθηκε το 284 πριν την εποχή μας, ήταν η εικόνα του Θεού Ήλιου. Ο Πλίνιος αναφέρει πως ήταν 105 πόδια ψηλός και πως ένα από τα δάκτυλά του ήταν μεγαλύτερο. Κατέρρευσε μετά από σεισμό, 66 χρόνια μετά την ανέγερσή του.
Στη νήσο Κρήτη, ο Ήλιος λατρεύτηκε με την μορφή ταύρου. Την ίδια μορφή είχε και ο κρητικός ηλιακός Θεός Τάλως (Ησύχιος: Τάλως ο Ήλιος). Ο μύθος εξάλλου της Πασιφάης, της κόρης του Ήλιου, που ερωτεύεται έναν ταύρο, ανάγεται σε μιά παλιά αντίληψη σύμφωνα με την οποία ο ηλιακός Θεός με την μορφή ταύρου και η Θεά της Σελήνης με τη μορφή αγελάδας ενώθηκαν σε ιερό γάμο.
Ο Ευριπίδης περιγράφει την ανατολή του Ήλιου στην τραγωδία του "Ιων" (82 κ.ε.) "Να το άρμα το λαμπρό που τέσσερα άλογα το σέρνουν. Ο Ήλιος ήδη στέλνει το αστραφτερό του φως στην γη, και τ' άστρα φεύγουν μπροστά σ' αυτήν την φωτιά του αιθέρα, παρέα με την ιερή νύχτα. Κι οι απάτητες κορφές του Παρνασσού, λουσμένες από το φως, τον δίσκο της ημέρας υποδέχονται για χάρη των θνητών..." Με την παραπάνω περιγραφή συγκρίνεται συχνά μία γνωστή παράσταση του Ήλιου πάνω σε αγγείο του Βρετανικού Μουσείου, όπου ο Ήλιος εικονίζεται με περιβεβλημένο το κεφάλι από ακτίνες, πάνω σ' ένα φτερωτό τέθριππο να αναδύεται από την θάλασσα στην οποία κολυμπούν παιδικές μορφές που υποδηλώνουν τα αστέρια.
Η παλαιότερη γνωστή παράσταση του Ηλίου στην ελληνική πλαστική προέρχεται από το ανατολικό αέτωμα του Παρθενώνος όπου εικονίζεται η γέννηση της Θεάς Αθηνάς. Ο Ήλιος και η Σελήνη πλαισιώνουν και τη σύνθεση της γέννησης της Αφροδίτης στον θρόνο του Δία στην Ολυμπία (Παυσανίας V 11,8) και μιά ανάλογη παράσταση προϋποθέτει η αναφερόμενη επίσης από τον Παυσανία "δύσις Ηλίου" στο αέτωμα του ναού των Δελφών (Παυσανίας Χ 19,4).
Τα γνωστά από την φιλολογική παράδοση αγάλματα του Ηλίου, αναφέρονται στην ενότητα της λατρείας του. Τα σωζόμενα μαρμάρινα και χάλκινα αγάλματα, όπως λ.χ. το άγαλμα του Βατικανού που χαρακτηρίζεται από έναν τελαμώνα με τα σύμβολα του ζωδιακού κύκλου, δείχνουν τον Θεό σε νεανική του μορφή, συνήθως με το ακτινωτό στεφάνι.
Βρίσκουμε στους "Νόμους" του Πλάτωνος (10,3), τον Σωκράτη να προσεύχεται στον ανατέλλοντα Ήλιο. Και βρίσκουμε επίσης τον Ήλιο, κατά την Ρωμαϊκή εποχή, να θεωρείται ο τελικός προορισμός των ψυχών που απελευθερώνονται από τον Κύκλο της Ανάγκης.
Δευτέρα 19 Μαρτίου 2012
Ο Bουκεφάλας το άλογο του Μέγα Αλέξανδρου
Κανένα ίσως άλογο στην ιστορία δεν είχε την τύχη της επωνυμίας
του Βουκεφάλα, του μοναδικού ίσως αλόγου που μοιράστηκε ένα μέρος από
τη δόξα του αναβάτη του, ακολουθώντας και εισπράττοντας, ταυτόχρονα, την
εξέλιξη της μορφής του Αλεξάνδρου από ιστορική σε μυθική, και τη
μετατροπή της εκστρατείας του από συγκροτημένη χρονική αλληλουχία
γεγονότων σε υπερφυσική περιήγηση στον κόσμο των θαυμάτων.
Η μυθοπλαστική προσέγγιση και η υπερφυσική διάσταση
της εκστρατείας του Αλεξάνδρου στην Ανατολή, όπως καταγράφηκε στο
Μυθιστόρημα του Αλεξάνδρου (αλλιώς Βίος του Αλεξάνδρου του Μακεδόνος),
έξι αιώνες μετά τον θάνατό του, από έναν άγνωστο aλεξανδρινό που
συμβατικά ονομάζεται Ψευδοκαλλισθένης(τέλος 3ου μ.Χ. αι.),εγκαινίασε
μια μεγάλη σειρά από μεταφράσεις, διασκευές και παραλλαγές του, που
διέδωσαν τις περιπέτειές του, διανθίζοντάς τες με πλήθος υπερβατικών
επεισοδίων άσχετων με την ιστορική πραγματικότητα. Τελευταία ανάμεσά
τους, H Φυλλάδα του Μεγαλέξαντρου, τυπωμένη στα τέλη του 17ου αι.,
αναδείχτηκε σε αγαπημένο λαϊκό ανάγνωσμα μέχρι και τις αρχές του 20ού
αιώνα.Η παλαιότερη φιλολογική μαρτυρία για τον Βουκεφάλα
διασώζεται από τον Πλούταρχο (Βίος Αλεξάνδρου, 6) και αναφέρεται στον
τρόπο με τον οποίον το άλογο αγοράστηκε από τον Φίλιππο στη μυθική τιμή
των δεκατριών ταλάντων. Ο Φίλιππος ήταν έτοιμος να απορρίψει την
προσφορά του Φιλόνικου από τη Θεσσαλία, επειδή κανείς δεν κατάφερε να
τιθασεύσει το άλογο, αλλά υποχώρησε στην επιμονή του νεαρού Αλεξάνδρου
να δοκιμάσει και εκείνος, και δέχτηκε το στοίχημα που του πρότεινε, να
του πληρώσει, αν δεν τα κατάφερνε, το υπέρογκο ποσό. Ο Αλέξανδρος είχε
παρατηρήσει πως το ζώο τρόμαζε από τη σκιά του, καθώς την έβλεπε να
σαλεύει μπροστά και γύρω του. aρπαξε λοιπόν τα χαλινάρια και έστρεψε το
άλογο προς τη μεριά του ήλιου. Ο Βουκεφάλας ηρέμησε λίγο, αφού δεν
έβλεπε πια τη σκιά του, κι ο Αλέξανδρος κατάφερε να τον ιππεύσει. Μαλακά
στην αρχή, πιο έντονα ύστερα, τον παρότρυνε να τρέξει. O Φίλιππος και
οι άλλοι παρακολουθούσαν αμίλητοι τη σκηνή. Oταν ο Αλέξανδρος επέστρεψε
σοβαρός και περήφανος για το κατόρθωμά του, όλοι ζητωκραύγασαν και ο
πατέρας του που δάκρυσε, λένε, από τη χαρά του, τον φίλησε και του είπε:
«Γιε μου, ψάξε πια για βασίλειο αντάξιό σου. Η Μακεδονία δε σε χωράει.»
Για τον Βουκεφάλα και τη μετέπειτα σχέση του με τον Αλέξανδρο, διαφωτιστικά είναι τα λιγοστά που αναφέρει ο Αρριανός (Αλεξάνδρου Ανάβασις, V. 19) με αφορμή τη μάχη στον Υδάσπη ποταμό, στα 327 π.Χ.: «Μετά τη νίκη του εναντίον των Ινδών, ο Αλέξανδρος ίδρυσε δύο πόλεις. Τη μια, στη θέση της μάχης, την ονόμασε Νίκαια, σε ανάμνηση της νίκης του. Την άλλη, στο σημείο που επρόκειτο να διασχίσει τον Υδάσπη, Βουκεφάλεια, στη μνήμη του αλόγου του, που πέθανε εκεί, όχι επειδή πληγώθηκε στη μάχη, αλλά από την κούραση και τα χρόνια. Ο Βουκεφάλας ήταν κιόλας τριάντα χρόνων και εξαντλημένος. Είχε μοιραστεί με τον Αλέξανδρο πολλές δυσκολίες και είχε αντιμετωπίσει μαζί του πολλούς κινδύνους για πολλά χρόνια. Κανένας δεν είχε καταφέρει όλα αυτά τα χρόνια να τον ιππεύσει, εκτός από τον ίδιο τον Αλέξανδρο. Μεγαλύτερος από το φυσιολογικό και γεμάτος σφρίγος, είχε χαραγμένη επάνω του, σημάδι να τον διακρίνει, μια κεφαλή βοδιού, και μερικοί πιστεύουν πως γι' αυτό τον ονόμασαν Βουκεφάλα. Αλλοι όμως λένε πως ήταν μαύρος και είχε στο μέτωπό του ένα σημάδι που έμοιαζε πολύ με κεφάλι βοδιού. Στη χώρα των Οξιανών, το άλογο εξαφανίστηκε και ο Αλέξανδρος απείλησε πως θα σκοτώσει όλους τους κατοίκους της αν δεν του φέρουν πίσω το άλογό του, με αποτέλεσμα να του επιστραφεί αμέσως. Τόσο μεγάλη ήταν η αγάπη που είχε ο Αλέξανδρος στο άλογό του και τόσο μεγάλος ο φόβος που ενέπνεε στους βαρβάρους».
Tο όνομα Bουκεφάλας
Βυζαντινοί σχολιαστές αρχαίων κειμένων αναφέρουν τη χρήση του όρου «βουκέφαλος» για τη δήλωση μιας συγκεκριμένης θεσσαλικής ράτσας αλόγων που είχαν για σφραγίδα τους ένα κεφάλι βοδιού. Αυτήν την παράδοση ακολουθούν οι πηγές, που αναφέρουν πως ο Βουκεφάλας είχε χαραγμένο στον μηρό του ένα κεφάλι βοδιού, και αυτή η ερμηνεία του ονόματος φαίνεται, επομένως, η πιο πιθανή. Η εναλλακτική προέλευση του ονόματος Βουκεφάλας από ένα λευκό σημάδι όμοιο με κεφαλή βοδιού που είχε εκ γενετής στο μέτωπό του, όπως αναφέρει ο Αρριανός, δεν πιστοποιείται στις λιγοστές απεικονίσεις του, οι οποίες ανάγονται στα χρόνια του Αλεξάνδρου.
Oτι το όνομά του Βουκεφάλα προέρχεται, όπως αναφέρει ο
Στράβων (XV,698) από το εύρος του μετώπου του, θα μπορούσε,
ενδεχομένως, να συνδυαστεί με τη μαρτυρία του Αρριανού ότι ο Βουκεφάλας
ήταν μεγαλύτερος από το φυσιολογικό είναι, εν τούτοις, αδύνατο επίσης να
αποδειχτεί από τα λιγοστά έργα της τέχνης που τον απεικονίζουν.Με
αφορμή το όνομά του, μεταγενέστερες πηγές προσέδωσαν τερατικές μορφές
στον Βουκεφάλα. Oτι είχε κεφάλι ή κέρατα βοδιού και πως το προσωνύμιο
Δικέρατος (Dho'l Qarnayn), με το οποίο αναφέρεται ο Αλέξανδρος στο
Κοράνιο, προέρχεται στην ουσία από τα κέρατα του αλόγου του.Τερατικές
απεικονίσεις του Βουκεφάλα με κέρατα, εμπνευσμένες προφανώς από τις
μυθοπλαστικές διασκευές της ιστορίας, αποτυπώνονται σε ταπισερί που
κοσμούνται με σκηνές από τις περιπέτειες του Αλεξάνδρου. Στις τερατικές
προσεγγίσεις του Βουκεφάλα θα έπρεπε, από την άποψη αυτή, να ενταχτεί,
τουλάχιστον ως προς τη συνήθειά του να τρώει ανθρώπους, και η ποιητική
περιγραφή του από τον Ιωάννη Τζέτζη, αν βεβαίως δεν θεωρηθεί ως απλή
μεταφορά που αποσκοπεί να δηλώσει απλώς και μόνον την άγρια φύση του: «Του Βουκεφάλου σύμπασαν έχεις την ιστορίαν,
Ως ίππος ήν ατίθασσος ανθρώπους κατεσθίων.
Μόνω δε Μακεδόνι υπείκων Αλεξάνδρω
Την Βουκεφάλα κλήσιν δε τοιουτοτρόπως έσχε.
Βοός ως έχων κεφαλήν εν τω μηρώ σφραγίδα,
Ού μην βοός εκέκτητο ή κεφαλήν ή κέρας».
Εκτός από τον Πλούταρχο, που μας πληροφορεί πως ο Βουκεφάλας ήταν από τη Θεσσαλία και αγοράστηκε από τον Φίλιππο μετά την πετυχημένη προσπάθεια του νεαρού διαδόχου του να τον τιθασεύσει, μεταγενέστερη πηγή αναφέρει πως ο Βουκεφάλας ήταν από την Καππαδοκία και δόθηκε δώρο στον Φίλιππο όταν ο Αλέξανδρος ήταν περίπου δώδεκα χρόνων. Η καππαδοκική καταγωγή του Βουκεφάλα αναφέρεται σε μια ακόμη πηγή, που λέει ότι ο Δημάρατος από την Κόρινθο έδωσε στον Αλέξανδρο «Βουκέφαλον ίππον. Καππάδοξ δε ην».Η μυθοπλαστική λογική που διέπει όλες τις μη ιστορικές αναφορές στον Αλέξανδρο είχε επίδραση και στον Βουκεφάλα. Tα θρυλούμενα πως γεννήθηκε από την ένωση ελέφαντα με καμήλα δρομάδα, ή αλόγου και γρύπα, δεν μπορούν βεβαίως να θεωρηθούν παρά μόνο μέσα από το σκοτεινό πρίσμα της μεσαιωνικής Ευρώπης.Η στενή σχέση του Βουκεφάλα με τον Αλέξανδρο, σε συνδυασμό με την πληροφορία του Αρριανού πως το άλογο πέθανε στα τριάντα του χρόνια, επέτρεψαν αρχικώς συνειρμικούς συσχετισμούς με τον θάνατο του Αλεξάνδρου στα τριάντα τρία του χρόνια. Εν τούτοις, είναι δύσκολο να αποδεχτούμε πως ο Βουκεφάλας ήταν κιόλας δεκατριών ή δεκατεσσάρων χρόνων όταν τον τιθάσευσε ο Αλέξανδρος. Είναι πιθανότερο πως το άλογο που γνώρισε ο Αλέξανδρος στη Μακεδονία και πήρε μαζί του στην Ασία δεν ήταν παραπάνω από τριών ή τεσσάρων χρόνων, αν όχι λιγότερο.Ακόμη πιο έντονη είναι η προσπάθεια συσχετισμού ιππέα και αναβάτη στην αραβική εκδοχή του Mυθιστορήματος του Αλεξάνδρου, όπως διασώθηκε στην αιθιοπική παραλλαγή του, από την οποία προκύπτει πως σχεδόν ταυτόχρονα με τη σύλληψη του Αλεξάνδρου, από το σμίξιμο της Ολυμπιάδας με τον αετό, λιοντάρι και δράκοντα Νεκτανεβώ, μια από τις φοράδες του βασιλιά Φιλίππου συνέλαβε τον Βουκεφάλα, πίνοντας νερό από την πηγή που λούστηκε ο Νεκτανεβώ όταν άφησε την Ολυμπιάδα.Οι τερατικές μορφές του αλόγου και του αναβάτη του, όπως αποτυπώθηκαν με αφορμή το ψευδοκαλλισθένειο μυθιστόρημα και τις μεταγενέστερες μεταφράσεις, παραλλαγές ή διασκευές του, δεν είναι δυνατό να συμβάλουν στη γνώση μας για τον Βουκεφάλα της ιστορίας. Ούτε βεβαίως είναι εφικτό, στα περιορισμένα όρια του κειμένου αυτού, να περιλάβουμε τους τρόπους με τους οποίους εικονίστηκε το άλογο του Αλεξάνδρου στην τέχνη της Ευρώπης ή της Ανατολής. Αν θέλουμε να απαλλάξουμε τον Βουκεφάλα από τις μεταπλάσεις τις οποίες δέχτηκε στη διάρκεια της μακρόχρονης επίδρασης που είχε η εκστρατεία του Αλεξάνδρου στη λογοτεχνία, την τέχνη και τη λαϊκή συνείδηση, πρέπει να περιοριστούμε στις λιγοστές απεικονίσεις του έφιππου Αλέξανδρου που ανάγονται στα χρόνια της ιστορικής δράσης του, ή αντανακλούν απεικονίσεις του που χρονικά σχετίζονται με αυτήν.
Απεικονίσεις
Αν δεχτούμε πως ο Αλέξανδρος ήταν περίπου δωδεκαετής όταν απέκτησε τον Βουκεφάλα, είναι πολύ πιθανό πως στην εντυπωσιακή τοιχογραφία με το κυνήγι που διατηρείται στην πρόσοψη του τάφου του Φιλίππου στη Βεργίνα θα πρέπει να αναγνωρίσουμε στο άλογο του νεαρού ιππέα που εικονίζεται στο κέντρο της παράστασης, την παλαιότερη προφανώς απεικόνιση του Βουκεφάλα.
Στο περίφημο ψηφιδωτό δάπεδο από την Πομπηία, σήμερα
στο Αρχαιολογικό Μουσείο της Νάπολης, όλοι οι ερευνητές αναγνωρίζουν το
αντίγραφο ενός μεγάλου, χαμένου σήμερα, ζωγραφικού έργου του 4ου π.Χ.
αι., που εικόνιζε μιαν από τις μεγάλες μάχες του Αλεξάνδρου στην
Ανατολή. Αντανάκλαση του ίδιου ζωγράφου που κόσμησε με την τοιχογραφία
του την πρόσοψη του τάφου του Φιλίππου, το ψηφιδωτό αναπαράγει με
θαυμαστή ακρίβεια τα εικονογραφικά στοιχεία του πρωτοτύπου, ανάμεσά τους
και τον Βουκεφάλα, στο καστανόχρωμο, αλλά αποσπασματικά διατηρημένο
άλογο που ιππεύει ο Αλέξανδρος. Είναι κρίμα ότι δεν σώζεται κανένας από
τους μηρούς του εικονιζόμενου αλόγου, που θα επιβεβαίωνε ή θα αναιρούσε
την πληροφορία για το εγκεκαυμένο σημάδι σε σχήμα κεφαλής βοδιού που
αναφέρουν οι φιλολογικές μαρτυρίες. aντιθέτως, είναι σαφές πως η
πληροφορία του Αρριανού πως ο Βουκεφάλας ήταν μαύρος, με ένα λευκό
σημάδι όμοιο με κεφάλι βοδιού στο μέτωπό του, δεν πιστοποιείται ούτε
στην τοιχογραφία με το κυνήγι, στη Βεργίνα ούτε, πολύ περισσότερο, στο
κατά τα άλλα εντυπωσιακό -για τη λεπτομερειακή απόδοση των
εικονογραφικών στοιχείων του ζωγραφικού προτύπου του- ψηφιδωτό δάπεδο
από την Πομπηία. Η αναντιστοιχία, επομένως, ανάμεσα στη γραπτή και τις εικαστικές μαρτυρίες θα πρέπει να ερμηνευτεί μάλλον ως ανακριβής
πληροφόρηση του συγγραφέα, που έγραψε για τον Αλέξανδρο πέντε αιώνες
μετά τη δράση του, παρά ως καλλιτεχνική αυθαιρεσία του σύγχρονου με τον
Αλέξανδρο μεγάλου ζωγράφου των ύστερων κλασικών χρόνων που ανέλαβε να
απεικονίσει σκηνές από τη δράση του στη Μακεδονία και την Ασία. Οι
απεικονίσεις, επομένως, του Βουκεφάλα σε δύο έργα που δημιουργήθηκαν στα
χρόνια του Αλεξάνδρου βεβαιώνουν πως το άλογό του ήταν καστανόχρωμο,
χωρίς σημάδι σαν κεφαλή βοδιού στο μέτωπό του.Τον Βουκεφάλα θα
πρέπει, επίσης, να αναγνωρίσουμε σ' ένα μικρής κλίμακας χάλκινο
αγαλμάτιο, που αναπαριστά τον έφιππο Αλέξανδρο σε δράση και πιστεύεται
πως αναπαράγει τμήμα ενός μεγάλου συνόλου χάλκινων έργων του Λυσίππου,
το οποίο αφιέρωσε ο Mακεδόνας βασιλιάς στο Ιερό του Δία, στο Δίον της
Μακεδονίας, μετά τη νικηφόρα μάχη του στον Γρανικό ποταμό.Tέλος,
στην πίσω όψη ενός αναμνηστικού αργυρού νομίσματος που κυκλοφόρησε με
αφορμή τη νίκη των Μακεδόνων εναντίον των Ινδών το 327 π.Χ. έχουμε την
τελευταία απεικόνιση του Αλέξανδρου με τον Βουκεφάλα, αντιμέτωπων με τον
Πώρο και τον ελέφαντά του, στη μεγάλη μάχη στις όχθες του Υδάσπη (σημ.
Τζέλουμ), όπου κοντά στη θέση Τζαλαλπούρ της πολύπαθης Κεντρικής Ασίας,
θα πρέπει να αναζητήσουμε και την πόλη που έχτισε ο Αλέξανδρος για να
τιμήσει τον Bουκεφάλα.
Kαβάλα στον Bουκεφάλα, ο aλέξανδρος εφορμά κατά του Δαρείου στη μάχη της Iσσού. Λεπτομέρεια από το περίφημο ψηφιδωτό στην Πομπηία («Oικία του Φούνου»), 2ος -1ος αι. π.X., αντίγραφο ζωγραφικού έργου του 4ου αι. π.X. Nάπολη, aρχαιολογικό Mουσείο. Πρόκειται για την αυθεντικότερη μάλλον απεικόνιση του αγαπημένου αλόγου του aλέξανδρου |
Για τον Βουκεφάλα και τη μετέπειτα σχέση του με τον Αλέξανδρο, διαφωτιστικά είναι τα λιγοστά που αναφέρει ο Αρριανός (Αλεξάνδρου Ανάβασις, V. 19) με αφορμή τη μάχη στον Υδάσπη ποταμό, στα 327 π.Χ.: «Μετά τη νίκη του εναντίον των Ινδών, ο Αλέξανδρος ίδρυσε δύο πόλεις. Τη μια, στη θέση της μάχης, την ονόμασε Νίκαια, σε ανάμνηση της νίκης του. Την άλλη, στο σημείο που επρόκειτο να διασχίσει τον Υδάσπη, Βουκεφάλεια, στη μνήμη του αλόγου του, που πέθανε εκεί, όχι επειδή πληγώθηκε στη μάχη, αλλά από την κούραση και τα χρόνια. Ο Βουκεφάλας ήταν κιόλας τριάντα χρόνων και εξαντλημένος. Είχε μοιραστεί με τον Αλέξανδρο πολλές δυσκολίες και είχε αντιμετωπίσει μαζί του πολλούς κινδύνους για πολλά χρόνια. Κανένας δεν είχε καταφέρει όλα αυτά τα χρόνια να τον ιππεύσει, εκτός από τον ίδιο τον Αλέξανδρο. Μεγαλύτερος από το φυσιολογικό και γεμάτος σφρίγος, είχε χαραγμένη επάνω του, σημάδι να τον διακρίνει, μια κεφαλή βοδιού, και μερικοί πιστεύουν πως γι' αυτό τον ονόμασαν Βουκεφάλα. Αλλοι όμως λένε πως ήταν μαύρος και είχε στο μέτωπό του ένα σημάδι που έμοιαζε πολύ με κεφάλι βοδιού. Στη χώρα των Οξιανών, το άλογο εξαφανίστηκε και ο Αλέξανδρος απείλησε πως θα σκοτώσει όλους τους κατοίκους της αν δεν του φέρουν πίσω το άλογό του, με αποτέλεσμα να του επιστραφεί αμέσως. Τόσο μεγάλη ήταν η αγάπη που είχε ο Αλέξανδρος στο άλογό του και τόσο μεγάλος ο φόβος που ενέπνεε στους βαρβάρους».
Tο όνομα Bουκεφάλας
Βυζαντινοί σχολιαστές αρχαίων κειμένων αναφέρουν τη χρήση του όρου «βουκέφαλος» για τη δήλωση μιας συγκεκριμένης θεσσαλικής ράτσας αλόγων που είχαν για σφραγίδα τους ένα κεφάλι βοδιού. Αυτήν την παράδοση ακολουθούν οι πηγές, που αναφέρουν πως ο Βουκεφάλας είχε χαραγμένο στον μηρό του ένα κεφάλι βοδιού, και αυτή η ερμηνεία του ονόματος φαίνεται, επομένως, η πιο πιθανή. Η εναλλακτική προέλευση του ονόματος Βουκεφάλας από ένα λευκό σημάδι όμοιο με κεφαλή βοδιού που είχε εκ γενετής στο μέτωπό του, όπως αναφέρει ο Αρριανός, δεν πιστοποιείται στις λιγοστές απεικονίσεις του, οι οποίες ανάγονται στα χρόνια του Αλεξάνδρου.
Τον Βουκεφάλα θα πρέπει να αναγνωρίσουμε στο χάλκινο αγαλμάτιο που αναπαριστά τον έφιππο Αλέξανδρο σε δράση. Πιστεύεται πως αναπαράγει τμήμα ενός μεγάλου συνόλου χάλκινων έργων του Λυσίππου, το οποίο αφιέρωσε ο aλέξανδρος στο Ιερό του Δία στο Δίον, μετά τη νίκη του στον Γρανικό. Φλωρεντία, aρχαιολογικό Mουσείο. |
Ως ίππος ήν ατίθασσος ανθρώπους κατεσθίων.
Μόνω δε Μακεδόνι υπείκων Αλεξάνδρω
Την Βουκεφάλα κλήσιν δε τοιουτοτρόπως έσχε.
Βοός ως έχων κεφαλήν εν τω μηρώ σφραγίδα,
Ού μην βοός εκέκτητο ή κεφαλήν ή κέρας».
Εκτός από τον Πλούταρχο, που μας πληροφορεί πως ο Βουκεφάλας ήταν από τη Θεσσαλία και αγοράστηκε από τον Φίλιππο μετά την πετυχημένη προσπάθεια του νεαρού διαδόχου του να τον τιθασεύσει, μεταγενέστερη πηγή αναφέρει πως ο Βουκεφάλας ήταν από την Καππαδοκία και δόθηκε δώρο στον Φίλιππο όταν ο Αλέξανδρος ήταν περίπου δώδεκα χρόνων. Η καππαδοκική καταγωγή του Βουκεφάλα αναφέρεται σε μια ακόμη πηγή, που λέει ότι ο Δημάρατος από την Κόρινθο έδωσε στον Αλέξανδρο «Βουκέφαλον ίππον. Καππάδοξ δε ην».Η μυθοπλαστική λογική που διέπει όλες τις μη ιστορικές αναφορές στον Αλέξανδρο είχε επίδραση και στον Βουκεφάλα. Tα θρυλούμενα πως γεννήθηκε από την ένωση ελέφαντα με καμήλα δρομάδα, ή αλόγου και γρύπα, δεν μπορούν βεβαίως να θεωρηθούν παρά μόνο μέσα από το σκοτεινό πρίσμα της μεσαιωνικής Ευρώπης.Η στενή σχέση του Βουκεφάλα με τον Αλέξανδρο, σε συνδυασμό με την πληροφορία του Αρριανού πως το άλογο πέθανε στα τριάντα του χρόνια, επέτρεψαν αρχικώς συνειρμικούς συσχετισμούς με τον θάνατο του Αλεξάνδρου στα τριάντα τρία του χρόνια. Εν τούτοις, είναι δύσκολο να αποδεχτούμε πως ο Βουκεφάλας ήταν κιόλας δεκατριών ή δεκατεσσάρων χρόνων όταν τον τιθάσευσε ο Αλέξανδρος. Είναι πιθανότερο πως το άλογο που γνώρισε ο Αλέξανδρος στη Μακεδονία και πήρε μαζί του στην Ασία δεν ήταν παραπάνω από τριών ή τεσσάρων χρόνων, αν όχι λιγότερο.Ακόμη πιο έντονη είναι η προσπάθεια συσχετισμού ιππέα και αναβάτη στην αραβική εκδοχή του Mυθιστορήματος του Αλεξάνδρου, όπως διασώθηκε στην αιθιοπική παραλλαγή του, από την οποία προκύπτει πως σχεδόν ταυτόχρονα με τη σύλληψη του Αλεξάνδρου, από το σμίξιμο της Ολυμπιάδας με τον αετό, λιοντάρι και δράκοντα Νεκτανεβώ, μια από τις φοράδες του βασιλιά Φιλίππου συνέλαβε τον Βουκεφάλα, πίνοντας νερό από την πηγή που λούστηκε ο Νεκτανεβώ όταν άφησε την Ολυμπιάδα.Οι τερατικές μορφές του αλόγου και του αναβάτη του, όπως αποτυπώθηκαν με αφορμή το ψευδοκαλλισθένειο μυθιστόρημα και τις μεταγενέστερες μεταφράσεις, παραλλαγές ή διασκευές του, δεν είναι δυνατό να συμβάλουν στη γνώση μας για τον Βουκεφάλα της ιστορίας. Ούτε βεβαίως είναι εφικτό, στα περιορισμένα όρια του κειμένου αυτού, να περιλάβουμε τους τρόπους με τους οποίους εικονίστηκε το άλογο του Αλεξάνδρου στην τέχνη της Ευρώπης ή της Ανατολής. Αν θέλουμε να απαλλάξουμε τον Βουκεφάλα από τις μεταπλάσεις τις οποίες δέχτηκε στη διάρκεια της μακρόχρονης επίδρασης που είχε η εκστρατεία του Αλεξάνδρου στη λογοτεχνία, την τέχνη και τη λαϊκή συνείδηση, πρέπει να περιοριστούμε στις λιγοστές απεικονίσεις του έφιππου Αλέξανδρου που ανάγονται στα χρόνια της ιστορικής δράσης του, ή αντανακλούν απεικονίσεις του που χρονικά σχετίζονται με αυτήν.
Απεικονίσεις
Αν δεχτούμε πως ο Αλέξανδρος ήταν περίπου δωδεκαετής όταν απέκτησε τον Βουκεφάλα, είναι πολύ πιθανό πως στην εντυπωσιακή τοιχογραφία με το κυνήγι που διατηρείται στην πρόσοψη του τάφου του Φιλίππου στη Βεργίνα θα πρέπει να αναγνωρίσουμε στο άλογο του νεαρού ιππέα που εικονίζεται στο κέντρο της παράστασης, την παλαιότερη προφανώς απεικόνιση του Βουκεφάλα.
Eφιππος ο aλέξανδρος εισέρχεται στην Iνδία για να συναντήσει τον βασιλιά Πώρο. aπό το «Mυθιστόρημα του aλέξανδρου», 14ος αι. Eλληνικό Iνστιτούτο Bυζαντινών και Mεταβυζαντινών Σπουδών, Bενετία |
Πέμπτη 8 Μαρτίου 2012
Apollonius Tyaneus God's Philosopher
Apollonius Tyaneus
Introduction
If, for instance, the reader turn to works of general history, such as Merivale’s History of the Romans under the Empire (London; last ed. 1865), he will find, it is true, in chap iv., a description of the state of religion up to the death of Nero, but he will be little wiser for perusing it. If he turn to Hermann Schiller’s Geschichte der römischen Kaiserreichs unter der Regierung des Nero (Berlin; 1872), he will find much reason for discarding the vulgar opinions about the monstrous crimes imputed to Nero, as indeed he might do by reading in English G H. Lewes’ article “Was Nero a Monster?” (Cornhill Magazine; July 1863) —and he will also find (bk IV chap III.) a general view of the religion and philosophy of the time which is far more intelligent than that of Merivale’s; but all is still very vague and unsatisfactory, and we feel ourselves still outside the intimate life of the philosophers and religionists of the first century. If, again, he turn to the latest writers of Church history who have treated this particular question, he will find that they are occupied entirely with the contact of the Christian Church with the Roman Empire, and only incidentally give us any information of the nature of which we are in search. On this special ground C J. Neumann, in his careful study Der römische Staat und die allgemeine Kirche bis auf Diocletian (Leipzig; 1890), is interesting; while Prof W M. Ramsay, in The Church in the Roman Empire before A.D. 170 (London; 1893), is extraordinary, for he endeavours to interpret Roman history by the New Testament documents, the dates of the majority of which are so hotly disputed.But, you may say, what has all this to do with Apollonius of Tyana? The answer is simple: Apollonius lived in the first century; his work lay precisely among these religious associations, colleges and guilds. A knowledge of them and their nature would give us the natural environment of a great part of his life; and information as to their condition in the first century would perhaps help us the better to understand some of the reasons for the task which he attempted.If, however, it were only the life and endeavours of Apollonius which would be illuminated by this knowledge, we could understand why so little effort has been spent in this direction; for the character of the Tyanean, as we shall see, has since the fourth century been regarded with little favour even by the few, while the many have been taught to look upon our philosopher not only as a charlatan, but even as an anti-Christ. But when it is just a knowledge of these religious associations and orders which would throw a flood of light on the earliest evolution of Christianity, not only with regard to the Pauline communities, but also with regard to those schools which were subsequently condemned as heretical, it is astonishing that we have no more satisfactory work done on the subject.It may be said, however, that this information is not forthcoming simply because it is unprocurable. To a large extent this is true; nevertheless, a great deal more could be done than has yet been attempted, and the results of research in special directions and in the byways of history could be combined, so that the non-specialist could obtain some general idea of the religious conditions of the times, and so be less inclined to join in the now stereotyped condemnation of all non-Jewish or non-Christian moral and religious effort in the Roman Empire of the first century.
But the reader may retort: Things social and religious in those days must have been in a very parlous state, for, as this essay shows, Apollonius himself spent the major part of his life in trying to reform the institutions and cults of the Empire. To this we answer: No doubt there was much to reform, and when is there not? But it would not only be not generous, but distinctly mischievous for us to judge our fellows of those days solely by the lofty standard of an ideal morality, or even to scale them against the weight of our own supposed virtues and knowledge.Our point is not that there was nothing to reform, far from that,but that the wholesale accusations of depravity brought against the times will not bear impartial investigation.On the contrary, there was much good material ready to be worked up in many ways, and if there has not been, how could there among other things have been any Christianity?The Roman Empire was at the zenith of its power, and had there not been many admirable administrators and men of worth in the governing caste, such a political consummation could never have been reached and maintained. Moreover, as ever previously in the ancient world, religious liberty was guaranteed, and where we find persecution, as in the reigns of Nero and Domitian, it must be set down to political and not to theological reasons. Setting aside the disputed question of the persecution of the Christians under Domitian, the Neronian persecution was directed against those whom the Imperial power regarded as Jewish political revolutionaries. So, too, when we find the philosophers imprisoned or banished from Rome during those two reigns, it was not because they were philosophers, but because the ideal of some of them was the restoration of the Republic, and this rendered them obnoxious to the charge not only of being political malcontents, but also of actively plotting against the Emperor’s majestas. Apollonius, however, was throughout a warm supporter of monarchical rule. When, then, we hear of the philosophers being banished from Rome or being cast into prison, we must remember that this was not a wholesale persecution of philosophy throughout the Empire; and when we say that some of them desired to restore the Republic, we should remember that the vast majority of them refrained from politics, and especially was this the case with the disciples of the religio-philosophical schools.
The Religious Associations and Communities of the First Century
In the domain of religion it is quite true that the state cults and national institutions throughout the Empire were almost without exception in a parlous state, and it is to be noticed that Apollonius devoted much time and labour to reviving and purifying them. Indeed, their strength had long left the general stateinstitutions of religion, where all was now perfunctory; but so far from there being no religious life in the land, in proportion as the official cultus and ancestral institutions afforded no real satisfaction to their religious needs, the more earnestly did the people devote themselves to private cults, and eagerly baptised themselves in all that flood of religious enthusiasm which flowed in with ever increasing volume from the East. Indubitably in all this fermentation there were many excesses, according to our present notions of religious decorum, and also grievous abuses; but at the same time in it many found due satisfaction for their religious emotions, and, if we except those cults which were distinctly vicious, we have to a large extent before us in popular circles the spectacle of what, in their last analysis, are similar phenomena to those enthusiasms which in our own day may be frequently witnessed among such sects as the Shakers and Ranters, and at the general revival meetings of the uninstructed.It is not, however, to be thought that the private cults and the doings of the religious associations were all of this nature or confined to this class; far from it. There were religious brotherhoods, communities and clubs— thiasi, erani, and orgeônes—of all sorts and conditions. There were also mutual benefit societies,burial clubs, and dining companies, the prototypes of our present-day Masonic bodies, Oddfellows, and the rest. These religious associations were not only private in the sense that they were not maintained by the State, but also for the most part they were private in the sense that what they did was kept secret,and this is perhaps the main reason why we have so defective a record of them.Among them are to be numbered not only the lower forms of mystery-cultus of various kinds, but also the greater ones, such as the Phrygian, Bacchic, Isiac, and Mithriac Mysteries, which were spread everywhere throughout the Empire. The famous Eleusinia were, however, still under the ægis of the State, but though so famous were, as a state-cultus, far more perfunctory.
It is, moreover, not to be thought that the great types of mystery-cultus above mentioned were uniform even among themselves. There were not only various degrees and grades within them, but also in all probability many forms of each line of tradition, good, bad, and indifferent. For instance, we know that it was considered de rigueur for every respectable citizen of Athens to be initiated into the Eleusinia, and therefore the tests could not have been very stringent; whereas in the most recent work on the subject,De Apuleio Isiacorum Mysteriorum Teste (Leyden; 1900), Dr K H E. De Jong shows that in one form of the Isiac Mysteries the candidate was invited to initiation by means of dream; that is to say, he had to be psychically impressionable before his acceptance. Here, then, we have a vast intermediate ground for religious exercise between the most popular and undisciplined forms of private cults and the highest forms, which could only be approached through the discipline and training of the philosophic life. The higher side of these mystery-institutions aroused the enthusiasm of all that was best in antiquity, and unstinted praise was given to one or another form of them by the greatest thinkers and writers of Greece and Rome; so that we cannot but think that here the instructed found that satisfaction for their religious needs which was necessary not only for those who could not rise into the keen air of pure reason, but also for those who had climbed so high upon the heights of reason that they could catch a glimpse of the other side. The official cults were notoriously unable to give them this satisfaction, and were only tolerated by the instructed as an aid for the people and a means of preserving the traditional life of the city or state.By common consent the most virtuous livers of Greece were the members of the Pythagorean schools,both men and women. After the death of their founder the Pythagoreans seem to have gradually blended with the Orphic communities and the “Orphic life” was the recognised term for a life of purity and selfdenial.We also know that the Orphics, and therefore the Pythagoreans, were actively engaged in the reformation, or even the entire reforming, of the Baccho-Eleusinian rites; they seem to have brought back the pure side of the Bacchic cult with their reinstitution or reimportation of the Bacchic mysteries, and it is very evident that such stern livers and deep thinkers could not have been contented with a low form of cult.Their influence also spread far and wide in general Bacchic circles, so that we find Euripides putting the following words into the mouth of the chorus of Bacchic initiates: “Clad in white robes I speed me from the genesis of mortal men,and never more approach the vase of death, for I have done with eating food that ever housed a soul.” [From a fragment of The Cretans. See Lobeck’s Aglaophamus p 622.]Such words could well be put into the mouth of a Brâhman or Buddhist ascetic, eager to escape the bonds of Samsâra; and such men cannot therefore justly be classed together indiscriminately with ribald evelers,the general mind-picture of a Bacchic company.
But, some one may say, Euripides and the Pythagoreans and Orphics are no evidence for the first century; whatever good there may have been in such schools and communities, it had ceased long before. On the contrary, the evidence is all against this objection. Philo, writing about 25 A.D., tells us that in his day numerous groups of men, who in all respects led this life of religion, who abandoned their property, retired from the world and devoted themselves entirely to the search for wisdom and the cultivation of virtue, were scattered far and wide throughout the world. In his treatise, On the Contemplative Life, he writes: “This natural class of men is to be found in many parts of the inhabited world, both the Grecian and non-Grecian world, sharing in the perfect good. In Egypt there are crowds of them in every province, or nome as they call it, and especially round Alexandria.”This is a most important statement, for if there were so many devoted to the religious life at this time, it follows that the age was not one of unmixed depravity.It is not, however, to be thought that these communities were all of an exactly similar nature, or of one and the same origin, least of all that they were all Therapeut or Essene. We have only to remember the various lines of descent of the doctrines held by innumerable schools classed together as Gnostic, as sketched in my recent work, Fragments of a Faith Forgotten, and to turn to the beautiful treatises of the Hermetic schools, to persuade us that in the first century the striving after the religious and philosophic life was wide-spread and various.We are not, however, among those who believe that the origin of the Therapeut communities of Philo and of the Essenes of Philo and Josephus is to be traced to Orphic and Pythagorean influence. The question of precise origin is as yet beyond the power of historical research, and we are not of those who would exaggerate one element of the mass into a universal source. But when we remember the existence of all these so widely scattered communities in the first century, when we study the imperfect but important record of the very numerous schools and brotherhoods of a like nature which came into intimate contact with Christianity in its origins, we cannot but feel that there was the leaven of a strong religious life working in many parts of the Empire.
Our great difficulty is that these communities, brotherhoods, and associations kept themselves apart, and with rare exceptions left no records of their intimate practices and beliefs, or if they left any it has been destroyed or lost. For the most part then we have to rely upon general indications of a very superficial character. But this imperfect record is no justification for us to deny or ignore their existence and the intensity of their endeavours; and a history which purports to paint a picture of the times is utterly insufficient so long as it omits this most vital subject from its canvas.Among such surroundings as these Apollonius moved; but how little does his biographer seem to have been aware of the fact! Philostratus has a rhetorician’s appreciation of a philosophical court life, but no feeling for the life of religion. It is only indirectly that the Life of Apollonius, as it is now depicted, can throw any light on these most interesting communities, but even an occasional side-light is precious where all is in such obscurity. Were it but possible to enter into the living memory of Apollonius, and see with his eyes the things he saw when he lived nineteen hundred years ago, what an enormously interesting page of the world’s history could be recovered! He not only traversed all the countries where the new faith was taking root, but he lived for years in most of them, and was intimately acquainted with numbers of mystic communities in Egypt, Arabia, and Syria. Surely he must have visited some of the earliest Christian communities as well, must even have conversed with some of the “disciples of the Lord”! And yet no word is breathed of this, not one single scrap of information on these points do we glean from what is recorded of him.Surely he must have met with Paul, if not elsewhere, then at Rome, in 66, when he had to leave because of the edict of banishment against the philosophers, the very year according to some when Paul was beheaded!
The Apollonius of Early Opinion
Apollonius of Tyana [Pronounced Týâna, with the accent on the first syllable and the first a short.]was the most famous philosopher of the Græco-Roman world of the first century, and devoted the major part of his long life to the purification of the many cults of the Empire and to the instruction of the ministers and priests of its religions. With the exception of the Christ no more interesting personage appears upon the stage of Western history in these early years. Many and various and oft-times mutually contradictory are the opinions which have been held about Apollonius, for the account of his life which has come down to us is in the guise of a romantic story rather than in the form of a plain history.And this is perhaps to some extent to be expected, for Apollonius, besides his public teaching, had a life apart, a life into which even his favourite disciple does not enter. He journeys into the most distant lands, and is lost to the world for years; he enters the shrines of the most sacred temples and the inner circles of the most exclusive communities, and what he says or does therein remains a mystery, or serves only as an opportunity for the weaving of some fantastic story by those who did not understand.The following study will be simply an attempt to put before the reader a brief sketch of the problem which the records and traditions of the life of the famous Tyanean present; but before we deal with the Life of Apollonius, written by Flavius Philostratus at the beginning of the third century, we must give the reader a brief account of the references to Apollonius among the classical writers and the Church Fathers, and a short sketch of the literature of the subject in more recent times, and of the varying fortunes of the war of opinion concerning his life in the last four centuries.First, then, with regard to the references in classical and patristic authors. Lucian, the witty writer of the first half of the second century, makes the subject of one of his satires the pupil of a disciple of Apollonius, of one of those who were acquainted with “all the tragedy” [Alexander sive Pseudomantis, vi.]of his life. And Appuleius, a contemporary of Lucian, classes Apollonius with Moses and Zoroaster, and other famous Magi of antiquity. [De Magia, xc (ed Hildebrand, 1842, ii 614.)About the same period, in a work entitled Quæstiones et Responsiones ad Orthodoxos, formerly attributed to Justin Martyr, who flourished in the second quarter of the second century, we find the following interesting statement:“Question 24: If God is the maker and master of creation, how do the consecrated objects [τελεσματα.Telesma was “a consecrated object, turned by the Arabs into telsam (talisman)” ; see Liddell and Scott’s Lexicon, sub voc.] of Apollonius have power in the [various] orders of that creation? For, as we see, they check the fury of the waves and the power of the winds and the inroads of vermin and attacks of wild beasts.” ‡ [Justin Martyr, Opera ed. Otto (2nd edition ; Jena 1849) iii 32.]Dion Cassius in his history [Lib Ixxvii 18.] which he wrote A.D., 211-222, states that Caracalla (Emp 211-216) honoured the memory of Apollonius with a chapel or monument (heroum).
It was just at this time (216) that Philostratus composed his Life of Apollonius,at the request of Domna Julia, Caracalla’s mother, and it is with this document principally that we shall have to deal in the sequel. Lampridius, who flourished about the middle of the third century, further informs us that Alexander Severus (Emp 222-235) placed the statue of Apollonius in his lararium together with those of Christ,Abraham, and Orpheus. [Life of Alexander Severus xxix.]Vopiscus, writing in the last decade of the third century, tells us that Aurelian (Emp 270-275) vowed a temple to Apollonius, of whom he had seen a vision when besieging Tyana. Vopiscus speaks of the Tyanean as “a sage of the most wide-spread renown and authority, an ancient philosopher, and a true friend of the Gods,” nay, as a manifestation of deity. “For what among men,exclaims the historian, “was more holy, what more worthy of reverence, what more venerable, what more god-like than he?He, it was, who gave life to the dead.He it was, who did and said so many things beyond the power of men.”[Life of Aurelian xxiv.] So enthusiastic is Vopiscus about Apollonius, that he promises, if he lives, to writea short account of his life in Latin, so that his deeds and words may be on the tongue of all, for as yet the only accounts are in Greek. [“Quae qui velit nosse, groecos legat libros qui de ejus vita conscripti sunt.”
These accounts were probably the books of Maximus, Moeragenes, and Philostratus.] Vopiscus,however, did not fulfil his promise,but we learn that about this date both Soterichus[An Egyptian epic poet who wrote several poetical histories in Greek; he flourished in the last decade of the third century.] and Nichomachus wrote Lives of our philosopher, and shortly afterwards Tascius Victorianus, working on the papers of Nichomachus, [Sidonius Apollinaris, Epp., viii 3. See also Legrand d’Aussy, Vie d’Apollonius de Tyane (Paris 1807), p xIvii.] also composed a Life. None of these Lives, however, have reached us.It was just at this period also, namely, in the last years of the third century and the first years of the fourth,that Porphyry and Iamblichus composed their treatises on Pythagoras and his school; both mention Apollonius as one of their authorities, and it is probable that the first 30 seconds of Iamblichus are taken from Apollonius [Porphyry, De Vita Pythagoræ, section ii., ed Kiessling (Leipzig 1816). Iamblichus De Vita Pythagorica, chap xxv., ed Kiessling (Leipzig 1813); see especially K’s note, pp II Sqq. See also Porphyry, Frag., De Styge, p 285, ed Holst.]
We now come to an incident which hurled the character of Apollonius into the arena of Christian polemics, where it has been tossed about until the present day. Hierocles, successively governor of Palmyra, Bithynia, and Alexandria, and a philosopher, about the year 305 wrote a criticism on the claims of the Christians, in two books, called A Truthful Address to the Christians, or more shortly The Truthlover.He seems to have based himself for the most part on the previous work of Celsus and Porphyry,[See Duchesne on the recently discovered works of Macarious Magnes (Paris 1877)], but introduced a new subject of controversy by opposing the wonderful works of Apollonius to the claims of the Christians to exclusive right in “miracles” as proof of the divinity of their Master. In this part of his treatise Hierocles used Philostratus’ Life of Apollonius.
To this pertinent criticism of Hierocles Eusebius of Cæsarea immediately replied in a treatise still extant, entitled Contra Hieroclem. [The most convenient text is by Gaisford (Oxford 1852), Eusebii Pamphili contra Hieroclem; it is also printed in a number of editions of Philostratus. There are two translations in Latin, one in Italian, one in Danish, all bound up with Philostratus’ Vita, and one in French printed apart (Discours d’ Eusèbe Evêque de Cesarée touchant les Miracles attribuez par les Payens à Apollonius de Tyane, tr by Cousin. Paris; 1584, 12mo, 135 pp.] Eusebius admits that Apollonius was a wise and virtuous man, but denies that there is sufficient proof that the wonderful things ascribed to him ever took place; and even if they did take place, they were the work of “dæmons,” and not of God. The treatise of Eusebius is interesting; he severely scrutinises the statements in Philostratus, and shows himself possessed of a first rate critical faculty.
Had he only used the same faculty on the documents of the Church, of which he was the first historian, posterity would have owed him an eternal debt of gratitude.But Eusebius, like so many other apologists, could only see one side; justice, when anything touching Christianity was called into question, was a stranger to his mind, and he would have considered it blasphemy to use his critical faculty on the documents which relate the “miracles” of Jesus. Still the problem of “miracle” was the same, as Hierocles pointed out, and remains the same to this day.After the controversy reincarnated again in the sixteenth century, and when the hypothesis of the “Devil” as the prime-mover in all “miracles” but those of the Church lost its hold with the progress of scientific thought, the nature of the wonders related in the Life of Apollonius was still so great a difficulty that it gave rise to a new hypothesis of plagiarism. The life of Apollonius was a Pagan plagiarism of the life of Jesus. But Eusebius and the Fathers who followed him had no suspicion of this; they lived in times when such an assertion could have been easily refuted.There is not a word in Philostratus to show he had any acquaintance with the life of Jesus, and fascinating as Baur’s “tendency-writing” theory is to many,we can only say that as a plagiarist of the Gospel story Philostratus is a conspicuous failure. Philostratus writes the history of a good and wise man,a man with a mission of teaching,clothed in the wonder stories preserved in the memory and embellished by the imagination of fond posterity, but not the drama of incarnate Deity as the fulfilment of world prophecy.Lactantius, writing about 315, also attacked the treatise of Hierocles, who seems to have put forward some very pertinent criticisms; for the Church Father says that he enumerates so many of their Christian inner teachings (intima) that sometimes he would seem to have at one time undergone the same training (disciplina). But it is in vain, says Lactantius, that Hierocles endeavours to show that Apollonius performed similar or even greater deeds than Jesus, for Christians do not believe that Christ is God because he did wonderful things, but because all the things wrought in him were those which were announced by the prophets. [Lactantius, Divinae Institutiones, v 2, 3; ed Fritsche (Leipzig 1842) pp 233, 236]And in taking this ground Lactantius saw far more clearly than Eusebius the weakness of the proof from “miracle.”
Arnobius, the teacher of Lactantius, however, writing at the end of the third century, before the controversy, in referring to Apollonius simply classes him among Magi, such as Zoroaster and others mentioned in the passage of Appuleius to which we have already referred.[Arnobius, Adversus Nationes,i, 52; ed Hildebrand (Halle 1844) p 86. The Church Father, however, with that exclusiveness peculiar to the Judæo-Christian view, omits Moses from the list of Magi.]But even after the controversy there is a wide difference of opinion among the Fathers, for although at the end of the fourth century John Chrysostom with great bitterness calls Apollonius a deceiver and evildoer,and declares that the whole of the incidents in his life are unqualified fiction, [John Chrysostom,Adversus Judæos, v 3 (p 631); De Laudibus Sancti Pauli Apost. Homil., iv (p 493 d; ed Montfauc]Jerome, on the contrary, at the very same date, takes almost a favourable view, for, after perusing Philostratus, he writes that Apollonius found everywhere something to learn and something whereby he might become a better man. [Hieronymus, Ep ad Paullinum, 53 (text ap. Kayser, præf ix].At the beginning of the fifth century also Augustine, while ridiculing any attempt at comparison between Apollonius and Jesus, says that the character of the Tyanean was “far superior” to that ascribed to Jove,in respect of virtue.[August., Epp., cxxxviii. Text quoted by Legrand D’aussy, op,cit., p 294.]About the same date also we find Isidorus of Pelusium, who died in 450, bluntly denying that there is any truth in the claim made by “certain,” whom he does not further specify,that Apollonius of Tyana “consecrated many spots in many parts of the world for the safety of the inhabitants.”[Isidorus Pelusiota,Epp., p 138; ed J Billius (Paris 1585)] It is instructive to compare the denial of Isidorus with the passage we have already quoted from Pseudo-Justin. The writer of Questions and Answers to the Orthodox in the second century could not dispose of the question by a blunt denial; he had to admit it and argue the case of other grounds - - namely, the agency of the Devil. Nor can the argument of the Fathers, that Apollonius used magic to bring about his results, while the untaught Christians could perform healing wonders by a single word,[See Arnobius, loc cit.] be accepted as valid by the unprejudiced critic, for there is no evidence to support the contention that Apollonius employed such methods for his wonder-workings; on the contrary, both Apollonius himself and his biographer Philostratus strenuously repudiate the charge of magic brought against him.On the other hand, a few years later, Sidonius Apollinaris, Bishop of Claremont, speaks in the highest terms of Apollonius. Sidonius translated the Life of Apollonius into Latin for Leon, the councillor of King Euric, and in writing to his friend he says:” Read the life of a man who (religion apart) resembles you in many things; a man sought out by the rich, yet who never sought for riches; who loved wisdom and despised gold; a man frugal in the midst of feastings, clad in linen in the midst of those clothed in purple,austere in the midst of luxury . . . . In fine, to speak plainly, perchance no historian will find in ancient times a philosopher whose life is equal to that of Apollonius.” [Sidonius Apollinaris, Epp., viii 3. Also Fabricius, Bibliotheca Græca, pp 549, 565 (ed Harles). The work of Sidonius on Apollonius is unfortunately lost.]
Thus we see that even among the Church Fathers opinions were divided; while among the philosophers
themselves the praise of Apollonius was unstinted.For Ammianus Marcellinus, “the last subject of Rome who composed a profane history in the Latin language,” and the friend of Julian the philosopher-emperor, refers to the Tyanean as “that most renowned philosopher”; [Amplissimus ille philosophus (xxiii 7). See also xxi 14; xxiii 19] while a few years later Eunapius, the pupil of Chrysanthius, one of the teachers of Julian, writing in the last years of the fourth century says that Apollonius was more than a philosopher; he was “a middle term, as it were,between gods and men.” [ τι θεων τε κατ ανθρωπου μεσο , meaning thereby presumably one who has reached the grade of being superior to man, but not yet equal to the gods. This was called by the Greeks the “dæmonian” order. But the word “dæmon,” owing to sectarian bitterness, has long been degraded from its former high estate, and the original idea is now signified in popular language by the term “angel.”Compare Plato, Symposium, xxiii.,παν τα δαιμoνιον μετα εν εστι θεου τε και θνητου, “a ϑ ll that is dæmonian is between God and man.” Not only was Apollonius an adherent of the Pythagorean philosophy, but “he fully exemplified the more divine and practical side in it.” In fact Philostratus should have called his biography “The Sojourning of a God among Men.” [Eunapius, Vitæ Philosophorum, Prooemium, vi ; ed Boissonade (Amsterdam 1822) p 3.]This seemingly wildly exaggerated estimate may perhaps receive explanation in the fact that Eunapius belonged to a school which knew the nature of the attainments ascribed to Apollonius.Indeed, “as late as the fifth century we find one Volusian, a proconsul of Africa, descended from an old Roman family and still strongly attached to the religion of his ancestors, almost worshipping Apollonius of Tyana as a supernatural being.” [Réville, Apollonius of Tyana (tr from the French) p 56 (London 1866). I have, however, not been able to discover on what authority this statement is made.]Even after the downfall of philosophy we find Cassiodorus, who spent the last years of his long life in a monastery, speaking of Apollonius as the “renowned philosopher.” [Insignis philosophus; see his Chronicon, written down to the year 519.] So also among Byzantine writers, the monk George Syncellus, in the eighth century, refers several times to our philosopher, and not only without the slightest adverse criticism, but he declares that he was the first and most remarkable of all the illustrious people who appeared under the Empire.[In his Chronographia. See Legrand d’Aussy, op.cit., p 313.] Tzetzes also, the critic and grammarian, calls Apollonius “all-wise and a fore-knower of all things.” [Chiliades ii 60]And though the monk Xiphilinus, in the eleventh century, in a note to his abridgment of the history of Dion Cassius, calls Apollonius a clever juggler and magician, § [Cited by Legrand d’Aussy, op cit., p 286]nevertheless Cedrenus in the same century bestows on Apollonius the not uncomplimentary title of an “adept Pythagorean philosopher,” [ φιλοσοφος ΙΙυθαγορειος στοιχειωματικος — Cedrenus, Compendium Historiarium, i 346; ed Bekker. The word which I have rendered by “adept” signifies one “who has power over the elements.” and relates several instances of the efficacy of his powers in Byzantium. In fact, if we can believe Nicetas, as late as the thirteenth century there were at Byzantium certain bronze doors,formerly consecrated by Apollonius, which had to be melted down because they had become an object of superstition even for the Christians themselves. [Legrand d’Aussy, op cit., p 308.]Had the work of Philostratus disappeared with the rest of the Lives, the above would be all that we should have known about Apollonius. [If we except the disputed Letters and a few quotations from one of Apollonius’ lost writings.] Little enough, it is true, concerning so distinguished a character, yet ample enough to show that, with the exception of theological prejudice, the suffrages of antiquity were all on the side of our philosopher.
Texts, Translations, and Literature
We will now turn to the texts, translations, and general literature of the subject in more recent times. Apollonius returned to the memory of the world, after the oblivion of the dark ages, with evil auspices.
From the very beginning the old Hierocles-Eusebius controversy was revived, and the whole subject was
at once taken out of the calm region of philosophy and history and hurled once more into the stormy arena of religious bitterness and prejudice. For long Aldus hesitated to print the text of Philostratus,and only finally did so (in 1501) with the text of Eusebius as an appendix, so that, as he piously phrases it,“the antidote might accompany the poison.” Together with it appeared a Latin translation by the Florentine Rinucci.[Philostratus de Vita Apollonii Tyanei Libri Octo, tr by A Rinuccinus, and Eusebius contra Hieroclem, tr by Z Acciolus (Venice 1501-04 fol.), Rinucci’s translation was improved by Beroaldus and printed at Lyons (1504?) , and again at Cologne 1534.]In addition to the Latin version the sixteenth century also produced an Italian [F Baldelli, Filostrato Lemnio della Vita di Apollonio Tianeo (Florence 1549, 8vo)] and French translation. [B de Vignère,Philostrate de la Vie d’Apollonius (Paris 1596, 1599, 1611). Blaise de Vignère’s translation was
subsequently corrected by Frédéric Morel and later by Thomas Artus, Sieur d’Embry, with bombastic notes in which he bitterly attacks the wonder-workings of Apollonius. A French translation was also made by Sibilet about 1560, but never published; the MS was in the Bibliothèque Imperial. See Miller,Journal des Savants 1849, p 625, quoted by Chassang, op infr cit., p iv.}The editio princeps of Aldus was superseded a century later by the edition of Morel, [F Morellus,Philostrati Lemnii Opera, Gr. and Lat. (Paris 1608.)]which in its turn was followed a century still later by that of Olearius. [G. Olearius, Philostratorum quæ supersunt Omnia, Gr and Lat. (Leipzig 1709).]Nearly a century and a half later again the text of Olearius was superseded by that of Kayser (the first critical text), whose work in its last edition contains the latest critical apparatus. [C L. Kayser, Flavii Philostrati quæ supersunt, etc. (Zurich 1844, 4 to). In 1849 A Westermann also edited a text, Philostratorum et Callistrati Opera, in Didot’s “Scriptorum Græcorum Bibliotheca” (Paris 1849, 8vo). But Kayser brought out a new edition in 1853 (?), and again a third, with additional information in the Preface, in the “Bibliotheca Teubneriana” (Leipzig 1870).] All information with regard to the MSS, will be found in Kayser’s Latin Prefaces.
We shall now attempt to give some idea of the general literature on the subject, so that the reader may be able to note some of the varying fortunes of the war of opinion in the bibliographical indications.And if the general reader should be impatient of the matter and eager to get to something of greater interest, he can easily omit its perusal; while if he be a lover of the mystic way, and does not take delight in wrangling controversy, he may at least sympathise with the writer, who has been compelled to look through the works of the last century and a good round dozen of those of the previous centuries, before he could venture on an opinion of his own with a clear conscience.Sectarian prejudice against Apollonius characterises nearly every opinion prior to the nineteenth century.[For a general summary of opinions prior to 1807, if writers who mention Apollonius incidentally, see Legrand d’Aussy, op. cit., pp 313-327.] Of books distinctly dedicated to the subject the works of the Abbé Dupin [L’Histoire d’Apollone de Tyane convaincue de Fausseté et d’Imposture (Paris 1705).] and of de Tillemont [An Account of the Life of Apollonius Tyaneus (London 1702), tr out of the French, from vol ii, of Lenain de Tillemont’s Histoire des Empereurs (Second Edition, Paris 1720): to which is added Some Observations upon Apollonius. De Tillemont’s view is that Apollonius was sent by the Devil to destroy the work of the Saviour.] are bitter attacks on the Philosopher of Tyana in defence of the monopoly of Christian miracles; while those of the Abbé Houtteville [A critical and Historical Discourse upon the Method of the Principal Authors who wrote for and against Christianity from its Beginning (London 1739),tr. from the French of M. l’Abbé Houtteville; to which is added a “Dessertation on the Life of Apollonius Tyanæus, with some Observations on the Platonists of the Latter School,” pp 213-254.] and Lüderwald[Anti-Hierocles oder Jesus Christus und Apollonius von Tyana in ihrer grossen Ungleichheit, dargestellt v. J.B. Lüderwald (Halle 1793).] are less violent, though on the same lines. A pseudonymous writer,however, of the eighteenth century strikes out a somewhat different line by classing together the miracles of the Jesuits and other Monastic Orders with those of Apollonius, and dubbing them all spurious, while maintaining the sole authenticity of those of Jesus. [Phileleutherus Helvetius, De Miraculis quæ Pythagoræ, Apolloni Tyanensi, Francisco Asisio, Dominico, et Ignatio Lojolæ tribuuntur Libellus (Draci
1734).]Nevertheless, Bacon and Voltaire speak of Apollonius in the highest terms, [See Legrand d’Aussy, op.cit., p 314, where the texts are given.] and even a century before the latter the English Deist, Charles Blount, [The Two First Books of Philostratus concerning the Life of Apollonius Tyaneus (London ; 1680 fol.) Blount’s notes (generally ascribed to Lord Herbert) raised such an outcry that the book was condemned in 1693, and few copies are in existence. Blount’s notes were, however, translated into French a century later, in the days of Encyclopædism, and appended to a French version of the Vita, under the title, Vie d’Apollonius de Tyane par Philostrate avec les Commentaires donnés en Anglois par Charles Blount sur les deux Premiers Livres de cet Ouvrage (Amsterdam ; 1779, 4 vols., Svo), with an ironical dedication to Pope Clement XIV., signed “Philalethes.”] raised his voice against the universal obloquy poured upon the character of the Tyanean ; his work, however, was speedily suppressed.In the midst of this war about miracles in the eighteenth century it is pleasant to remark the short treatise of Herzog, who endeavours to give a sketch of the philosophy and religious life of Apollonius,[Philosophiam Practicam Apollonii Tyanæ in Sciagraphia, exponit M. Io. Christianus Herzog (Leipzig 1709) ; an academical oration of 20 pp.] but, alas! there were no followers of so liberal an example in this century of strife.
So far then for the earlier literature of the subject. Frankly none of it is worth reading; the problem could
not be calmly considered in such a period. It started on the false ground of the Hierocles-Eusebius controversy, which was but an incident (for wonder-working is common to all great teachers and not
peculiar to Apollonius or Jesus), and was embittered by the rise of Encyclopædism and the rationalism of
the Revolution period. Not that the miracle-controversy ceased even in the last century; it does not,however, any longer obscure the whole horizon, and the sun of a calmer judgment may be seen breaking through the midst.In order to make the rest of our summary clearer we append at the end of this essay the titles of the
works which have appeared since the beginning of the nineteenth century, in chronological order.A glance over this list will show that the last century has produced an English (Berwick’s), an Italian(Lancetti’s), a French (Chassang’s), and two German translations (Jacobs’ and Baltzer’s). [Philostratus is a difficult author to translate, nevertheless Chassang and Baltzer have succeeded very well with him;Berwick also is readable, but in most places gives us a paraphrase rather than a translation and frequently mistakes the meaning. Chassang’s and Baltzer’s are by far the best translations.]The Rev E.Berwick’s translation is the only English version; in his Preface the author, while asserting the falsity of the miraculous element in the Life, says that the rest of the work deserves careful attention.No harm will accrue to the Christian religion by its perusal , for there are no allusions to the Life of Christ in it, and the miracles are based on those ascribed to Pythagoras.This is certainly a healthier standpoint than that of the traditional theological controversy, which,
unfortunately, however, was revived again by the great authority of Baur,who say in a number of the early documents of the Christian era (notably the canonical Acts) tendency-writings of but slight historical content, representing the changing fortunes of schools and parties and not the actual histories of individuals.The Life of Apollonius was one of these tendency-writings; its object was to put forward a view opposed to Christianity in favour of philosophy. Baur thus divorced the whole subject from its historical standpoint and attributed to Philostratus an elaborate scheme of which he was entirely innocent. Baur’s view was largely adopted by Zeller in his Philosophie der Griechen (v 140), and by Réville in Holland.This “Christusbild” theory (carried by a few extremists to the point of denying that Apollonius ever existed) has had a great vogue among writers on the subject, especially compilers of encyclopædia articles; it is at any rate a wider issue than the traditional miracle-wrangle, which was again revived in all its ancient narrowness by Newman, who only uses Apollonius as an excuse for a dissertation on orthodox miracles, to which he devotes eighteen pages out of the twenty-five of his treatise. Noack also follows Baur, and to some extent Pettersch, though he takes the subject onto the ground of philosophy; while Möckeberg,pastor of St. Nicolai in Hamburg, though striving to be fair to Apollonius, ends his chatty dissertation with an outburst of orthodox praises of Jesus, praises which we by no means grudge, but which are entirely out of place in such a subject.
The development of the Jesus-Apollonius miracle-controversy into the Jesus-against-Apollonius and even Christ-against-Anti-Christ battle, fought out with relays of lusty champions on the one side against a feeble protest at best on the other, is a painful spectacle to contemplate.How sadly must Jesus and Apollonius have looked upon, and still look upon, this bitter and useless strife over their saintly persons.Why should posterity set their memories one against the other? Did they oppose one another in life? Did even their biographers do so after their deaths? Why then could not the controversy have ceased with Eusebius? For Lactantius frankly admits the point brought forward by Hierocles (to exemplify which Hierocles only referred to Apollonius as one instance out of many)—that “miracles” do not prove divinity.We rest our claims, says Lactantius, not on miracles, but on the fulfilment of prophecy. [This would have at least restored Apollonius to his natural environment, and confined the question of the divinity of Jesus to its proper Judæo-Christian ground.] Had this more sensible position been revived instead of that of Eusebius, the problem of Apollonius would have been considered in its natural historical environment four hundred years ago, and much ink and paper would have been saved.With the progress of the critical method, however, opinion has at length partly recovered its balance, and it is pleasant to be able to turn to works which have rescued the subject from theological obscurantism and placed it in the open field of historical and critical research. The two volumes of the independent thinker, Legrand d’Aussy, which appeared at the very beginning of the last century, are, for the time,remarkably free from prejudice, and are a praiseworthy attempt at historical impartiality, but criticism was still young at this period. Kayser, though he does not go thoroughly into the matter, decides that the account of Philostratus is purely a “fabularis narratio,” but is well opposed by I. Müller, who contends for a strong element of history as a background. But by far the best sifting of the sources is that of Jessen. [I am unable to offer any opinion on Nielsen’s book, from ignorance of Danish, but it has all the appearance of a careful, scholarly treatise with abundance of references.] Priaulx’s study deals solely with the Indian episode and is of no critical value for the estimation of the sources.Of all previous studies, however, the works of Chassang and Baltzer are the most generally intelligent, for both writers are aware of the possibilities of psychic science, though mostly from the insufficient standpoint of spiritistic phenomena.
As for Tredwell’s somewhat pretentious volume which, being in English,is accessible to the general reader, it is largely reactionary, and is used as a cover for adverse criticism of the Christian origins from a Secularist standpoint which denies at the outset the possibility of “miracle” in any meaning of the word. A mass of well-known numismatological and other matter, which is entirely irrelevant, but which seems to be new and surprising to the author, is introduced, and a map is prefixed to the title page purporting to give the itineraries of Apollonius, but having little reference to the text of Philostratus.Indeed, nowhere does Tredwell show that he is working on the text itself, and the subject in his hands is but an excuse for a rambling dissertation on the first century in general from his own standpoint.This is all regrettable, for with the exception of Berwick’s translation, which is almost unprocurable, we have nothing of value in English for the general reader[Réville’s Pagan Christ is quite a misrepresentation of the subject, and Newman’s treatment of the matter renders his treatise an anachronism for the twentieth century.] except Sinnett’s short sketch, which is descriptive rather than critical or explanatory.So far then for the history of the Apollonius of opinion; we will now turn to the Apollonius of Philostratus,and attempt if possible to discover some traces of the man as he was in history, and the nature of his life
The Biographer of Apollonius
Flavius Philostratus, the writer of the only Life of Apollonius which has come down to us,Consisting of eight books written in Greek under the general title Τα ες τον Τυανεα Απολλωνιον ] was a distinguished man of letters who lived in the last quarter of the second and the first half of the third century (cir. 175-245 A.D.). He formed one of the circle of famous writers and thinkers gathered round the philosopher empress, [ η θιλοιφος, see art. “Philostratus” in Smith’s Dict of Gr and Rom. Biog. (London 1870) iii 327 b.] Julia Domna, who was the guiding spirit of the Empire during the reigns of her husband Septimius Severus and her son Caracalla. All three members of the imperial family were students of occult science, and the age was pre-eminently one in which the occult arts, good and bad, were a passion. Thus the sceptical Gibbon, in his sketch of Severus and his famous consort, writes:“Like most of the Africans, Severus was passionately addicted to the vain studies of magic and divination,deeply versed in the interpretation of dreams and omens, and perfectly acquainted with the science of judicial astrology, which in almost every age except the present, has maintained its dominion over the mind of man. He had lost his first wife whilst he was governor of the Lionnese Gaul. In the choice of a second, he sought only to connect himself with some favourite of fortune; and as soon as he had discovered that a young lady of Emesa in Syria had a royal nativity, [The italics are Gibbon’s.] he solicited and obtained her hand. Julia Domna [More correctly Domna Julia; Domna being not a shortened form of Domina, but the Syrian name of the empress.] (for that was her name) deserved all that the stars could promise her.She possessed, even in an advanced age, [She died A.D. 217.] the attractions of beauty, and united to a lively imagination, seldom bestowed on her sex. Her amiable qualities never made any deep impression on the dark and jealous temper of her husband. [The contrary is held by other historians.] but in her son’s reign, she administered the principal affairs of the Empire with a prudence that supported his authority, and with a moderation that sometimes corrected his wild extravagances.Julia applied herself to letters and philosophy with some success, and with the most splendid reputation.
She was the patroness of every art, and the friend of every man of genius.” [Gibbon’s Decline and Fall, I,vi.]
We thus see, even from Gibbon’s somewhat grudging estimate, that Domna Julia was a woman of remarkable character, whose outer acts give evidence of an inner purpose, and whose private life has not been written.It was at her request that Philostratus wrote the Life of Apollonius, and it was she who supplied him with certain MSS, that were in her possession, as a basis; for the beautiful daughter of Bassianus, priest of the sun at Emesa, was an ardent collector of books from every part of the world,especially of the MSS of philosophers and of memoranda and biographical notes relating to the famous students of the inner nature of things.That Philostratus was the best man to whom to entrust so important a task, is doubtful. It is true that hewas a skilled stylist and a practised man of letters, an art critic and an ardent antiquarian, as we may see from his other works; but he was a sophist rather than a philosopher, and though an enthusiastic admirer of Pythagoras and his school, was so from a distance, regarding it rather through a wonder loving atmosphere of curiosity and the embellishments of a lively imagination than from a personal acquaintance with its discipline, or a practical knowledge of those hidden forces of the soul with which its adepts dealt. We have, therefore, to expect a sketch of the appearance of a thing by one outside, rather than an exposition of the thing itself from one within.The following is Philostratus’ account of the sources from which he derived his information concerning Apollonius: [I use the 1846 and 1870 editions of Kayser’s text throughout.]“I have collected my materials partly from the cities which loved him, partly from the temples whose rites and regulations he restored from their former state of neglect, partly from his own letters. [A collection of these letters (but not all of them) had been in the possession of the Emperor Hadrian (A.D. 117-138), and had been left in his palace at Antium (viii 20). This proves the great fame that Apollonius enjoyed shortly after his disappearance from history, and while he was still a living memory. It is to be noticed that Hadrian was an enlightened ruler, a great traveller, a lover of religion, and an initiate of the Eleusinian Mysteries.] More detailed information I procured as follows. Damis was a man of some education who formerly used to live in the ancient city of Ninus. [Nineveh.] He became a disciple of Apollonius and recorded his travels, in which he says he himself took part, and also the views, sayings, and predictions of his master. A member of Damis’ family brought the Empress Julia the note-books [ τας δελτους writing tablets.This suggests that the account of Damis could not have been very voluminous, although Philostratus further on asserts its detailed nature (i 19)] containing these memoirs, which up to that time had not been known of. As I was one of the circle of this princess, who was a lover and patroness of all literary productions, she ordered me to rewrite these sketches and improve their form of expression, for though the Ninevite expressed himself clearly, his style was far from correct. I also have had access to a book by Maximus [One of the imperial secretaries of the time, who was famous for his eloquence, and tutor to Apollonius.] of Ægæ which contained all Apollonius’ doings at Ægæ. [A town not far from Tarsus.]
There is also a will written by Apollonius, from which we can learn how he almost defied philosophy. [ ως
υποφεαζων την φιλοσφιαν εγενετο .The term υποφεαζων occurs only in this passage, and I am therefore not quite certain of its meaning.] As to the four books of Moeragenes [This Life by Moeragenes is casually mentioned by Origenes, Contra Celsum, vi 41; ed Lommatzsch (Berlin 1841), ii 373.] on Apollonius they do not deserve attention, for he knows nothing of most of the facts of his life” (i. 2. 3).These are the sources to which Philostratus was indebted for his information, sources which are unfortunately no longer accessible to us, except perhaps a few letters. Nor did Philostratus spare any pains to gather information on the subject, for in his concluding words (viii 31), he tells us that he has himself traveled into most parts of the “world” and everywhere met with the “inspired sayings” [ λογος δαιμονιος ] of Apollonius, and that he was especially well acquainted with the temple dedicated to the memory of our philosopher at Tyana and founded at the imperial expense (“for the emperors had judged him not unworthy of like honours with themselves”), whose priests, it is to be presumed, had got together as much information as they could concerning Apollonius.A thoroughly critical analysis of the literary effort of Philostratus, therefore, would have to take into account all of these factors, and endeavour to assign each statement to its original source. But even then the task of the historian would be incomplete, for it is transparently evident that Philostratus has considerably “embellished” the narrative with numerous notes and additions of his own and with the composition of set speeches.Now as the ancient writers did not separate their notes from the text, or indicate them in any distinct fashion, we have to be constantly on our guard to detect the original sources from the glosses of the writer.[Seldom is it that we have such a clear indication, for instance, as in i 25; “The following is what I have been able to learn . . . about Babylon.”] In fact Philostratus is ever taking advantage of the mention of a name or a subject to display his own knowledge, which is often of a most legendary and fantastic nature.This is especially the case in his description of Apollonius’ Indian travels. India at that time and long afterwards was considered the “end of the world,” and an infinity of the strangest “travellers’ tales” and mythological fables were in circulation concerning it. One has only to read the accounts of the writers on India [See E A. Schwanbeck, Megasthenis Indica (Bonn 1846), and J W. M’Crindle, Ancient India as described by Megasthenes and Arrian (Calcutta, Bombay, London 1877). The Commerce and Navigation of the Erythræan Sea (1879), Ancient India as described by Ktesias (1882), Ancient India as described by Ptolemy (London 1885) and The Invasion of India by Alexander the Great (London 1893, 1896.] from the time of Alexander onwards to discover the source of most of the strange incidents that Philostratus records as experiences of Apollonius.To take but one instance out of a hundred, Apollonius had to cross the Caucasus, an indefinite name for the great system of mountain ranges that bound the northern limits of Âryâvarta. Prometheus was chained to the Caucasus, so every child has been told for centuries.Therefore, if Apollonius crossed the Caucasus, he must have seen those chains. And so it was,Philostratus assures us (ii 3). Not only so, but he volunteers the additional information that you could not tell of what they were made! A perusal of Megasthenes, however, will speedily reduce the long Philostratian account of the Indian travels of Apollonius (i 41—iii 58) to a very narrow compass, for page after page is simply padding, picked up from any one of the numerous Indica to which our widely read author has access.[Another good example of this is seen in the disquisition on elephants which Philostratus takes from Juba’s History of Libya (ii 13 and 16)] To judge from such writers, Porus [Perhaps a title, or the king of the Purus.] (the Râjâh conquered by Alexander) was the immemorial king of India. In fact, in speaking of India or any other little known country, a writer in these days had to drag in all that popular legend associated with it or he stood little chance of being listened to. He had to give his
narrative a “local colour,” and this was especially the case in a technical rhetorical effort like that of Philostratus.
Again, it was the fashion to insert set speeches and put them in the mouths of well-known characters on
historical occasions, good instances of which may be seen in Thucydides and the Acts of the Apostles. Philostratus repeatedly does this.But it would be too long to enter into a detailed investigation of the subject, although the writer has prepared notes on all these points, for that would be to write a volume and not a sketch. Only a few points are therefore set down, to warn the student to be ever on his guard to sift out Philostratus from his sources. [Not that Philostratus makes any disguise of his embellishments; see, for instance, ii 17, where he says: “Let me, however, defer what I have to say on the subject of serpents, of the manner of hunting which Damis gives a description.”]But though we must be keenly alive to the importance of a thoroughly critical attitude where definite facts of history are concerned, we should be as keenly on our guard against judging everything from the standpoint of modern preconceptions. There is but one religious literature of antiquity that has ever been treated with real sympathy in the West, and that is the Judæo-Christian ; in that alone have men been trained to feel at home, and all in antiquity that treats of religion in a different mode to the Jewish or Christian way, is felt to be strange, and, if obscure or extraordinary, to be even repulsive.The sayings and doings of the Jewish prophets, of Jesus, and of the Apostles, are related with reverence, embellished with the greatest beauties of diction, and illumined with the best thought of the age; while the sayings and doings of other prophets and teachers have been for the most part subjected to the most unsympathetic criticism, in which no attempt is made to understand their standpoint.Had even-handed justice been dealt out all round, the world today would have been richer in sympathy, in wide-mindedness, in
comprehension of nature, humanity, and God, in brief, in soul-experience.Therefore, in reading the Life of Apollonius let us remember that we have to look at it through the eyes of a Greek, and not through those of a Jew or a Protestant. The Many in their proper sphere must be for us as authentic a manifestation of the Divine as the One or the All, for indeed the “Gods” exist in spite of commandment and creed. The Saints and Martyrs and Angels have seemingly taken the place of the Heroes and Dæmons and Gods, but the change of name and change of viewpoint among men affect but little the unchangeable facts. To sense the facts of universal religion under the ever changing names which men bestow upon them, and then to enter with full sympathy and comprehension into the hopes and fears of every phase of the religious mind - to read ,as it were, the past lives of our own souls is a most difficult task. But until we can put ourselves understandingly in the places of others, we can never see more than one side of the Infinite Life of God.
A student of comparative religion must not be afraid of terms; he must not shudder when he meets with “polytheism,” or draw back in horror when he encounters “dualism,” or feel an increased satisfaction when he falls in with “monotheism”; he must not feel awe when he pronounces the name of Yahweh and contempt when he utters the name of Zeus; he must not picture a satyr when he reads the word “dæmon,” and imagine a winged dream of beauty when he pronounces the word “angel.” For him heresy and orthodoxy must not exist; he sees only his own soul slowly working out its own experience, looking at life from every possible view-point, so that haply at last he may see the whole, and having seen the whole, may become at one with God.To Apollonius the mere fashion of a man’s faith was unessential; he was at home in all lands, among all
cults. He had a helpful word for all, an intimate knowledge of the particular way of each of them, which enabled him to restore them to health. Such men are rare; the records of such men are precious, and require the embellishments of no rhetorician.Let us then, first of all, try to recover the outline of the early external life and of the travels of Apollonius shorn of Philostratus’ embellishments, and then endeavour to consider the nature of his mission,the manner of the philosophy which he so dearly loved and which was to him his religion, and last, if possible, the way of his inner life.
Early Life
Apollonius was born [Legends of the wonderful happenings at his birth were in circulation, and are of the same nature as all such birth-legends of great people.] at Tyana, a city in the south of Cappadocia, somewhere in the early years of the Christian era. His parents were of ancient family and considerable fortune (i 4). At an early age he gave signs of a very powerful memory and studious disposition, and was remarkable for his beauty. At the age of fourteen he was sent to Tarsus, a famous centre of learning of the time, to complete his studies. But mere rhetoric and style and the life of the “schools” were little suited to his serious disposition, and he speedily left for Ægæ, a town on the sea coast east of Tarsus. Here he found surroundings more suitable to his needs, and plunged with ardor into the study of philosophy. He became intimate with the priests of the temple of Æsculapius, when cures were still wrought, and enjoyed the society and instruction of pupils and teachers of the Platonic, Stoic,Peripatetic, and Epicurean schools of philosophy; but though he studied all these systems of thought with attention, it was the lessons of the Pythagorean school upon which he seized with an extraordinary depth of comprehension,[αρρητω τινι σοφια ενελαβε] and that, too, although his teacher, Euxenus, was but a parrot of the doctrines and not a practiser of the discipline. But such parroting was not enough for the eager spirit of Apollonius; his extraordinary “memory,” which infused life into the dull utterances of his tutor, urged him on, and at the age of sixteen “he soared into the Pythagorean life, winged by some greater one.” [Sci., than his tutor; namely, the “memory” within him, or his “dæmon.”] Nevertheless he retained his affection for the man who had told him of the way, and rewarded him handsomely (i 7).When Euxenus asked him how he would begin his new mode of life he replied: “As doctors purge their patients.” Hence he refused to touch anything that had animal life in it, on the ground that it densified the mind and rendered it impure. He considered that the only pure form of food was what the earth produced, fruits and vegetables. He also abstained from wine, for though it was made from fruit, “it rendered turbid the æther [This æther was presumably the mind-stuff.] in the soul” and “destroyed the composure of the mind.” Moreover, he went barefoot, let his hair grow long, and wore nothing but linen. He now lived in the temple,to the admiration of the priests and with the express approval of Æsculapius,[That is to say presumably he was encouraged in his efforts by those unseen helpers of the temple by whom the cures were wrought by means of dreams, and help was given psychically and mesmerically.] and he rapidly became so famous for his asceticism and pious life, that a saying [“Where are you hurrying? Are you off
to see the youth?”] of the Cilicians about him became a proverb (i 8).At the age of twenty his father died (his mother having died some years before) leaving a considerable fortune, which Apollonius was to share with his elder brother, a wild and dissolute youth of twenty-three. Being still a minor, Apollonius continued to reside at Ægae, where the temple of Æsculapius had now become a busy centre of study, and echoed from one end to the other with the sound of lofty philosophical discourses. On coming of age he returned to Tyana to endeavour to rescue his brother from his vicious life. His brother had apparently exhausted his legal share of the property, and Apollonius at once made over half of his own portion to him,and by his gentle admonitions restored him to manhood. In fact he seems to have devoted his time to setting in order the affairs of the family, for he distributed the rest of his patrimony among certain of his relatives, and kept for himself but a bare pittance; he required but little, he said, and should never marry (i 13).
He now took the vow of silence for five years, for he was determined not to write on philosophy until he had passed through this wholesome discipline. These five years were passed mostly in Pamphylia and Cilicia, and though he spent much time in study, he did not immure himself in a community or monastery but kept moving about and travelling from city to city. The temptations to break his self-imposed vow were enormous. His strange appearance drew everyone's attention, the laughter-loving populace made the silent philosopher the butt of their unscrupulous wit, and all the protection he had against their scurrility and misconceptions was the dignity of his mien and the glance of eyes that now could see both past and future.Many a time he was on the verge of bursting out against some exceptional insult or lying gossip,but ever He restrained himself with the words: “Heart, patient be, and thou, my tongue, be still.”[Compare Odyssey, xx 18.] (i 14).Yet even this stern repression of the common mode of speech did not prevent his good doing. Even at this early age he had begun to correct abuses.With eyes and hands and motions of the head, he made his meaning understood, and on one occasion, at Aspendus in Pamphylia, prevented a serious corn riot by silencing the crowd with his commanding gestures and then writing what he had to say on his tablet (i 15). So far, apparently, Philostratus has been dependent upon the account of Maximus of Ægæ, or perhaps only up to the time of Apollonius’ quitting Ægæ. There is now a considerable gap in the narrative, and two short chapters of vague generalities (i 16, 17) are all that Philostratus can produce as the record of some fifteen or twenty [I am inclined to think, however, that Apollonius was still a youngish man when he set out on his Indian travels, instead of being forty-six, as some suppose. But the difficulties of most of the chronology are insurmountable.] years, until Damis’ notes begin. After the five years of silence, we find Apollonius at Antioch, but this seems to be only an incident in a long round of travel and work, and it is probable that Philostratus brings Antioch into prominence merely because what little he had learnt of this period of Apollonius’ life, he picked up in this much-frequented city. Even from Philostratus himself we learn incidentally later on (i 20; iv 38) that Apollonius had spent some time among the Arabians, and had been instructed by them. And by Arabia we are to understand the country south of Palestine, which was at this period a regular hot-bed of mystic communities. The spots he visited were in out-of-the-way places, where the spirit of holiness lingered, and not the crowded and disturbed cities, for the subject of his conversation, he said, required “men and not people.” [φησας ουκ ανφρπν εαυτω δειν αλλ ανδρων ] He spent his time in travelling from one to another of these temples, shrines, and communities; from which we may conclude that there was some kind of common freemasonry as it were, among them, of the nature of initiation , which opened the door of hospitality to him.
But whenever he went, he always held to a certain regular division of the day. At sun-rise he practised certain religious exercises alone, the nature of which he communicated only to those who had passed through the discipline of a “four years’ “ (? five years’) silence. He then conversed with the temple priests or the heads of the community, according as he was staying in a Greek or non-Greek temple with public rites, or in a community with a discipline peculiar to itself apart from the public cult. [ ιδιοτοπα ] He thus endeavoured to bring back the public cults to the purity of their ancient traditions, and to suggest improvements in the practices of the private brotherhoods. The most important part of his work was with those who were following the inner life, and who already looked upon Apollonius as a teacher of the hidden way. To these his comrades (εταιρους) and pupils (ομιλητας), he devoted much attention, being ever ready to answer their questions and give advice and instruction. Not however that he neglected the people; it was his invariable custom to teach them, but always after midday; for those who lived the inner life,[ τους ουτω φιλοσοφουντας.] he said, should on day’s dawning enter the presence of the Gods, [That is to say, presumably, spend the time in silent meditation.] then spend the time till midday in giving and receiving instruction in holy things, and not till after noon devote themselves to human affairs.That is to say, the morning was devoted by Apollonius to the divine science, and the afternoon to instruction in ethics and practical life. After the day’s work he bathed in cold water,as did so many of the mystics of the time in those lands, notably the Essenes and Therapeuts (i 16).“After these things,” says Philostratus, as vaguely as the writer of a gospel narrative, Apollonius determined to visit the Brachmanes and Sarmanes. [That is the Brâhmans and Buddhists. Sarman is the Greet corruption of the Sanskrit Shramana and Pâli Samano, the technical term for a Buddhist ascetic or monk. The ignorance of the copyists changed Sarmanes first into Germanes and then into Hyrcanians!]What induced our philosopher to make so long and dangerous a journey nowhere appears from Philostratus, who simply says that Apollonius thought it a good thing for a young man [This shows that Apollonius was still young, and not between forty and fifty, as some have asserted. Tredwell (p 77) dates the Indian travels as 41-54 A.D.] to travel. It is abundantly evident, however, that Apollonius never traveled merely for the sake of travelling. What he does he does with a distinct purpose.And his guides on this occasion, as he assures his disciples who tried to dissuade him from his endeavour and refused to accompany him, were wisdom and his inner monitor (dæmon). “Since ye are faint-hearted,” says the solitary pilgrim, “I bid you farewell. As for myself must go whithersoever wisdom and my inner self may lead me.The Gods are my advisers and I can but rely on their counsels” (i 18).
The Travels of Apollonius
And so Apollonius departs from Antioch and journeys on to Ninus, the relic of the once great Nina or Nineveh. There he meets with Damis, who becomes his constant companion and faithful disciple. “Let us go together,” says Damis in words reminding us somewhat of the words of Ruth. “Thou shalt follow God,and I thee!” (i 19).From this point Philostratus professes to base himself to a great extent on the narrative of Damis , and before going further, it is necessary to try to form some estimate of the character of Damis, and discover how far he was admitted to the real confidence of Apollonius.Damis was an enthusiast who loved Apollonius with a passionate affection. He saw in his master almost a divine being, possessed of marvellous powers at which he continually wondered, but which he could never understand. Like Ânanda, the favourite disciple of the Buddha and his constant companion, Damis advanced but slowly in comprehension of the real nature of spiritual science; he had ever to remain in the outer courts of the temples and communities into whose shrines and inner confidence Apollonius had full access, while he frequently states his ignorance of his master’s plans and purposes. [See especially iii,15, 41; v 5, 10; vii 10, 13; viii 28.] The additional fact that he refers to his notes as the “crumbs”[ εκφατνισματα ] from the “feasts of the Gods” (i 19), those feasts of which he could for the most part onlylearn at secondhand what little Apollonius thought fit to tell him, and which he doubtless largely misunderstood and clothed in his own imaginings, would further confirm this view, if any further confirmation was necessary. But indeed it is very manifest everywhere that Damis was outside the circle of initiation, and this accounts both for his wonder-loving point of view and his general superficiality. Another fact that comes out prominently from the narrative is his timid nature.[ See especially Vii. 13, 14,15, 223 ]He is continually afraid for himself or for his master; and even towards the end, when Apollonius is imprisoned by Domitian, it requires the phenomenal removal of the fetters before his eyes to assure him that Apollonius is a willing victim.Damis loves and wonders; seizes on unimportant detail and exaggerates it, while he can only report of the really important things what he fancies to have taken place from a few hints of Apollonius. As his story advances, it is true it takes on a soberer tint; but what Damis omits, Philostratus is ever ready to supply from his own store of marvels, if chance offers.Nevertheless, even were we with the scalpel of criticism to cut away every morsel of flesh from this body of tradition and legend, there would still remain a skeleton of fact that would still represent Apollonius and give us some idea of his stature.Apollonius was one of the greatest travellers known to antiquity. Among the countries and places he visited the following are the chief ones recorded by Philostratus. [The list is full of gaps, so that we cannot suppose that Damis’ notes were anything like the complete records of the numerous itineraries; not only so, but one is tempted to believe that whole journeys, in which Damis had no share, are omitted.]From Ninus (i 19) Apollonius journeys to Babylon (i 21), where he stops one year and eight months (i 40)and visits surrounding cities such as Ecbatana, the capital of Media (i 39); from Babylon to the Indian frontier no names are mentioned; India was entered in every probability by the Khaibar Pass (ii 6) [Here at any rate they came in sight of the giant mountains, the Imaus (Himavat) or Himâlayan Range, where was the great mountain Meros (Meru), The name of the Hindu Olympus being changed into Meros in Greek had, ever since Alexander’s expedition, given rise to the myth that Bacchus was born from the thigh (meros) of Zeus - presumably one of the facts which led Professor Max Müller to stigmatise the whole of mythology as a “disease of language.”] for the first city mentioned is Taxila (Attock) (ii 20); and so they make their way across the tributaries of the Indus (ii 43) to the valley of the Ganges (iii 5), and finally arrive at the “monastery of the wise men” (iii 10), where Apollonius spends four months (iii 50).
This monastery was presumably in Nepâl; it is in the mountains, and the “city” nearest it is called Paraca.The chaos that Philostratus has made of Damis’ account, and before him the wonderful transformations Damis himself wrought in Indian names, are presumably shown in this word. Paraca is perchance all that Damis could make of Bharata, the general name of the Ganges valley in which the dominant Âryas were settled. It is also probable that these wise men were Buddhists, for they dwelt in a τυρσις, a place that looked like a fort or fortress to Damis.I have little doubt that Philostratus could make nothing out of the geography of India from the names in Damis’ diary; they were all unfamiliar to him, so that as soon as he has exhausted the few Greek names known to him from the accounts of the expedition of Alexander, he wanders in the “ends of the earth,”and can make nothing of it till he picks up our travellers again on their return journey at the mouth of theIndus. The salient fact that Apollonius was making for a certain community, which was his peculiar goal,so impressed the imagination of Philostratus (and perhaps of Damis before him) that he has described it as being the only centre of the kind in India. Apollonius went to India with a purpose and returned from it with distinct mission; [Referring to his instructors he says, “I ever remember my masters and journey through the world teaching what I have learned from them” (vi 18).] and perchance his constant inquiries concerning the particular “wise men” whom he was seeking, led Damis to imagine that they alone were the “Gymnosophists,” the “naked philosophers” (if we are to take the term in its literal sense) of popular Greek legend, which ignorantly ascribed to all the Hindu ascetics the most striking peculiarity of a very small number.But to return to our itinerary.Philostratus embellishes the account of the voyage from the Indus to the mouth of the Euphrates (iii 52-58) with the travellers’ tales and names of islands and cities he has gleaned from the Indica which were accessible to him, and so we again return to Babylon and familiar geography with the following itinerary: Babylon, Ninus, Antioch, Seleucia, Cyprus; thence to Ionia (iii 58), where he spends some time in Asia Minor, especially at Ephesus (iv 1), Smyrna (iv 5), Pergamus (iv 9), and Troy (iv II). Thence Apollonius crosses over to Lesbos (iv 13), and subsequently sails for Athens, where he spends some years in Greece (iv 17-33) visiting the temples of Hellas, reforming their rites and instructing the priests (iv 24).We next find him in Crete (iv 34), and subsequently at Rome in the time of Nero (iv 36-46).In A.D. 66 Nero issued a decree forbidding any philosopher to remain in Rome,and Apollonius set out for Spain, and landed at Gades, the modern Cadiz; he seems to have stayed in Spain only a short time (iv 47); thence crossed to Africa, and so by sea once more to Sicily, where the principal cities and temples were visited (v 11-14). Thence Apollonius returned to Greece (v 18), four years having elapsed since his landing at Athens from Lesbos (v 19). [According to some, Apollonius would be now about sixty-eight years of age. But if he were still young (say thirty years old or so) when he left for India, he must either have spent a very long period in that country, or we have a very imperfect record of his doings in Asia Minor, Greece, Italy, and Spain, after his return.]
From Piræus our philosopher sails for Chios (v 21), thence to Rhodes, and so to Alexandria (v 24). At Alexandria he spends some time, and has several interviews with the future Emperor Vespasian (v 27-41), and thence he sets out on a long journey up the Nile so far as Ethopia beyond the cataracts,where he visits an interesting community of ascetics called loosely Gymnosophists (vi 1-27).On his return to Alexandria (vi 28), he was summoned by Titus, who had just become emperor, to meet him at Tarsus (vi 29-34). After this interview he appears to have returned to Egypt, for Philostratus speaks vaguely of his spending some time in Lower Egypt, and of visits to the Phoenicians, Cilicians,Ionians, Achæans, and also to Italy (vi 35).Now Vespasian was emperor from 69 to 79, and Titus from 79 to 81. As Apollonius’ interviews with Vespasian took place shortly before the beginning of that emperor’s reign, it is reasonable to conclude that a number of years was spent by our philosopher in his Ethiopian journey, and that therefore Damis’account is a most imperfect one. In 81 Domitian became emperor, and just as Apollonius opposed the follies of Nero, so did he criticise the acts of Domitian. He accordingly became an object of suspicion to the emperor; but instead of keeping away from Rome, he determined to brave the tyrant to his face.Crossing from Egypt to Greece and taking ship at Corinth, he sailed by way of Sicily to Puteoli, and thence to the Tiber mouth, and so to Rome (vii 10-16). Here Apollonius was tried and acquitted (vii 17—viii 10). Sailing from Puteoli again Apollonius returned to Greece (viii 15), where he spent two years (viii 24). Thence once more he crossed over to Ionia at the time of the death of Domitian (viii 25), visiting Smyrna and Ephesus and other of his favourite haunts.Hereupon he sends away Damis on some pretext to Rome (viii 28) and - disappears; that is to say, if it be allowed to speculate, he undertook yet another journey to the place which he loved above all others, the “home of the wise men.”Now Domitian was killed 96 A.D., and one of the last recorded acts of Apollonius is his vision of this event at the time of its occurrence. Therefore the trial of Apollonius at Rome took place somewhere about 93,and we have a gap of twelve years from his interview with Titus in 81, which Philostratus can only fill up with a few vague stories and generalities.As to his age at the time of his mysterious disappearance from the pages of history, Philostratus tells us that Damis says nothing; but some, he adds, say he was eighty, some ninety, and some even a hundred.The estimate of eighty years seems to fit in best with the rest of the chronological indications, but there is no certainty in the matter with the present materials at our disposal.Such then is the geographical outline, so to say, of the life of Apollonius, and even the most careless reader of the bare skeleton of the journeys recorded by Philostratus must be struck by the indomitable energy of the man, and his power of endurance.We will now turn our attention to one or two points of interest connected with the temples and communities he visited.
In the Shrines of the Temples and the Retreats of Religion
Seeing that the nature of Apollonius’ business with the priests of the temples and the devotees of the mystic life was necessarily of a most intimate and secret nature, for in those days it was the invariable custom to draw a sharp line of demarcation between the inner and outer, the initiated and the profane, it is not to be expected that we can learn anything but mere externalities from the Damis-Philostratus narrative; nevertheless,even these outer indications are of interest.The temple of Æsculapius at Ægæ, where Apollonius spent the most impressionable years of his life,was one of innumerable hospitals of Greece, where the healing art was practised on lines totally different to our present methods.We are at once introduced to an atmosphere laden with psychic influences, to a centre whither for centuries patients had flocked to “consult the God.” In order to do so, it was necessary for them to go through certain preliminary purifications and follow certain rules given by the priests; they then passed the night in the shrine and in their sleep instructions were given them for their healing.This method, no doubt, was only resorted to when the skill of the priest was exhausted; in any case, the priests must have been deeply versed in the interpretation of these dreams and in their rationale. It is also evident that as Apollonius loved to pass his time in the temple, he must have found there satisfaction for his spiritual needs, and instruction in the inner science; though doubtless his own innate powers soon carried him beyond his instructors and marked him out as the “favourite of the God.”
The many cases on record in our own day of patients in trance or some other psychic condition prescribing for themselves,will help the student to understand the innumerable possibilities of healing which were in Greece summed up in the personification Æsculapius.Later on the chief of the Indian sages has a disquisition on Æsculapius and the healing art put into his mouth (iii 44), where the whole of medicine is said to be dependent upon psychic diagnosis and prescience ( μαντεια ).Finally it may be noticed that it was the invariable custom of patients on their recovery to record the fact on an ex-voto tablet in the temple, precisely as is done today in Roman Catholic countries. [For the most recent study in English on the subject of Æsculapius see The Cult of Asclepios, by Alice Walton, Ph.D., in No III of the Cornell Studies in Classical Philology (Ithaca N.Y; 1894]On his way to India Apollonius saw a good deal of the Magi at Babylon. He used to visit them at midday and midnight, but of what transpired Damis knew nothing, for Apollonius would not permit him to accompany him, and in answer to his direct questions would only answer: “They are wise, but not in all things” (i 26).
The description of a certain hall, however, to which Apollonius had access, seems to be a garbled version of the interior of the temple. The roof was dome-shaped, and the ceiling was covered with “saphire”; in this blue heaven were models of the heavenly bodies (“those whom they regard as Gods”) fashioned in gold, as though moving in the ether. Moreover from the roof were suspended four golden “Iygges” which the Magi call the “Tongues of the Gods.” These were winged-wheels or spheres connected with the idea of Adrasteia (or Fate). Their prototypes are described imperfectly in the Vision of Ezekiel, and the socalled Hecatine strophali or spherulæ used in magical practices.may have been degenerate descendants of these “living wheels” or spheres of the vital elements. The subject is one of intense interest, but hopelessly incapable of treatment in our present age of scepticism and profound ignorance of the past. The “Gods” who taught our infant humanity higher than that at present evolving on our earth.They gave the impulse, and, when the earth-children were old enough to stand on their own feet, they withdrew. But the memory of their deeds and a corrupt and degenerate form of the mysteries they established has ever lingered in the memory of myth and legend. Seers have caught obscure glimpses of what they taught and how they taught it, and the tradition of the Mysteries preserved some memory of it in its symbols and instruments or engines. The Iygges of the Magi are said to be a relic of this memory.With regard to the Indian sages it is impossible to make out any consistent story from the fantastic jumble of the Damis-Philostratus romance. Damis seems to have confused together a mixture of memories and scraps of gossip without any attempt to distinguish one community or sect from another, and so produced a blurred daub which Philostratus would have us regard as a picture of the “hill” and a description of its “sages.” Damis’ confused memories, [He evidently wrote the notes of the Indian travels long after the time at which they were made.] however, have little to do with the actual monastery of its ascetic inhabitants, who were the goal of Apollonius’ long journey.What Apollonius heard and saw there,following his invariable custom in such circumstances, he told no one, not even Damis, except what could be derived from the following enigmatical sentence: “I saw men dwelling on the earth and yet not on it, defended on all sides, yet without any defence, and yet possessed of nothing but what all possess.”These words occur in two passages (iii 15 and vi II), and in both Philostratus adds that Apollonius wrote[This shows that Philostratus came across them in some work or letter of Apollonius, and is therefore independent of Damis account for this particular.] and spoke them enigmatically. The meaning of this saying is not difficult to divine. They were on the earth, but not of the earth, for their minds were set on things above. They were protected by their innate spiritual power, of which we have so many instances in Indian literature; and yet they possessed nothing but what all men possess if they would but develop the spiritual part of their being. But this explanation is not simple enough for Philostratus, and so he presses into service all the memories of Damis, or rather travellers’ tales, about levitation, magical illusions and the rest.The head of the community is called Iarchas, a totally un-Indian name. The violence done to all foreign names by the Greeks is notorious, and here we have to reckon with an army of ignorant copyists as well as with Philostratus and Damis. I would suggest that the name may perhaps be a corruption of Arhat.[ I -Âryas, arχa(t)s, arhat.]The main burden of Damis’ narrative insists on the psychic and spiritual knowledge of the sages. They know what takes place at a distance, they can tell the past and future, and read the past births of men.
The messenger sent to meet Apollonius carried what Damis calls a golden anchor (iii II 17), and if this is an authentic fact, it would suggest a forerunner of the Tibetan dorje, the present degenerate symbol of the “rod of power,” something like the thunder-bolt wielded by Zeus. This would also point to a Buddhist community, though it must be confessed that other indications point equally strongly to Brâhmanical customs, such as the caste-mark on the forehead of the messenger (iii 7, II), the carrying of (bamboo) staves (danda), letting the hair grow long, and wearing of turbans (iii 13). But indeed the whole account is too confused to permit any hope of extracting historical details.Of the nature of Apollonius’ visit we may, however, judge from the following mysterious letter to his hosts(iii 51):“I came to you by land and ye have given me the sea; nay, rather, by sharing with me your wisdom ye have given me power to travel through heaven. These things will I bring back to the mind of the Greeks, and I will hold converse with you as though ye were present, if it be that I have not drunk of the cup of Tantalus in vain.”It is evident from these cryptic sentences that the “sea” and the “cup of Tantalus” are identical with the “wisdom” which had been imparted to Apollonius - the wisdom which he was to bring back once more to the memory of the Greeks. He thus clearly states that he returned from India with a distinct mission and with the means to accomplish it, for not only had he drunk of the ocean of wisdom in that he has learnt the Brahma-vidyâ from their lips, but he has also learnt how to converse with them though his body be in Greece and their bodies in India.But such a plain meaning - plain at least to every student of occult nature - was beyond the understanding of Damis or the comprehension of Philostratus. And it is doubtless the mention of the “cup of Tantalus” [Tantalus is fabled to have stolen the cup of nectar from the gods; this was the amrita, the ocean of immortality and wisdom, of the Indians.] in this letter which suggested the inexhaustible loving cup episode in iii 32, and its connection with the mythical fountains of Bacchus. Damis presses it into service to “explain” the last phrase in Apollonius’ saying about the sages, namely, that they were “possessed of nothing but what all possess" - which, however, appears elsewhere in a changed form, as“possessing nothing, they have the possessions of all men” (iii 15). [The words ουδεν κεκτημενος ν τα παντων , which Philostratus quotes twice in this form, can certainly not be changed into μηδεν κεκτημενος τα παντων εχειν without doing unwarrantable violence to their meaning.]On returning to Greece, one of the first shrines Apollonius visited was that of Aphrodite at Paphos in Cyprus (iii 58). The greatest external peculiarity of the Paphian worship of Venus was the representation of the goddess by a mysterious stone symbol. It seems to have been of the size of a human being, but shaped like a pine-cone, only of course with a smooth surface. Paphos was apparently the oldest shrine dedicated to Venus in Greece. Its mysteries were very ancient, but not indigenous; they were brought over from the mainland, from what was subsequently Cilicia, in times of remote antiquity. The worship or consultation of the Goddess was by means of prayers and the “pure flame of fire,” and the temple was a great centre of divination. [See Tacitus, Historia, ii 3.]
Apollonius spent some time here and instructed the priests at length with regard to their sacred rites.In Asia Minor he was especially pleased with the temple of Æsculapius at Pergamus; he healed many of the patients there, and gave instruction in the proper method to adopt in order to procure reliable results by means of the prescriptive dreams.At Troy, we are told, Apollonius spent a night alone at the tomb of Achilles, in former days one of the spots of greatest popular sanctity in Greece (iv II). Why he did so does not transpire, for the fantastic conversation with the shade of the hero reported by Philostratus (iv 16) seems to be devoid of any
element of likelihood. As, however, Apollonius made it his business to visit Thessaly shortly afterwards expressly to urge the Thessalians to renew the old accustomed rites to the hero (iv 13), we may suppose that it formed part of his great effort to restore and purify the old institution of Hellas, so that, the accustomed channels being freed, the life might flow more healthily in the national body.Rumour would also have it that Achilles had told Apollonius where he would find the statue of the hero Palamedes on the coast of Æolia. Apollonius accordingly restored the statue, and Philostratus tells us he had seen it with his own eyes on the spot (iv 13).Now this would be a matter of very little interest, were it not that a great deal is made of Palamedes elsewhere in Philostratus’ narrative. What it all means is difficult to say with a Damis and Philostratus as interpreters between ourselves and the silent and enigmatical Apollonius.Palamedes was one of the heroes before Troy, who was fabled to have invented letters, or to have completed the alphabet of Cadmus. [Berwick, Life of Apollonius, p 200 n.]Now from two obscure sayings (iv 13, 33), we glean that our philosopher looked upon Palamedes as the philosopher-hero of the Trojan period, although Homer says hardly a word about him. Was this, then, the reasons why Apollonius was so anxious to restore his statue? Not altogether so; there appears to have been a more direct reason. Damis would have it that Apollonius had met Palamedes in India; that he was at the monastery; that Iarchas had one day pointed out a young ascetic who could “write without ever learning letters”; and that this youth had been no other than Palamedes in one of his former births. Doubtless the sceptic will say: “Of course! Pythagoras was a reincarnation of the hero Euphorbus who fought at Troy, according to popular superstition; therefore, naturally, the young Indian was the reincarnation of the hero Palamedes! The one legend simply begat the other.” But on this principle, to be consistent, we should expect to find that it was Apollonius himself and not an unknown Hindu ascetic, who had been once Palamedes.
In any case Apollonius restored the rites to Achilles, and erected a chapel in which he set up the neglected statue of Palamedes. [He also built a precinct round the tomb of Leonidas at Thermopylæ (iv 23). The heroes of the Trojan period, then, it would seem, had still some connection with Greece, according to the science of the invisible world into which Apollonius was initiated. And if the Protestant sceptic can make nothing of it, at least the Roman Catholic reader may be induced to suspend his judgment by changing “hero” into “saint.”Can it be possible that the attention which Apollonius bestowed upon the graves and funeral monuments of the mighty dead of Greece may have been inspired by the circle of ideas which led to the erection of the innumerable dâgobas and stûpas in Buddhist lands, originally over the relics of the Buddha, and the subsequent preservation of relics of arhats and great teachers?At Lesbos Apollonius visited the ancient temple of the Orphic mysteries, which in early years had been a great centre of prophecy and divination. Here also he was privileged to enter the inner shrine or adytum (iv 14).The Tyanean arrived in Athens at the time of the Eleusinian Mysteries, and in spite of the festival and rites not only the people but also the candidates flocked to meet him to the neglect of their religious duties. Apollonius rebuked them, and himself joined in the necessary preliminary rites and presented himself for initiation.It may, perhaps, surprise the reader to hear that Apollonius, who had already been initiated into higher privileges than Eleusis could afford, should present himself for initiation. But the reason is not far to seek; the Eleusinia constituted one of the intermediate organisations between the popular cults and the genuine inner circles of instruction. They preserved one of the traditions of the inner way, even if their officers for the time being had forgotten what their predecessors had once known. To restore these ancient rites to their purity,or to utilise them for their original object,it was necessary to enter within the precincts of the institution; nothing could be effected from outside. The thing itself was good, and Apollonius desired to support the ancient institution by setting the public example of seeking initiation therein; not that he had anything to gain personally.But whether it was that the hierophant of that time was only ignorant, or whether he was jealous of the great influence of Apollonius, he refused to admit our philosopher, on the ground that he was a sorcerer (γoης), and that no one could be initiated who was tainted by intercourse with evil entities (δαιμoνια).To this charge Apollonius replied with veiled irony: “You have omitted the most serious charge that might have been urged against me: to wit, that though I really know more about the mystic rite than its hierophant, I have come here pretending to desire initiation from men knowing more than myself.” This charge would have been true; he had made a pretence. Dismayed at these words, frightened at the indignation of the people aroused by the insult offered to their distinguished guest, and overawed by the presence of a knowledge which he could no longer deny, the hierophant begged our philosopher to accept the initiation. But Apollonius refused. “I will be initiated later on, “ he replied; “he will initiate me.” This is said to have referred to the succeeding hierophant, who presided when Apollonius was initiated four years later (iv 18; v 19).
While at Athens Apollonius spoke strongly against the effeminacy of the Bacchanalia and the barbarities of the gladiatorial combats (iv 21, 22).The temples, mentioned by Philostratus, which Apollonius visited in Greece, have all the peculiarity of being very ancient; for instance, Dodona, Dephi, the ancient shrine of Apollo at Abæ in Phocis, the “caves” of Amphiaraus[A great centre of divination by means of dreams (see ii 37).] and Trophonius, and the temple of the Muses on Helicon.When he entered the adyta of these temples for the purpose of “restoring” the rites, he was accompanied only by the priests, and certain of his immediate disciples (γνωριμοι). This suggests an extension to the meaning of the word “restoring” or “reforming,” and when we read elsewhere of the many spots consecrated by Apollonius, we cannot but think that part of his work was the reconsecration, and hence psychic purification, of many of these ancient centres. His main external work, however, was the giving of instruction, and, as Philostratus rhetorically phrases it, “bowls of his words were set up everywhere for the thirsty to drink from” (iv 24).But not only did our philosopher restore the ancient rites of religion, he also paid much attention to the ancient polities and instructions.Thus we find him urging with success the Spartans to return to their ancient mode of life, their athletic exercises, frugal living, and the discipline of the old Dorian tradition (iv 27, 31-34); he, moreover, specially praised the institution of the Olympic Games, the high standard of which was still maintained (iv 29), while he recalled the ancient Amphictionic Council to its duty (iv 23),and corrected the abuses of the Panionian assembly (iv 5).In the spring of 66 A.D. he left Greece for Crete, where he seems to have bestowed most of his time on the sanctuaries of Mount Ida and the temple of Æsculapius at Lebene (“for as all Asia visits Pergamus so does all Crete visit Lebene”); but curiously enough he refused to visit the famous Labyrinth at Gnossus,the ruins of which have just been uncovered for a sceptical generation,most probably (if it is lawful to speculate) because it has once been a centre of human sacrifice, and thus pertained to one of the ancient cults of the left hand.In Rome Apollonius continued his work of reforming the temples, and this with the full sanction of the Pontifex Maximus Telesinus, one of the consuls for the year 66 A.D., who was also a philosopher and a deep student of religion (iv 40). But his stay in the imperial city was speedily cut short, for in October Nero crowned his persecution of the philosophers by publishing a decree of banishment against them from Rome, and both Telesinus (vii II) and Apollonius had to leave Italy.We next find him in Spain, making his headquarters in the temple of Hercules at Cadiz.
On his return to Greece by way of Africa and Sicily (where he spent some time and visited Ætna), he passed the winter (? of 67 A.D.) at Eleusis, living in the temple, and in the spring of the following year sailed for Alexandria, spending some time on the way at Rhodes.The city of philosophy and eclecticism par excellence received him with open arms as an old friend. But to reform the public cults of Egypt was a far more difficult task than any he had previously attempted.His presence in the temple (? the temple of Serapis) commanded universal respect, everything about him and every world he uttered seemed to breathe an atmosphere of wisdom and of “something divine.” The high priest of the temple looked on in proud disdain. “Who is wise enough,” he mockingly asked, “to reform the religion of the Egyptians?—only to be met with the confident retort of Apollonius: “Any sage who comes from the Indians.” Here as elsewhere Apollonius set his face against blood-sacrifice, and tried to substitute instead, as he had attempted elsewhere, the offering of frankincense modelled in the form of the victim (v 25). Many abuses he tried to reform in the manners of the Alexandrians, but upon none was he more severe than on their wild excitement over horse-racing, which frequently led to bloodshed (v 26).Apollonius seems to have spent most of the remaining twenty years of his life in Egypt, but of what he did in the secret shrines of that land of mystery we can learn nothing from Philostratus, except that on the protracted journey to Ethiopia up the Nile no city or temple or community was unvisited, and everywhere there was an interchange of advice and instruction in sacred things (v 43).
The Gymnosophists of Upper Egypt
We now come to Apollonius’ visit to the “Gymnosophists” in “Ethopia,” which, though the artistic and literary goal of Apollonius’ journey in Egypt as elaborated by Philostratus, is only a single incident in the real history of the unrecorded life of our mysterious philosopher in that ancient land.Had Philostratus devoted a chapter or two to the nature of the practices, discipline, and doctrines of the innumerable ascetic and mystic communities that honeycombed Egypt and adjacent lands in those days,he would have earned the boundless gratitude of students of the origins. But of all this he has no word;and yet he would have us believe that Damis’ reminiscences were an orderly series of notes of what actually happened. But in all things it is very apparent that Damis was rather a compagnon de voyage than an initiated pupil.Who then were these mysterious “Gymnosophists,” as they are usually called, and whence their name?Damis calls them simply the “Naked” (γυμvοι), and it is very clear that the term is not to be understood as merely physically naked; indeed, neither to the Indians nor to these ascetics of uppermost Egypt can the term be applied with appropriateness in its purely physical meaning, as is apparent from the descriptions of Damis and Philostratus. A chance sentence that falls from the lips of one of these ascetics, in giving the story of his life, affords us a clue to the real meaning of the term. “At the age of fourteen,” he tells Apollonius, “I resigned my patrimony to those who desired such things, and naked I sought the Naked”(vi 16). [The word γυμνος (naked), however, usually means lightly clad, as, for instance, when a man is said to plough “naked,” that is with only one garment, and this is evident from the comparison made between the costume of the Gymnosophists and that of people in the hot weather at Athens (vi 6).This is the very same diction that Philo uses about the Therapeut communities, which he declares were very numerous in every province of Egypt and scattered in all lands. We are not, however, to suppose that these communities were all of the same nature. It is true that Philo tries to make out that the most pious and the chief of all of them was his particular community on the southern shore of Lake Moeris,which was strongly Semitic if not orthodoxly Jewish; and for Philo any community with a Jewish atmosphere must naturally have been the best. The peculiarity and main interest of our community, which was at the other end of the land above the cataracts, was that it had had some remote connection with India.
The community is called a φροντιστηριον , in the sense of a place for meditation, a term used by ecclesiastical writers for a monastery, but best known to classical students from the humorous use made
of it by Aristophanes, who in The Clouds calls the school of Socrates, a phrontistêrion or “thinking shop.”
The collection of monasteria (ιερα), presumably caves, shrines, or cells, [For they had neither huts nor houses, but lived in the open air.] was situated on a hill or rising ground not far from the Nile. They were all separated from one another, dotted about the hill, and ingeniously arranged. There was hardly a tree in the place, with the exception of a single group of palms, under whose shade they held their general meetings (vi 6).It is difficult to gather from the set speeches, put into the mouths of the head of the community and Apollonius (vi 10-13, 18-22), any precise details as to the mode of life of these ascetics, beyond the general indications of an existence of great toil and physical hardship, which they considered the only means of gaining wisdom.What the nature of their cult was, if they had one, we are not told, except that at midday the Naked retired to their monasteria (vi 14).The whole tendency of Apollonius’ arguments, however, is to remind the community of its Eastern origin and its former connection with India, which it seems to have forgotten. The communities of this particular kind in southern Egypt and northern Ethiopia dated back presumably some centuries, and some of them may have been remotely Buddhist, for one of the younger members of our community who left it to follow Apollonius, says that he came to join it from the enthusiastic account of the wisdom of the Indians brought back by his father, who has been certain of a vessel trading to the East. It was his father who told him that these “Ethiopians” were from India, and so he had joined them instead of making the long and perilous journey to the Indus itself (vi 16). If there be any truth in this story it follows that the founders of this way of life had been Indian ascetics,and if so they must have belonged to the only propagandising form of Indian religion, namely, the Buddhist.After the impulse had been given, the communities, which were presumably recruited from generations of Egyptians, Arabs, and Ethiopians, were probably left entirely to themselves, and so in course of time forgot their origin, and even perhaps their original rule. Such speculations are permissible, owing to the repeated assertion of the original connection between these Gymnosophists and India. The whole burden of the story is that they were Indians who had forgotten their origin and fallen away from the wisdom.The last incident that Philostratus records with regard to Apollonius among the shrines and temples is a visit to the famous and very ancient oracle of Trophonius, near Lebadea, in Boeotia. Apollonius is said to have spent seven days alone in this mysterious “cave,” and to have returned with a book full of questions and answers on the subject of “philosophy” (viii 19). This book was still, in the time of Philostratus, in the palace of Hadrian at Antium, together with a number of letters of Apollonius, and many people used to visit Antium for the special purpose of seeing it (viii 19, 29).In the hay-bundle of legendary rigmarole solemnly set down by Philostratus concerning the cave of Trophonius, a small needle of truth may perhaps be discovered. The “cave” seems to have been a very ancient temple or shrine, cut in the heart of a hill, to which a number of underground passages of considerable length led. It had probably been in ancient times one of the most holy centres of the archaic cult of Hellas, perhaps even a relic of that Greece of thousands of years B.C., the only tradition of which, as Plato tell us, was obtained by Solon from the priests of Saïs. Or it may have been a subterranean shrine of the same nature as the famous Dictæan cave in Crete which only last year (1901 or so) was brought back to light by the indefatigable labours of Messrs, Evans and Hogarth.
As in the case of the travels of Apollonious, so with regard to the temples and communities which he visited, Philostratus is a most disappointing cicerone.But perhaps he is not to be blamed on this account,for the most important and most interesting part of Apollonius’ work was of so intimate a nature,prosecuted as it was among associations of such jealously-guarded secrecy, that no one outside their ranks could know anything of it, and those who shared in their initiation would say nothing.It is, therefore, only when Apollonius comes forward to do some public act that we can get any precise historical trace of him; in every other case he passes into the sanctuary of a temple or enters the privacy of a community and is lost to view.It may perhaps surprise us that Apollonius after sacrificing his private fortune, could nevertheless undertake such long and expensive travels, but it would seem that he was occasionally supplied with the necessary monies from the treasuries of the temples (cf viii 17), and that everywhere he was freely offered the hospitality of the temple or community in the place where he happened to be staying.In conclusion of the present part of our subject, we may mention the good service done by Apollonius in driving away certain Chaldæan and Egyptian charlatans who were making capital out of the fears of the cities on the left shores of the Hellespont. These cities had suffered severely from shocks of earthquake,and in their panic placed large sums of money in the hands of these adventurers (who “trafficked in the misfortune of others”), in order that they perform propitiatory rites (vi 41). This taking money for the giving instruction in the sacred science or for the performance of sacred rites was the most detestable of crimes to all the true philosophers.
Apollonius and the Rulers of the Empire
But not only did Apollonius vivify and reconsecrate the old centres of religion for some inscrutable reason, and do what he could to help on the religious life of the time in its multiplex phases, but he took a decided, though indirect, part in influencing the destinies of the Empire through the persons of its supreme rulers.
This influence, however, was invariably of a moral and not of a political nature. It was brought to bear by
means of philosophical converse and instruction,by world of mouth or letter. Just as Apollonius on his travels conversed on philosophy, and discoursed on the life of a wise man and the duties of a wise ruler,with kings, [He spent, we are told, no less than a year and eight months with Vardan, King of Babylon, and was the honoured guest of the Indian Râjâh “Phraotes.”] rulers, and magistrates, so he endeavoured to advise for their good those of the emperors who would listen to him.Vespasian, Titus, and Nerva were all, prior to their elevation to the purple, friends and admirers of Apollonius, while Nero and Domitian regarded the philosopher with dismay.During Apollonius’ short stay in Rome, in 66 A.D., although he never let the slightest word escape him that could be construed by the numerous informers into a treasonable utterance, he was nevertheless brought before Tigellinus, the infamous favourite of Nero, and subjected to a severe cross-examination.Apparently up to this time Apollonius working for the future, had confined his attention entirely to the reformation of religion and the restoration of the ancient institutions of the nations, but the tyrannical conduct of Nero, which gave peace not even to the most blameless philosophers, at length opened his eyes to a more immediate evil, which seemed no less than the abrogation of the liberty of conscience by
an irresponsible tyranny. From this time onwards, therefore, we find him keenly interested in the persons
of the successive emperors.Indeed Damis, although he confesses his entire ignorance of the purpose of Apollonius’ journey to Spain after his expulsion from Rome, would have it that it was to aid the forthcoming revolt against Nero. He conjectures this from a three days’ secret interview that Apollonius had with the Governor of the Province of Bætica, who came to Cadiz especially to see him, and declares that the last words of Apollonius’ visitor were: “Farewell, and remember Vindex” (v 10). It is true that almost immediately afterwards the revolt of Vindex, the Governor of Gaul, broke out, but the whole life and character of Apollonius is opposed to any idea of political intrigue; on the contrary, he bravely withstood tyranny and injustice to the face. He was opposed to the idea of Euphrates, a philosopher of quite a different stamp, who would have put an end to the monarchy and restored the republic (v 33); he believed that government by a monarch was the best for the Empire, but he desired above all other things to see the “flock of mankind” led by a “wise and faithful shepherd” (v 35).So that though Apollonius supported Vespasian as long as he worthily tried to follow out this ideal, he immediately rebuked him to his face when he deprived the Greek cities of their privileges. “You have enslaved Greece,” he wrote. “You have reduced a free people to slavery” (v 41). Nevertheless, in spite of this rebuke, Vespasian in his last letter to his son Titus, confesses that they are what they are solely owing to the good advice of Apollonius (v 30).Equally so he journeyed to Rome to meet Domitian face to face, and though he was put on trial and every effort made to prove him guilty of treasonable plotting with Nerva, he could not be convicted of anything of a political nature. Nerva was a good man, he told the emperor, and no traitor. Not that Domitian had really any suspicion that Apollonius was personally plotting against him; he cast him into prison solely in the hope that he might induce the philosopher to disclose the confidences of Nerva and other prominent men who were objects of suspicion to him, and who he imagined had consulted Apollonius on their chances of success. Apollonius’ business was not with politics, but with the “princes who asked him for his advice on the subject of virtue” (vi 43).
Apollonius The Prophet and Wonder-Worker
We will now turn our attention for a brief space to that side of Apollonius’ life which has made him the subject of invincible prejudice.Apollonius was not only a philosopher, in the sense of being a theoretical
speculator or of being the follower of an ordered mode of life schooled in the discipline of resignation; he
was also a philosopher in the original Pythagorean meaning of the term - a knower of Nature’s secrets, who thus could speak as one having authority.He knew the hidden things of Nature by sight and not by hearing; for him the path of philosophy was a life whereby the man himself became an instrument of knowing. Religion, for Apollonius, was not a faith only, it was a science. For him the shows of things were but ever-changing appearances; cults and rites,religions and faiths, were all one to him, provided the right spirit were behind them. The Tyanean knew no differences of race or creed; such narrow limitations were not for the philosopher.Beyond all others would he have laughed to hear the word “miracle” applied to his doings. “Miracle,” in its Christian theological sense, was an unknown term in antiquity, and is a vestige of superstition today. For though many believe that it is possible by means of the soul to effect a multitude of things beyond the possibilities of a science which is confined entirely to the investigation of physical forces, none but the
unthinking believe that there can be any interference in the working of the laws which Deity has impressed upon Nature - the credo of Miraculists.Most of the recorded wonder-doings of Apollonius are cases of prophecy or foreseeing; of seeing at a distance and seeing the past; of seeing or hearing in vision; of healing the sick or curing cases of obsession or possession.Already as a youth, in the temple of Ægæ, Apollonius gave signs of the possession of the rudiments of this psychic insight; not only did he sense correctly the nature of the dark past of a rich but unworthy suppliant who desired the restoration of his eyesight, but he foretold, though unclearly, the evil end of one who made an attempt upon his innocence (i 12).On meeting with Damis, his future faithful henchman volunteered his services for the long journey to India on the ground that he knew the languages of several of the countries through which they had to pass. “But I understand them all, though I have learned none of them,” answered Apollonius, in his usual enigmatical fashion, and added: “Marvel not that I know all the tongues of men, for I know even what they never say” (i 19). And by this he meant simply that he could read men's thoughts,not that he could speak all languages.But Damis and Philostratus cannot understand so simple a fact of psychic experience;they will have it that he knew not only the language of all men, but also of birds and beasts (i 20).In his conversation with the Babylonian monarch Vardan, Apollonius distinctly claims foreknowledge. He says that he is a physician of the soul and can free the king from the diseases of the mind, not only because he knows what ought to be done, that is to say the proper discipline taught in the Pythagorean and similar schools, but also because he foreknows the nature of the king (i 32). Indeed we are told that the subject of foreknowledge (προγνωσεως ), of which science ( σοφια ) Apollonious was a deep student,was one of the principal topics discussed by our philosopher and his Indian hosts (iii 42).
In fact, as Apollonius tells his philosophical and studious friend the Roman Consul Telesinus, for him wisdom was a kind of divinizing or making divine of the whole of nature, a sort of perpetual state of inspiration.And so we are told that Apollonius was apprised of all things of this nature by the energy of his dæmonial nature ( δαιμονιως ) (vii 10). Now for the student of the Pythagorean and Platonic schools the “dæmon” of a man was what may be called the higher self, the spiritual side of the soul as distinguished from the purely human. It is the better part of the man, and when his physical consciousness is at-oned with this “dweller in heaven,” he has (according to the highest mystic philosophy of ancient Greece) while still on earth the powers of those incorporeal intermediate beings between Gods and men called “dæmons”; a state higher still, the living man
becomes at-oned with the divine soul, he becomes a God on earth; and yet a stage higher he becomes at one with the Good and so becomes God.Hence we find Apollonius indignantly rejecting the accusation of magic ignorantly brought against him, an art which achieved its results by means of compacts with those low entities with which the outermost realm of inner Nature swarms. Our philosopher repudiated equally the idea of his being a soothsayer or diviner. With such arts he would have nothing to do; if ever he uttered anything which savoured of foreknowledge, let them know it was not by divination in the vulgar sense, but owing to “that wisdom which God reveals to the wise” (iv 44). The most numerous wonder-doings ascribed to Apollonius are instances precisely of such foreknowledge or prophecy. 8 [See i 22 (cf 40), 34; iv 4, 6, 18 (cf v 19), 24, 43; v 7, 11, 13, 30, 37; vi 32; viii 26.] It must be confessed that the utterances recorded are often obscure and enigmatical, but this is the usual case with such prophecy; for future events are most frequently either seen in symbolic representations, the meaning of which is not clear until after the event, or heard in equally enigmatical sentences. At times, however, we have instances of very precise foreknowledge, such as the refusal of Apollonius to go on board a vessel which foundered on the voyage (v 18).The instances of seeing present events at a distance, however - such as the burning of a temple at Rome, which Apollonius saw while at Alexandria - are clear enough. Indeed, if people know nothing else of the Tyanean, they have at last heard how he saw at Ephesus the assassination of Domitian at Rome at the very moment of its occurrence.It was midday, to quote from the graphic account of Philostratus, and Apollonius was in one of the small parks or groves in the suburbs, engaged in delivering an address on some absorbing topic of philosophy.“At first he sank his voice as though in some apprehension; he, however, continued his exposition, but haltingly, and with far less force than usual, as a man who had some other subject in his mind than that on which he is speaking; finally he ceased speaking altogether as though he could not find his words.Then staring fixedly on the ground, he started forward three or four paces, crying out: ‘Strike the tyrant;strike!’ And this, not like a man who sees an image in a mirror, but as one with the actual scene before his eyes, as though he were himself taking part in it.”
Turning to his astonished audience he told them what he had seen. But though they hoped it were true,they refused to believe it, and thought that Apollonius had taken leave of his senses. But the philosopher gently answered: You, on your part, are right to suspend your rejoicings till the news is brought you in the usual fashion; “as for me, I go to return thanks to the Gods for what I have myself seen” (viii 26).Little wonder, then, if we read, not only of a number of symbolic dreams, but of their proper interpretation,one of the most important branches of the esoteric discipline of the school. (See especially i 23 and iv 34). Nor are we surprised to hear that Apollonius, relying entirely on his inner knowledge, was instrumental in obtaining the reprieve of an innocent man at Alexandria, who was on the point of being executed with a batch of criminals (v 24). Indeed, he seems to have known the secret past of many with whom he came in contact (vi 3, 5).
The possession of such powers can put but little strain on the belief of a generation like our own, to which such facts of psychic science are becoming with every day more familiar. Nor should instances of curing diseases by mesmeric processes astonish us, or even the so-called “casting out of evil spirits,” if we give credence to the Gospel narrative and are familiar with the general history of the times in which such healing of possession and obsession was a commonplace. This, however, does not condemn us to any endorsement of the fantastic descriptions of such happenings in which Philostratus indulges.If it be credible that Apollonius was successful in dealing with obscure mental cases - cases of obsession and possession - with which our hospitals and asylums are filled today, and which are for the most part beyond the skill of official science owing to its ignorance of the real agencies at work, it is equally evident that Damis and Philostratus had little understanding of the matter, and have given full rein to their imagination in their narratives (See ii 4; iv 20, 25; v 42; vi 27, 43) Perhaps, however, Philostratus in some instances is only repeating popular legend, the best case of which is the curing of the plague at Ephesus which the Tyanean had foretold on so many occasions. Popular legend would have it that the cause of the plague was traced to an old beggar man, who was buried under a heap of stones by the infuriated populace. On Apollonius ordering the stones to be removed, it was found that what had been a beggar man was now a mad dog foaming at the mouth (iv 10)!
On the contrary, the account of Apollonius’ “restoring to life” a young girl of noble birth at Rome, is told with great moderation. Our philosopher seems to have met the funeral procession by chance; whereupon he suddenly went up to the bier, and, after making some passes over the maiden, and saying some inaudible words, “waked her out of her seeming death.” But, says Damis, “whether Apollonius noticed that the spark of the soul was still alive which her friends had failed to perceive - they say it was raining lightly and a slight vapour showed on her face - or whether he made the life in her warm again and so restored her,” neither himself nor any who were present could say (iv 45).Of a distinctly more phenomenal nature are the stories of Apollonius causing the writing to disappear from the tablets of one of his accusers before Tigellinus (iv 44); of his drawing his leg out of the fetters to show Damis that he was not really a prisoner though chained in the dungeons of Domitian (vii 38); and of his “disappearing”(ηφανσςη) from the tribunal (viii 5).[This expression is, however, perhaps only to be taken as rhetorical, for in viii 8, the incident is referred to in the simple words “when he departed (απηλθε) from the tribunal.”We are not, however, to suppose that Apollonius despised or neglected the study of physical phenomena in his devotion to the inner science of things.On the contrary we have several instances of his rejection of mythology in favour of a physical explanation of natural phenomena.Such, for instance, are his explanations of the volcanic activity of Ætna (v 14, 17), and of a tidal wave in Crete, the latter being accompanied with a correct indication of the more immediate result of the occurrence. In fact an island had been thrown up far out to sea by a submarine disturbance as was subsequently ascertained (iv 34).The explanation of the tides of Cadiz may also be placed in the same category (v 2).
His Mode of Life
We will now present the reader with some general indications of the mode of life of Apollonius, and the manner of his teaching, of which already something has been said under the heading “Early Life.”Our philosopher was an enthusiastic follower of the Pythagorean discipline; nay, Philostratus would have us believe that he made more super-human efforts to reach wisdom than even the great Samian (i 2).The outer forms of this discipline as exemplified in Pythagoras are thus summed up by our author.“Naught would he wear that came from a dead beast, nor touch a morsel of a thing that once had life, nor offer it in sacrifice; not for him to stain with blood the altars; but honey-cakes and incense, and the service of his song went upward from the man unto the Gods, for well he knew that they would take such gifts far rather than the oxen in their hundreds with the knife. For he, in sooth, held converse with the Gods and learned from them how they were pleased with men and how displeased, and thence as well he drew his nature-lore. As for the rest, he said, they guessed at the divine, and held opinions on the Gods which proved each other false; but unto him Apollo’s self did come, confessed, without disguise,[That is to say not in a “form,” but in his own nature.] and there did come as well, though unconfessed,Athena and the Muses, and other Gods whose forms and names mankind did not yet know.Hence his disciples regarded Pythagoras as an inspired teacher, and received his rules as laws. “In particular did they keep the rule of silence regarding the divine science. For they heard within them many divine and unspeakable things on which it would have been difficult for them to keep silence, had they not first learned that it was just this silence which spoke to them” (i I).
Such was the general declaration of the nature of the Pythagorean discipline by its disciples. But, says Apollonius in his address to the Gymnosphists, Pythagoras was not the inventor of it. It was the immemorial wisdom,and Pythagoras himself had learnt it from the Indians. [See in this connection L. v. Schroeder, Pythagoras und die Inder, eine Untersuchung über Herkunft und Abstammung der pythagoreischen Lehren (Leipzig 1884).] This wisdom, he continued, had spoken to him in his youth; she had said:“For sense, young sir, I have no charms; my cup is filled with toils unto the brim. Would anyone embrace my way of life, he must resolve to banish from his board all food that once bore life, to lose the memory of wine, and thus no more to wisdom's cup befoul— the cup that doth consist of wine-untainted souls. Nor shall wool warm him, nor aught that’s made from any beast. I give my servants shoes of bast and as they can to sleep. And if I find them overcome with love’s delights, I’ve ready pits down into which that justice which doth follow hard on wisdom's foot, doth drag and thrust them; indeed, so stern am I to those who choose my way,that e’en upon their tongues I bind a chain. Now hear from me what things thou’lt gain, if thou endure.An innate sense of fitness and of right,and ne’er to feel that any’s lot is better than they own; tyrants to strike with fear instead of being a fearsome slave to tyranny; to have the Gods more greatly bless thy scanty gifts than those who pour before them blood of bulls. If thou are pure,I’ll give thee how to know what things will be as well, and fill thy eyes so full of light, that thou may’st recognise the Gods, the heroes know, and prove and try the shadowy forms that feign the shapes of men “ (vi II).The whole life of Apollonius shows that he tried to carry out consistently this rule of life, and the repeated statements that he would never join in the blood-sacrifices of the popular cults (see especially i 24, 31; iv 11; v 25), but openly condemned them, show not only that the Pythagorean school had ever set the example of the higher way of purer offerings, but that they were not only not condemned and persecuted as heretics on this account, but were rather regarded as being of peculiar sanctity, and as following a life superior to that of ordinary mortals.The refraining from the flesh of animals, however, was not simply based upon ideas of purity, it found additional sanction in the positive love of the lower kingdoms and the horror of inflicting pain on any living creature.Thus Apollonius bluntly refused to take any part in the chase, when invited to do so by his royal host at Babylon. “Sire,” he replied, “have you forgotten that even when you sacrifice I will not be present?Much less then would I do these beasts to death, and all the more when their spirit is broken and they are penned in contrary to their nature” (i 38). [This has reference to the preserved hunting parks, or “paradises,” of the Babylonian monarchs.]But though Apollonius was an unflinching task-master unto himself, he did not wish to impose his mode of life on others, even on his personal friends and companions (provided of course they did not adopt it of their own free will). Thus he tells Damis that he has no wish to prohibit him from eating flesh and drinking wine, he simply demands the right of refraining himself and of defending his conduct if called on to do so (ii 7).This is an additional indication that Damis was not a member of the inner circle of discipline, and the latter fact explains why so faithful a follower of the person of Apollonius was nevertheless so much in the dark.Not only so, but Apollonius even dissuades the Râjâh Phraotes, his first host in India, who desired to adopt his strict rule, from doing so, on the ground that it would estrange him too much from his subjects(ii 37).
Three times a day Apollonius prayed and meditated; at daybreak (vi 10, 18; vii 31), at midday (vii 10),and at sun-down (viii 13). This seems to have been his invariable custom; no matter where he was he seems to have devoted at least a few moments to silent meditation at these times. The object of his worship is always said to have been the “Sun,” that is to say the Lord of our world and its sister worlds,whose glamorous symbol is the orb of day.We have already seen in the short sketch devoted to his “Early Life” how he divided the day and portioned out his time among his different classes of hearers and inquirers. His style of teaching and speaking was the opposite of that of a rhetorician or professional orator. There was no art in his sentences, no striving after effect, no affectation. But he spoke “as from a tripod,” with such words as “I know,” “Methinks,” “Why do ye,” “Ye should know.” His sentences were short and compact, and his words carried conviction with them and fitted the facts.His task, he declared, was no longer to seek and to question as he had done in his youth, but to teach what he knew (i 17). He did not use the dialectic of the Socratic school,but would have his hearers turn from all else and give ear to the inner voice of philosophy alone (iv 2). He drew his illustrations from any chance occurrence or homely happening (iv 3;vi 3, 38), and pressed all into service for the improvement of his listeners.When put on his trial, he would make no preparation for his defence. He had lived his life as it came from day to day, prepared for death, and would continue to do so (viii 30). Moreover it was now his deliberate choice to challenge death in the cause of philosophy. And so to his old friend’s repeated solicitations to prepare his defence, he replied:“Damis, you seem to lose your wits in face of death, though you have been so long with me and I have loved philosophy e’en from my youth; [Reading φιλοσοφω for φιλοσοφων ] I thought that you were both yourself prepared for death and knew full well my generalship in this. For just as warriors in the field have need not only of good courage but also of that generalship which tells them when to fight, so too must they who wisdom love make careful study of good times to die, that they may choose the best and not be done to death all unprepared. That I have chosen best and picked the moment which suits wisdom best to give death battle—if so it be that any one should wish to slay me - I' ve proved to other friends when you were by, nor ever ceased to teach you it alone” (vii 31).The above are some few indications of how our philosopher lived, in fear of nothing but disloyalty to his high ideal. We will now make mention of some of his more personal traits, and of some of the names of his followers.
Himself and His Circle
Apollonius is said to have been very beautiful to look upon (i 7, 12; iv 1); [Rathgeber (G) in his Gross griechenland und Pythagoras (Gotha 1866), a work of marvellous bibliographical industry, refers to three supposed portraits of Apollonius (p 621). (i) In the Campidoglio Museum of the Vatican, Indicazione delle Sculture (Roma 1840) p 68, nos 75, 76, 77; (ii) in the Musée Royal Bourbon, described by Michel B. (Naples 1837), p 79, no 363; (iii) a contorniate reproduced by Visconti. I cannot trace his first reference,but in a Guide pour le Musée Royal Bourbon, traduit par C.J.J. (Naples 1831), I find on p 152 that no 363 is a bust of Apollonius, 2¾ feet high, carefully executed, with a Zeus-like head, having a beard and long hair descending onto his shoulders, bound with a deep fillet. The bust seems to be ancient. I have, however, not been able to find a reproduction of it. Visconti (E.Q) in the atlas of his Iconographic Grecque(Paris 1808), vol i plate 17, facing p 68, gives the reproduction of a contorniate, or medal with a circular border, on one side of which is a head of Apollonius and the Latin legend APOLLONIVS TEANEVS. This also represents our philosopher with a beard and long hair; the head is crowned, and the upper part of the body covered with a tunic and the philosopher’s cloak. The medal, however, is of very inferior workmanship, and the portrait is by no means pleasing. Visconti in his letterpress devotes an angry and contemptuous paragraph to Apollonius, “ce trop célèbre imposteur,” as he calls him, based on De Tillemont.] but beyond this we have no very definite description of his person. His manner was ever mild and gentle (i 36; ii 22) and modest (iv 31; viii 15), and in this,says Damis,he was more like an Indian than a Greek (iii 36); yet occasionally he burst out indignantly against some special enormity (iv 30).His mood was often pensive (i 34), and when not speaking he would remain for long plunged in deep thought, during which his eyes were steadfastly fixed on the ground (i 10 et al.).Though, as we have seen, he was inflexibly stern with himself, he was ever ready to make excuses for others; if, on the one hand, he praised the courage of those few who remained with him at Rome, on the other he refused to blame for their cowardice the many who had fled (iv 38). Nor was his gentleness shown simply by abstention from blame, he was ever active in positive deeds of compassion (cf vi 39).One of his little peculiarities was a liking to be addressed as “Tyanean” (vii 38), but why this was so we are not told.It can hardly have been that Apollonius was particularly proud of his birth-place, for even though he was a great lover of Greece, so that at times you would call him an enthusiastic patriot, his love for other countries was quite as pronounced. Apollonius was a citizen of the world, if there has ever been one, into whose speech the word native-land did not enter, and a priest of universal religion in whose vocabulary the word sect did not exist.In spite of his extremely ascetic life he was a man of strong physique, so that even when he has reached the ripe age of four-score years, we are told, he was sound and healthy in every limb and organ, upright and perfectly formed. There was also a certain indefinite charm about him that made him more pleasant to look upon than even the freshness of youth, and this even though his face was furrowed with wrinkles, just as the statues in the temple of Tyana represented him in the time of Philostratus. In fact, says his rhetorical biographer, report sang higher praises over the charm of Apollonius in his old age than over the beauty of Alcibiades in his youth (viii 29).
In brief, our philosopher seems to have been of a most charming presence and lovable disposition; nor was his absolute devotion to philosophy of the nature of the hermit ideal, for he passed his life among men. What wonder then that he attracted to himself many followers and disciples! It would have been interesting if Philostratus had told us more about these “Apollonians,” as they were called (viii 21), and whether they constituted a distinct school, or whether they were grouped together in communities on the Pythagorean model, or whether they were simply independent students attracted to the most commanding personality of the times in the domain of philosophy. It is, however, certain that many of them wore the same dress as himself and followed his mode of life (iv 39). Repeated mention is also made of their accompanying Apollonius on his travels (iv 47; v 21; viii 19, 21, 24), sometimes as many as ten of them at the same time, but none of them were allowed to address others until they had fulfilled the vow of silence (v 43).The most distinguished of his followers were Musonius, who was considered the greatest philosopher of the time after the Tyanean, and who was the special victim of Nero’s tyranny (iv 44; v 19; vii 16), and Demetrius, “who loved Apollonius” (iv 25, 42; v 19; vi 31; vii 10; viii 10). These names are well known to history; of names otherwise unknown are the Egyptian Dioscorides, who was left behind owing to weak health on the long journey to Ethiopia (iv 11, 38; v 43), Menippus, whom he had freed from an obsession(iv 25, 38; v 43), Phædimus (iv 11), and Nilus, who joined him from Gymnosophists (v 10 sqq., 28), and of course Damis, who would have us think that he was always with him from the time of their meeting at Ninus.On the whole we are inclined to think that Apollonius did not establish any fresh organization; he made use of those already existing, and his disciples were those who were attracted to him personally by an overmastering affection which could only be satisfied by being continually near him. This much seems certain, that he trained no one to carry on his task; he came and went, helping and illuminating, but he handed on no tradition of a definite line, and founded no school to be continued by successors. Even to his ever faithful companion, when bidding him farewell for what he knew would be the last time for Damis on earth, he had no word to say about the work to which he had devoted his life, but which Damis had never understood. His last words were for Damis alone, for the man who had loved him, but who had never known him. It was a promise to come to him if he needed help. “Damis, whenever you think on high matters in solitary meditation, you shall see me” (viii 28).We will next turn our attention to a consideration of some of the sayings ascribed to Appolonius and the speeches put into his mouth by Philostratus. The shorter sayings are in all probability authentically traditional, but the speeches are for the most part manifestly the artistic working-up of the rough notes of Damis. In fact, they are definitely declared to be so; but they are none the less interesting on this account, and for two reasons.
In the first place, they honestly avow their nature, and make no claim of inspiration; they are confessedly human documents which endeavour to give a literary dress to the traditional body of thought and endeavour which the life of the philosopher built into the minds of his hearers. The method was common to antiquity, and the ancient compilers of certain other series of famous documents would have been struck with amazement had they been able to see how posterity would divinise their efforts and regard them as immediately inspired by the source of all wisdom.In the second place, although we are not to suppose that we are reading the actual words of Apollonius,we are nevertheless conscious of being in immediate contact with the inner atmosphere of the best religious thought of the Greek mind, and have before our eyes the picture of a mystic and spiritual fermentation which leavened all strata of society in the first century of our era.
From His Sayings and Sermons
Apollonius believed in prayer,but how differently from the vulgar.For him the idea that the Gods could be swayed from the path of rigid justice by the entreaties of men, was a blasphemy; that the Gods could be made parties to our selfish hopes and fears was to our philosopher unthinkable. One thing alone he knew, that the Gods were the ministers of right and the rigid dispensers of just desertThe common belief, which has persisted to our own day, that God can be swayed from His purpose, that compacts could be made with Him or with His ministers, was entirely abhorrent to Apollonius.Beings with whom such pacts could be made, who could be swayed and turned, were not Gods but less than men. And so we find Apollonius as a youth conversing with one of the priests of Æsculapius as follows:“Since then the Gods know all things, I think that one who enters the temple with a right conscience within him should pray thus: ‘Give me, ye Gods, what is my due!’ “ (i II).And thus again on his long journey to India he prayed at Babylon: “God of the sun, send thou me o’er the earth so far as e’er ‘tis good for Thee and me; and may I come to know the good, and never know the bad nor they know me” (i 31).One of his most general prayers, Damis tells us, was to this effect: “Grant me, ye Gods, to have little and need naught” (i 34).“When you enter the temples, for what do you pray?” asked the Pontifex Maximus Telesinus of our philosopher. “I pray,” said Apollonius, “that righteousness may rule, the laws remain unbroken, the wise be poor and others rich, but honestly” (iv 40).
The belief of the philosopher in the grand ideal of having nothing and yet possessing all things, is exemplified by his reply to the officer who asked him how he dared enter the dominions of Babylon without permission. “The whole earth,” said Apollonius, “is mine; and it is given me to journey through it”(i 21).There are many instances of sums of money being offered to Apollonius for his services, but he invariably refused them; not only so but his followers also refused all presents. On the occasion when King Vardan, with true Oriental generosity, offered them gifts, they turned away; whereupon Apollonius said: “You see, my hands, though many, are all like each other.” And when the king asked Apollonius what present he would bring him back from India, our philosopher replied: “A gift that will please you, sire.For if my stay there should make me wiser, I shall come back to you better than I am” (i 41).When they were crossing the great mountains into India a conversation is said to have taken place between Apollonius and Damis, which presents us with a good instance of how our philosopher ever used the incidents of the day to inculcate the higher lessons of life. The question was concerning the “below” and “above.” Yesterday, said Damis, we were below in the valley; today we are above, high on the mountains, not far distant from heaven. So this is what you mean by “below” and “above,” said Apollonius gently. Why, of course, impatiently retorted Damis, if I am in my right mind; what need of such useless questions? And have you acquired a greater knowledge of the divine nature by being nearer heaven on the tops of the mountains? continued his master. Do you think that those who observe the heaven from the mountain heights are any nearer the understanding of things? Truth to tell, replied Damis, somewhat crestfallen, I did think I should come down wiser, for I’ve been up a higher mountain than any of them, but I fear I know no more than before I ascended it. Nor do other men, replied
Apollonius; “such observations make them see the heavens more blue, the stars more large, and the sun rise from the night, things known to those who tend the sheep and goats; but how God doth take thought for human kind, and how He doth find pleasure in their service, and what is virtue, righteousness and commonsense, that neither Athos will reveal to those who scale his summit nor yet Olympus who stirs the poet’s wonder, unless it be the soul perceive them; for should the soul when pure and unalloyed essay such heights, I swear to thee, she wings her flight far far beyond this lofty Caucasus” (ii 6).
So again, when at Thermopylæ his followers were disputing as to which was the highest ground in Greece, Mt OEta being then in view. They happened to be just at the foot of the hill on which the Spartans fell overwhelmed with arrows.Climbing to the top of it Apollonius cried out: “And I think this the highest ground, for those who fell here for freedom’s sake have made it high as OEta and raised it far above a thousand of Olympuses” (iv 23).Another instance of how Apollonius turned chance happenings to good account is the following. Once at Ephesus, in one of the covered walks near the city, he was speaking of sharing our goods with others,and how we ought mutually to help one another. It chanced that a number of sparrows were sitting on a tree hard by in perfect silence. Suddenly another sparrow flew up and began chirping, as though it wanted to tell the others something. Whereupon the little fellow all set to a-chirping also, and flew away
after the newcomer. Apollonius’ superstitious audience were greatly struck by this conduct of the sparrows, and thought it was an augury of some important matter. But the philosopher continued with his sermon.The sparrow, he said, has invited his friends to a banquet. A boy slipped down in a lane hard by and spilt some corn he was carrying in a bowl; he picked up most of it and went away. The little sparrow,chancing on the scattered grains, immediately flew off to invite his friends to the feast.
Thereon most of the crowd went off at a run to see if it were true, and when they came back shouting and all agog with wonderment, the philosopher continued: “Ye see what care the sparrows take of one another, and how happy they are to share their goods. And yet we men do not approve; nay, if we see a man sharing his goods with other men, we call it wastefulness, extravagance, and by such names, and dub the men to whom he gives a share, fawners and parasites. What then is left to us except to shut us up at home like fattening birds, and gorge our bellies in the dark until we burst with fat?” (iv 3).On another occasion, at Smyrna, Apollonius, seeing a ship getting under weigh, used the occasion for teaching the people the lesson of cooperation. “Behold the vessel’s crew!” he said. “How some have manned the boats, some raise the anchors up and make them fast, some set the sails to catch the wind,how others yet again look out at bow and stern. But if a single man should fail to do a single one of these his duties,or bungle in his seamanship, their sailing will be bad, and they will have the storm among them. But if they strive in rivalry each with the other, their only strife being that no man shall seem worse than his mates, fair havens shall there be for such a ship, and all good weather and fair voyage crowd in upon it” (iv 9).Again, on another occasion, at Rhodes, Damis asked him if he thought anything greater than the famous Colossus. “I do,” replied Apollonius; “the man who walks in wisdom's guileless paths that give us health”(v 21).
There is also a number of instances of witty or sarcastic answers reported of our philosopher, and indeed, in spite of his generally grave mood, he not unfrequently rallied his hearers, and sometimes, if we may say so, chaffed the foolishness out of them (see especially iv 30).Even in times of great danger this characteristic shows itself.A good instance is his answer to the dangerous question of Tigellinus,“What think you of Nero ? ” “I think better of him than you do,” retorted Apollonius,“for you think he ought to sing, and I think he ought to keep silence” (iv 44).So again his reproof to a young Croesus of the period is as witty as it is wise. “Young sir,” he said, “methinks it is not you who own your house, but your house you” (v 22).Of the same style also is his answer to a glutton who boasted of his gluttony. He copied Hercules, he said, who was as famous for the food he ate as for his labours.“Yes,” said Apollonius, “for he was Hercules. But you, what virtue have you, midden-heap?Your only claim to notice is your chance of being burst” (iv 23).But to turn to more serious occasions. In answer to Vespasian’s earnest prayer, “Teach me what should a good king do,” Apollonius is said to have replied somewhat in the following words:“You ask me what can not be taught. For kingship is the greatest thing within a mortal’s reach;it is not taught. Yet will I tell you what if you will do, you will do well. Count not that wealth which is stored up - in what is this superior to the sand haphazard heaped? nor that which comes from men to groan beneath taxation's heavy weight - for gold that comes from tears is base and black. You’ll use wealth best of any king, if you supply the needs of those in want and make their wealth secure for those with many goods. Be fearful of the power to do whate’er you please, so will you use it with more prudence. Do not lop off the ears of corn that show beyond the rest and raise their heads - for Aristotle is not just in this [See Chassang, op. cit., p 458, for a criticism on this statement.]—but rather weed their disaffection out like tares from corn, and show yourself a fear to stirrers up of strife not in ‘I punish you’ but in ‘ I will do so.’ Submit yourself to law, O prince, for you will make the laws with greater wisdom if you do not despise the law yourself. Pay reverence more than ever to the Gods; great are the gifts
you have received from them, and for great things you pray. [This was before Vespasian became emperor.] In what concerns the state act as a king; in what concerns yourself, act as a private man”(v 36).And so on much in the same strain, all good advice and showing a deep knowledge of human affairs.And if we are to suppose that this is merely a rhetorical exercise of Philostratus and not based on the substance of what Apollonius said, then we must have a higher opinion of the rhetorician than the rest of his writings warrant.
There is an exceedingly interesting Socratic dialogue between Thespesion, the abbot of the Gymnosophist community, and Apollonius on the comparative merits of the Greek and Egyptian ways of representing the Gods. It runs somewhat as follows;“What! Are we to think,” said Thespesion, “that the Pheidiases and Praxiteleses went up to heaven and took impressions of the forms of the Gods, and so made an art of them, or was it something else that set them a-modeling?”“Yes, something else,” said Apollonius, “something pregnant with wisdom.”“What was that? Surely you cannot say it was anything else but imitation?” “Imagination wrought them - a workman wiser far than imitation; for imitation only makes what it has seen, whereas imagination makes what it has never seen, conceiving it with reference to the thing it really is.”
Imagination, says Apollonius, is one of the most potent faculties, for it enables us to reach nearer to realities. It is generally supposed that Greek sculpture was merely a glorification of physical beauty, in itself quite unspiritual. It was an idealisation of form and features, limbs and muscles, an empty glorification of the physical with nothing of course really corresponding to it in the nature of things. But Apollonius declared it brings us nearer to the real, as Pythagoras and Plato declared before him, and as all the wiser teach. He meant this literally, not vaguely and fantastically. He asserted that the types and ideas of things are the only realities. He meant that between the imperfection of the earth and the highest divine type of all things, were grades of increasing perfection. He meant that within each man was a form of perfection, though of course not yet absolutely perfect. That the angel in man, his dæmon, was of God-like beauty, the summation of all the finest features he had ever worn in his many lives on earth.The Gods, too, belonged to the world of types, of models, of perfections , the heaven-world. The Greek sculptors had succeeded in getting in contact with this world, and the faculty they used was imagination.This idealisation of form was a worthy way to represent the Gods; but, says Apollonius, if you set up a hawk or owl or dog in your temples, to represent Hermes or Athena or Apollo, you may dignify the animals, but you make the Gods lose dignity. To this Thespesion replies that the Egyptians dare not give any precise form to the Gods; they give them merely symbols to which an occult meaning is attached.Yes, answers Apollonius, but the danger is that the common people worship these symbols and get unbeautiful ideas of the Gods. The best thing would be to have no representations at all. For the mind of the worshipper can form and fashion for himself an image of the object of his worship better than any art.Quite so, retorted Thespesion, and then added mischievously: There was an old Athenian, by-the-by - no fool - called Socrates, who swore by the dog and goose as though they were Gods.Yes, replied Apollonius, he was no fool. He swore by them not as being Gods, but in order that he might not swear by the Gods (iv 19).
This is a pleasant passage of wit, of Egyptian against Greek, but all such set arguments must be set down to the rhetorical exercises of Philostratus rather than to Apollonius, who taught as “one having authority,” as “from a tripod.” Apollonius, a priest of universal religion, might have pointed out the good side and the bad side of both Greek and Egyptian religious art, and certainly taught the higher way of symbol-less worship, but he would not champion one popular cult against another. In the above speech there is a distinct prejudice against Egypt and a glorification of Greece, and this occurs in a very marked fashion in several other speeches. Philostratus was a champion of Greece against all comers; but Apollonius, we believe, was wiser than his biographer.In spite of the artificial literary dress that is given to the longer discourses of Apollonius, they contain many noble thoughts, as we may see from the following quotations from the conversations of our philosopher with his friend Demetrius, who was endeavouring to dissuade him from braving Domitian at
Rome.The law, said Apollonius, obliges us to die for liberty, and nature ordains that we should die for our parents, our friends, or our children. All men are bound by these duties. But a higher duty is laid upon the sage; he must die for his principles and the truth he holds dearer than life. It is not the law that lays this choice upon him, it is not nature; it is the strength and courage of his own soul. Though fire or sword threaten him, it will not overcome his resolution or force him from the slightest falsehood; but he will guard the secrets of others’ lives and all that has been entrusted to his honour as religiously as the secrets of initiation. And I know more than other men, for I know that of all that I know, I know some things for the good, some for the wise, some for myself, some for the Gods, but naught for tyrants.Again, I think that a wise man does nothing alone or by himself; no thought of his so secret but that he has himself as witness to it. And whether the famous saying “know thyself” be from Apollo or from some sage who learnt to know himself and proclaimed it as a good for all, I think the wise man who knows himself and has his own spirit in constant comradeship, to fight at his right hand, will neither cringe at what the vulgar fear, nor dare to do what most men do without the slightest shame (vii 15).In the above we have the true philosopher’s contempt for death, and also the calm knowledge of the initiate, of the comforter and adviser of others to whom the secrets of their lives have been confessed, that no tortures can ever unseal his lips. Here, too, we have the full knowledge of what consciousness is,of the impossibility of hiding the smallest trace of evil in the inner world; and also the dazzling brilliancy of a higher ethic which makes the habitual conduct of the crowd appear surprising - the“that which they do - not with shame.''
From His Letters
Apollonius seems to have written many letters to emperors, kings, philosophers, communities and states, although he was by no means a “voluminous correspondent”; in fact, the style of his short notes is exceedingly concise, and they were composed, as Philostratus says, “after the manner of the Lacedæmonian scytale” [This was a staff, or baton, used as a cypher for writing dispatches. “A strip of leather was rolled slantwise round it, on which the dispatches were written lengthwise, so that when unrolled they were unintelligible; commanders abroad had a staff of like thickness, round which they rolled their papers, and so were able to read the dispatches.” (Liddell and Scott’s Lexicon sub voc.)Hence scytale came to mean generally a Spartan dispatch, which was characteristically laconin in its brevity.](iv 27 and vii 35).It is evident that Philostratus had access to letters attributed to Apollonius, for he quotes a number of them, [See i 7, 15, 24, 32; iii 51; iv 5, 22, 26, 27, 46; v 2, 10, 39, 40, 41; vi 18, 27, 29, 31, 33; viii 7, 20,27, 28.], and there seems no reason to doubt their authenticity. Whence he obtained them does not inform us, unless it be that they were the collection made by Hadrian at Antium (viii 20).That the reader may be able to judge of the style of Apollonius we append one or two specimens of these letters, or rather notes, for they are too short to deserve the title of epistles.Here is one to the magistrates of Sparta:“Apollonius to the Ephors, greeting!“It is possible for men not to make mistakes, but it requires noble men to acknowledge they have made them.”All of which Apollonius gets into just half as many words in Greek. Here, again, is an interchange of notes between the two greatest philosophers of the time, both of whom suffered imprisonment and were in constant danger of death. “Apollonius to Musonius, the philosopher, greeting!“I want to go to you, to share speech and roof with you, to be of some service to you. If you still believe that Hercules once rescued Theseus from Hades, write what you would have.Farewell!”“Musonius to Apollonius, the philosopher, greeting!“Good merit shall be stored for you for your good thoughts; what is in store for me is one who waits his trial and proves his innocence. Farewell.” “Apollonius to Musonius, greeting!“Socrates refused to be got out of prison by his friends and went before the judges. He was put to death. Farewell.”“Musonius to Apollonius, the philosopher, greeting!“Socrates was put to death because he made no preparation for his defence. I shall do so. Farewell!”However, Musonius, the Stoic, was sent to penal servitude by Nero.Here is a note to the Cynic Demetrius, another of our philosopher’s most devoted friends.“Apollonius, the philosopher, to Demetrius, the Dog, [I.e., Cynic.] greeting!“I give thee to Titus, the emperor, to teach him the way of kingship, and do you in turn give me to speak him true; and be to him all things but anger. Farewell!”In addition to the notes quoted in the text of Philostratus, there is a collection of ninety-five letters, mostly brief notes, the text of which is printed in most editions. [Chassang (op cit., pp 395 sqq) gives a French translation of them.] Nearly all the critics are of opinion that they are not genuine, but Jowett [Art.“Apollonius,” Smith’s Dict of Class Biog.] and others think that some of them may very well be genuine.Here is a specimen or two of these letters. Writing to Euphrates, his great enemy, that is to say Champion of pure rationalistic ethic against the science of sacred things, he says:17. “The Persians call those who have the divine faculty (or are god-like) Magi. A Magus, then,is one who is a minister of the Gods, or one who has by nature the god-like faculty. You are no Magus but reject the Gods (i.e., are an atheist).”Again, in a letter addressed to Criton, we read: 23. “Pythagoras said that the most divine art was that of healing. And if the healing art is most divine, it must occupy itself with the soul as well as with the body; for no creature can be sound so long as the higher part in it is sickly.”
Writing to the priests of Delphi against the practice of blood-sacrifice, he says:27. “Heraclitus was a sage, but even he [That is to say, a philosopher of 600 years ago.] never advised the people of Ephesus to wash out mud with mud.” [That is to expiate blood-guiltiness with blood-sacrifice.]Again, to some who claimed to be his followers, those “who think themselves wise,” he writes the reproof: 43. “If any say he is my disciple, then let him add he keeps himself apart out of the Baths, he slays no living thing, eats of no flesh, is free from envy, malice, hatred,calumny, and hostile feelings, but has his name inscribed among the race of those who’ve won their freedom.”Among these letters is found one of some length addressed to Valerius, probably P. Valerius Asiaticus,consul in A.D. 70. It is a wise letter of philosophic consolation to enable Valerius to bear the loss of his son, and runs as follows: [Chaignet (A. É), in his Pythagore et la Philosophie pythagoricienne (Paris 1873, 2nd ed 1874), cites this as a genuine example of Apollonius philosophy.]“There is no death of anyone, but only in appearance, even as there is no birth of any, save only in seeming. The change from being to becoming seems to be birth, and the change from becoming to being seems to be death, but in reality no one is ever born, nor does one ever die. It is simply a being visible and then invisible; the former through the density of matter, and the latter because of the subtlety of being - being which is ever the same, its only change being motion and rest. For being has this necessary peculiarity, that its change is brought about by nothing external to itself; but whole becomes parts and parts become whole in the oneness of the all. And if it be asked: What is this which sometimes is seen and sometimes not seen, now in the same, now in the different?—it might be answered: It is the way of everything here in the world below that when it is filled out with matter it is visible, owing to the resistance of its density, but is invisible, owing to its subtlety, when it is rid of matter, though matter still surround it and flow through it in that immensity of space which hems it in but
knows no birth or death.“But why has this false notion [of birth and death] remained so long without a refutation?
Some think that what has happened through them, they have themselves brought about. They are ignorant that the individual is brought to birth through parents, not by parents, just as a thing produced through the earth is not produced from it. The change which comes to the individual is nothing that is caused by his visible surroundings, but rather a change in the one thing which is in every individual.“And what other name can we give to it but primal being? ‘Tis it alone that acts and suffers becoming all for all through all, eternal deity, deprived and wronged of its own self by names and forms. But this is a less serious thing than that a man should be bewailed, when he has passed from man to God by change of state and not by the destruction of his nature. The fact is that so far from mourning death you ought to honour it and reverence it. The best and the fittest way for you to honour death is now to leave the one who’s gone to God, and set to work to play the ruler over those left in your charge as you were wont to do. It would be a disgrace for such a man as you to owe your cure to time and not to reason, for time makes even common people cease from grief. The greatest things is a strong rule, and of the greatest rulers he is best who first can rule himself. And how is it permissible to wish to change what has been brought to pass by will of God? If there’s a law in things, and there is one, and it is God who has appointed it, the righteous man will have no wish to try to change good things,for such a wish is selfishness, and counter to the law, but he will think that all that comes to pass is a good thing. On! heal yourself, give justice to the wretched and console them; so shall you dry your tears. You should not set your private woes above your public cares, but rather set your public cares before your private woes. And see as well what consolation you already have! The nation sorrows with you for your son. Make some return to those who weep with you; and this you will more quickly do if you will cease from tears than if you still persist. Have you not friends? Why! you have yet another son. Have you not even still the one that’s gone?You have!—will answer anyone who really thinks. For ‘that which is’ doth cease not - nayis just for the very fact that it will be for aye; or else the ‘is not’ is, and how could that be when the ‘is’ doth never cease to be?“Again it will be said you fail in piety to God and are unjust. ‘Tis true. You fail in piety to God,you fail in justice to your boy; nay more, you fail in piety to him as well. Would’st know what death is?Then make me dead and send me off to company with death, and if you will not change the dress you’ve put on it, [That is his idea of death.] you will have straightway made me better than yourself.” [The text of the last sentence is very obscure].
The Writings of Apollonius
But besides these letters Apollonius also wrote a number of treatises, of which , however,only one or two fragments have been preserved.These treatises are as follows: a. The Mystic Rites or Concerning Sacrifices. [The full title is given by Eudocia, Ionia; ed. Villoison (Venet 1781) p 57] This treatise is mentioned by Philostratus (iii 41; iv 19), who tells us that it set down the proper method of sacrifice to every God, the proper hours of prayer and offering. It was in wide circulation, and Philostratus had come across copies of it in many temples and cities, and in the libraries of philosophers. Several fragments of it have been preserved, [See Zeller, Phil d Griech, v 127] the most important of which is to be found in Eusebius, [Præparat. Evangel., iv 12-13; ed Dindorf (Leipzig 1867), i 176, 177] and is to this effect: “ ‘Tis best to make no sacrifice to God at all, no lighting of a fire, no calling Him by any name that men employ for things to sense. For God is over all, the first; and only after Him do come the other Gods. For He doth stand in need of naught e’en from the Gods, much less from us small men - naught that the earth brings forth, nor any life she nurseth, or even any thing the stainless air contains. The only fitting sacrifice to God is man’s best reason, and not the word [A play on the meanings of λoγος, which signifies both reason and word.] that comes from out his mouth.“We men should ask the best of beings through the best thing in us, for what is good - mean
by means of mind, for mind needs no material things to make its prayer. So then, to God, the mighty One, who’s over all, no sacrifice should ever be lit up.”Noack [Psyche, I ii.5.] tells us that scholarship is convinced of the genuineness of this fragment. This book, as we have seen, was widely circulated and held in the highest respect, and it said that its rules were engraved on brazen pillars at Byzantium. [Noack, ibid.]b. The Oracles or Concerning Divination, 4 books. Philostratus (iii 41) seems to think that the full title was Divination of the Stars, and says that it was based on what Apollonius had learned in India; but the kind of divination Apollonius wrote about was not the ordinary astrology, but something which Philostratus considers superior to ordinary human art in such matters. He had, however, never heard of anyone possessing a copy of this rare work. c. The Life of Pythagoras. Porphyry refers to this work, 8 [See Noack, Porphr. Vit. Pythag., p 15] and Iamblichus quotes a long passage from it. [Ed. Amstelod., 1707, cc 254-264]d. The Will of Apollonius, to which reference has already been made, in treating of the sources of Philostratus (i 3). This was written in the Ionic dialect, and contained a summary of his doctrines.A Hymn to Memory is also ascribed to him, and Eudocia speaks of many other( και αλλα πολλα) works.We have now indicated for the reader all the information which exists concerning our philosopher. Was Apollonius, then, a rogue, a trickster, a charlatan, a fanatic, a misguided enthusiast, or a philosopher, a reformer, a conscious worker, a true initiate, one of the earth’s great ones? This each must decide for himself, according to his knowledge or his ignorance.
I for my part bless his memory, and would gladly learn from him, as now he is.
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